Deep-time Sculpted Existence
2026
人类通常无法感知到远超自己生命长河的漫长时间的存在,也无法感知到这段时间与“当下”是紧密相连的。也就是说,对于时间连续性的认知,存在着界限。
然而,当与裸露的地层悬崖对峙时,人们会意识到在其压倒性的形态与质感中,包含着累积的庞大时间。地层、悬崖、溪谷、洞窟、瀑布、深邃的森林。在这里,地球的时间、隆起、侵蚀、水流以及生命的活动相互重叠,作为一个巨大的存在拔地而起。
teamLab将这个由悠久时间刻下的巨大存在命名为“Deep-time Sculpted Existence”。
“Deep-time Sculpted Existence”并非由人类来雕刻大地,而是将由地球的时间、隆起、侵蚀、水流等所雕刻出的存在,视为连续的生命与人类的当下相交汇的场所。
这一概念将“不破坏自然,将自然本身变为艺术”的“Digitized Nature”理念,拓展至地质学的时间尺度。自然不仅作为空间出现,更作为内在着深邃时间的存在而显现。“Deep-time Sculpted Existence”将这种存在作为一个时间、生命、环境与身体相连续的场所而敞开。
在《Continuous Life and Death at the Now of Deep Time》中,在名为“Deep-time Sculpted Existence”的巨大地层峡谷之中,花朵不断重复着诞生与死灭,流淌着连续的生命时间。同时,作品的世界也会随着活在当下的人们的存在而发生变化。
当步入峡谷的深渊并漫步其中时,累积的庞大时间不再作为遥远的过去,而是与当下这一瞬间相连续的事实得以显现。在地球的时间、连续的生命时间以及人类的当下相互重叠之中,人们会连同身体一起,切身感受到自我的存在正是建立在漫长时间的连续性之上。
“Deep-time Sculpted Existence”将由地球时间所雕刻出的存在,呈现为一个供人类步入其中、用身体切身感受时间连续性的场所。从而摸索着去瓦解对于时间在认知上的界限。
人类并非从外部注视着这个世界。而是置身于漫长时间、生命、环境与身体相连续的场所之中,并在其中认知着存在。
FEATURED WORKS
Continuous Life and Death at the Now of Deep Time
teamLab, 2026, from the series <i>Ever Blossoming Life Waterfall - Deep in the Mountains of Shikoku</i>, 2016-, Interactive Installation, Sound: Hideaki Takahashi
The deep valleys and sheer cliffs of the Yoro Valley were formed over hundreds of thousands of years as the earth lifted layers of rock that had accumulated over 3 million years. The flow of water carved out the strata, exposing the memories of the earth.*
People are usually unable to perceive the existence of periods of time far longer than their own lives, and that that time is continuous with the now. However, when confronting the exposed cliffs of the strata, people realize that an endlessly long accumulated time is inherent within its overwhelming shape and texture.
We named this giant existence carved by eternal time, Deep-time Sculpted Existence.
Within this giant existence, flowers repeat the cycle of life and death, the time of continuous life flows, and it continues to transform due to the existence of people living in the present.
Entering the depths of the valley, wandering, and becoming one with this overwhelming existence, it becomes apparent that the endlessly long accumulated time is continuous with this very moment.
And when walking through the overlap of these two times, people physically realize that their own existence is part of a boundless continuity of a long, long time.
* In Yoro Valley, there is a geomagnetic reversal stratum that retains the clearest traces in the world of the reversal of the earth's magnetic field (North and South poles). Due to the historical value of this stratum, the geological age from approximately 774,000 to 129,000 years ago has been named, Chibanian (Chiba Age), the first geological age to be named after a place in Japan.
永恒绽放的生命瀑布──四国深山 / Ever Blossoming Life Waterfall - Deep in the Mountains of Shikoku
teamLab, 2016 - 2017, Digitized Nature, Sound: Hideaki Takahashi
在水流湍急的瀑布上和岩石缝隙间,花朵永恒地绽放、凋零着,并且随着季节的变化绽放出当地的花朵。
萌芽生长,含苞待放,花开凋零,枯萎死亡,不停地重复着花的轮回。
地球上的生命繁衍了数十亿年,永恒地重复着生命循环。但是人类很难认识到到这一点。
岩石是没有生命的无机物。瀑布日复一日地塑造着岩石的形态。所以,我们可以将岩石看作体现生命力量的雕塑品。
鮮花在大步危小步危峽谷的瀑布下綻放 / Flowers Bloom under the Waterfall in the Gorge - Ōboke Koboke
teamLab, 2016, Digitized Nature, Sound: Hideaki Takahashi
我们所知的世界是由伟大的生命循环构成的,数十亿年如一日地永恒循环着。
水是生命之源。汹涌奔流的河水撞击着峡谷,群花永恒地绽放散落在水面上。萌芽生长,含苞待放,花开凋零,枯萎死亡,不停地重复着花的轮回。
瀑布投影在山崖上,山崖历经岁月的洗礼,由奔流的河川洗刷过峡谷陡峭的岩石后造就而成。瀑布投影时的降落轨迹是根据山崖的实际情况计算得出的。电脑计算了水粒子的运动轨迹和相互作用,然后根据物理定律模拟水流。根据水粒子的分布确定线条,由线条在峡谷险峻的山崖上刻画出瀑布。
这件艺术作品处于不断变化的状态;每过一个小时,一个季节的花便会绽放凋落。作品不是预先录制的动画,也无法循环播放,而是根据电脑程序实时呈现的。每一种视觉状态都无法复制,也无法重现。