御船山樂園酒店 | teamLab

乍看之下由經典形狀的燈隨機排列組成的這件作品，是一件受到觀者與他人影響會發出連續性光芒的作品，換言之它是能夠展現出連續性之美的作品。
當有人靜止站立在燈附近時，最接近人的燈會發出強烈的光芒，併發出聲響。然後，燈光會傳播到最靠近的兩個燈上。被傳播的光芒會發出同樣的聲響，然後再傳播到最接近的燈上，連續地延伸開來。被分成兩束傳播出來的光芒會各自形成一條經過所有燈一次的光之軌跡。由自己發出的光，和由他人產生的光將會交匯。乍看之下隨機配置的燈，無論從哪個燈發出光，光也能夠永遠連續，留下平滑的軌跡，而且會與由他者而生的光交匯。
更具體地說，每個燈配置在空間中的位置使其最靠近的兩個燈之間連出一條線時，都只會出現一條獨一無二的連接線。此外還有燈懸挂高度的不均一分佈，在三維空間里形成的光軌跡的平滑度也經過了定量，空間上燈的配置是根據數學原理得來的。
因此，與人呼應而產生的燈光，儘管只會傳播到最近的燈，但是所有的燈都會被呼應一次並一氣呵成以形成一道光的路徑，同時還與因他者而產生的光交匯，最後回歸到起點。
通過這個過程創造出來的燈的排列乍看起來是隨機的，但這是一種由人們從任何位置與燈互動而創造出來的，表現光的連續性之美的排列。
通過這種過程而創造出來的看似雜亂的燈的配置，使得人們自由地站立在各種位置上，都能與燈產生呼應，繼而產生出光的連續性之美。

本作品是通過點狀光的集合來創造三維物體的火焰的互動雕塑作品。此創作方式類似於點彩繪畫，即用各色彩點來繪制圖像。
當人們靠近時，火焰將變得更強。
火焰是由於燃燒而產生的一種光和熱的現像，並非是一種物質，而是我們看到燃燒這種化學反應時的感官體驗。 這種感官上的體驗，使得火焰能夠被我們認知為是一種物體，且有時能夠在其中感受到生命的存在。
大多的火焰，從外焰到焰心的顏色都是逐漸變化的。外焰為紅色，內焰為強烈而明亮的白色，焰心則是較暗的顏色。 然而盡管生雞蛋的顏色構成也與之相似，外殼是白色的，內部是透明的，中心部分是黃色的，作為一個三維物體，從外面卻只能看到白色的外殼。火焰這個三維物體之所以看起來能夠像二維繪畫一樣有色彩的層次，而非如雞蛋一樣，是因為火焰是由光所構成的三維物體，內部強烈且明亮的白色即使與外部的紅色混合，也依然呈現白色的樣子。因此，作為一個三維物體的火焰，無論從哪裡觀賞，都像一幅具有色彩層次的平面繪畫。
本作品通過點狀光的集合來創造三維物體的火焰，從而使得火焰的雕塑能夠在三維和二維之間來回穿梭。

Like an organic entity created from crystallized light, the work shines iridescently from its center as it moves around, merging and dividing continuously.

People can walk into the artwork, and even if they do so, the artwork will continue to be maintained, its existence unharmed. If a person touches the artwork, they realize that what they are looking at is ordinary water. The artwork’s existence is not independent, but is actually a unique phenomenon created by its environment.
The places where the work appears will change as the viewer moves. The work’s appearance is unique to the viewer, so someone viewing the artwork from another angle will see a different colored work appearing in a different place. In other words, the existence of the artwork being seen is created by its environment, and exists only in the viewer.

Environmental Phenomena

teamLab explores the creation of artworks based on the concept of environmental phenomena, in which the artworks do not exist independently, but are created by the environment that produces the various phenomena.

Objects like stones and man-made creations maintain a stable structure on their own. Unlike these, the existence of the artworks are dependent on their environment.

The environment produces phenomena and stabilizes their structure - these stabilized phenomena are what create the existence of the artworks.

Environmental phenomena are released from the material substances that have been responsible for maintaining structures of existence. Elements like air, water, and light that permeate our daily lives are transformed by their environment into unique phenomena that become works of art. The boundaries of their existence are ambiguous and continuous. Even if people destroy the work, the work will remain in existence as long as its environment is maintained. On the contrary, the work will disappear if the environment is not maintained.
In time, people's consciousness will expand from existence itself to the environment.

A stone can continue to exist in a closed box, sealed off from the outside world, but life cannot sustain its existence in such a box because it is created by its environment.

Life is a miraculous phenomenon that emerges from a flow in a continuous world.