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锦鲤舟楫共舞所描绘之水面图──武雄池塘 / Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond​

teamLab, 2015-, Interactive Installation, 7min 26sec, Sound: Hideaki Takahashi
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锦鲤舟楫共舞所描绘之水面图──武雄池塘 / Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond​

teamLab, 2015-, Interactive Installation, 7min 26sec, Sound: Hideaki Takahashi

裝置藝術本身會隨著漂浮在池面的小船前進而不斷變化。而且魚群整體本身並沒有意志,而是每一尾魚都會受到附近魚群的影響,並以自律性的方式來游泳。當小船靜靜地飄浮在水面時,魚群就會聚集到小船的周圍,而當小船開始航行時,魚群就會避開小船。魚兒在游泳時會受到小船行動以及其他魚兒行動的影響。最後整個魚群行動的軌跡,就會描繪出這個作品。

CONCEPT

超主觀空間與數字藝術無界的世界人與人之間的關系 / Relationships Among People數字化自然 / Digitized Nature
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新聞

listen to the world.net登載。(Dec 19, 2017)

teamLab, 21st Century “Cave Painters”

teamLab, 21st Century “Cave Painters”
[Jakarta, LTTW] There’s an online discussion going on at Listen to the World about environmental deterioration caused by human behavior and how we should respond. If we look upon what we’ve been through so far, we can conclude that humans have a problem living as a part of nature.(Excerpt from the text)

ORYX登載。(July, 2017)

Exploring the senses through photography

RAINBOW LAKE
Technicolor waves, lotus flowers and koi fish wash over this pond in light projections, which react to real boots as they gently pass by.(Excerpt from the text)

O+登載。(May 10, 2016)

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作品と鑑賞者の間にある境界線を取り払った
チームラボの作品を読み解くうえで、まずキーワーソになるのが「インタラクティブ(双方性)」。従来のアート作品は作品と鑑賞者と間に境界があり、1対1の関係の中で鑑賞者が、完成された作品から何かを得るという一方性の関係にあった。(Excerpt from the text)

SERIES

  • 錦鯉與人共舞所描繪之水面圖──無限 / Drawing on the Water Surface Created by the Dance of Koi and People - Infinity
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