Deep-time Sculpted Existence
2026
人類通常無法感知到遠超自己生命長河的漫長時間的存在,也無法感知到這段時間與“當下”是緊密相連的。也就是說,對於時間連續性的認知,存在著界限。
然而,當與裸露的地層懸崖對峙時,人們會意識到在其壓倒性的形態與質感中,包含著累積的龐大時間。地層、懸崖、溪谷、洞窟、瀑布、深邃的森林。在這裡,地球的時間、隆起、侵蝕、水流以及生命的活動相互重疊,作為一個巨大的存在拔地而起。
teamLab將這個由悠久時間刻下的巨大存在命名為“Deep-time Sculpted Existence”。
“Deep-time Sculpted Existence”並非由人類來雕刻大地,而是將由地球的時間、隆起、侵蝕、水流等所雕刻出的存在,視為連續的生命與人類的當下相交彙的場所。
這一概念將“不破壞自然,將自然本身變為藝術”的“Digitized Nature”理念,拓展至地質學的時間尺度。自然不僅作為空間出現,更作為內在著深邃時間的存在而顯現。“Deep-time Sculpted Existence”將這種存在作為一個時間、生命、環境與身體相連續的場所而敞開。
在《Continuous Life and Death at the Now of Deep Time》中,在名為“Deep-time Sculpted Existence”的巨大地層峽谷之中,花朵不斷重復著誕生與死滅,流淌著連續的生命時間。同時,作品的世界也會隨著活在當下的人們的存在而發生變化。
當步入峽谷的深淵並漫步其中時,累積的龐大時間不再作為遙遠的過去,而是與當下這一瞬間相連續的事實得以顯現。在地球的時間、連續的生命時間以及人類的當下相互重疊之中,人們會連同身體一起,切身感受到自我的存在正是建立在漫長時間的連續性之上。
“Deep-time Sculpted Existence”將由地球時間所雕刻出的存在,呈現為一個供人類步入其中、用身體切身感受時間連續性的場所。從而摸索著去瓦解對於時間在認知上的界限。
人類並非從外部注視著這個世界。而是置身於漫長時間、生命、環境與身體相連續的場所之中,並在其中認知著存在。
FEATURED WORKS
Continuous Life and Death at the Now of Deep Time
teamLab, 2026, from the series <i>Ever Blossoming Life Waterfall - Deep in the Mountains of Shikoku</i>, 2016-, Interactive Installation, Sound: Hideaki Takahashi
The deep valleys and sheer cliffs of the Yoro Valley were formed over hundreds of thousands of years as the earth lifted layers of rock that had accumulated over 3 million years. The flow of water carved out the strata, exposing the memories of the earth.*
People are usually unable to perceive the existence of periods of time far longer than their own lives, and that that time is continuous with the now. However, when confronting the exposed cliffs of the strata, people realize that an endlessly long accumulated time is inherent within its overwhelming shape and texture.
We named this giant existence carved by eternal time, Deep-time Sculpted Existence.
Within this giant existence, flowers repeat the cycle of life and death, the time of continuous life flows, and it continues to transform due to the existence of people living in the present.
Entering the depths of the valley, wandering, and becoming one with this overwhelming existence, it becomes apparent that the endlessly long accumulated time is continuous with this very moment.
And when walking through the overlap of these two times, people physically realize that their own existence is part of a boundless continuity of a long, long time.
* In Yoro Valley, there is a geomagnetic reversal stratum that retains the clearest traces in the world of the reversal of the earth's magnetic field (North and South poles). Due to the historical value of this stratum, the geological age from approximately 774,000 to 129,000 years ago has been named, Chibanian (Chiba Age), the first geological age to be named after a place in Japan.
永恆綻放的生命瀑布──四國深山 / Ever Blossoming Life Waterfall - Deep in the Mountains of Shikoku
teamLab, 2016 - 2017, Digitized Nature, Sound: Hideaki Takahashi
在水流湍急的瀑布上和岩石縫隙間,花朵永恆地綻放、凋零著,並且隨著季節的變化綻放出當地的花朵。
萌芽生長,含苞待放,花開凋零,枯萎死亡,不停地重復著花的輪回。
地球上的生命繁衍了數十億年,永恆地重復著生命循環。但是人類很難認識到到這一點。
岩石是沒有生命的無機物。瀑布日復一日地塑造著岩石的形態。所以,我們可以將岩石看作體現生命力量的雕塑品。
鲜花在大步危小步危峡谷的瀑布下绽放 / Flowers Bloom under the Waterfall in the Gorge - Ōboke Koboke
teamLab, 2016, Digitized Nature, Sound: Hideaki Takahashi
我們所知的世界是由偉大的生命循環構成的,數十億年如一日地永恆循環著。
水是生命之源。洶湧奔流的河水撞擊著峽谷,群花永恆地綻放散落在水面上。萌芽生長,含苞待放,花開凋零,枯萎死亡,不停地重復著花的輪回。
瀑布投影在山崖上,山崖歷經歲月的洗禮,由奔流的河川洗刷過峽谷陡峭的岩石後造就而成。瀑布投影時的降落軌跡是根據山崖的實際情況計算得出的。電腦計算了水粒子的運動軌跡和相互作用,然後根據物理定律模擬水流。根據水粒子的分布確定線條,由線條在峽谷險峻的山崖上刻畫出瀑布。
這件藝術作品處於不斷變化的狀態;每過一個小時,一個季節的花便會綻放凋落。作品不是預先錄制的動畫,也無法循環播放,而是根據電腦程序實時呈現的。每一種視覺狀態都無法復制,也無法重現。