Environmental Phenomena
2020
作品自身无法单独存在,环境产生现象,现象创造出了作品的存在。
迄今为止人类制造出来的事物,就像石头一样由物质形成存在,其自身具有稳定的结构。与这些事物不同的是,本作品的存在本身是由环境创造的。
环境产生现象,环境使得这个存在的结构维持稳定。这个存在我们称它为环境现象。
存在将迄今为止构成存在的因素从物质中释放出来,日常生活中随处可见的空气、水、光等会因特殊环境而产生奇特的现象,这种现象就是存在。而这种存在的界限是模糊且连续的。即使人们破坏了作品,只要环境被维持着,作品就会继续存在。相反,当环境得不到维持时,作品就会消失殆尽。人们的意识,将从存在本身扩展到环境。
当我们把石头放在一个与外界隔绝的密封盒子里时,它仍会继续存在,但生命如果被放在这样一个密封盒子里,就无法维持它的存在了。生命也是因环境而维持下去的存在。
或许生命本身,也是在这打开的世界中、连续的流逝中的奇迹般的现象。
FEATURED WORKS
teamLab, 2022-, Interactive Installation, Sound: teamLab
People can walk into the artwork, and even if they do so, the artwork will continue to be maintained, its existence unharmed. If a person touches the artwork, they realize that what they are looking at is ordinary water. The artwork’s existence is not independent, but is actually a unique phenomenon created by its environment.
The places where the work appears will change as the viewer moves. The work’s appearance is unique to the viewer, so someone viewing the artwork from another angle will see a different colored work appearing in a different place. In other words, the existence of the artwork being seen is created by its environment, and exists only in the viewer.
Environmental Phenomena
teamLab explores the creation of artworks based on the concept of environmental phenomena, in which the artworks do not exist independently, but are created by the environment that produces the various phenomena.
Objects like stones and man-made creations maintain a stable structure on their own. Unlike these, the existence of the artworks are dependent on their environment.
The environment produces phenomena and stabilizes their structure - these stabilized phenomena are what create the existence of the artworks.
Environmental phenomena are released from the material substances that have been responsible for maintaining structures of existence. Elements like air, water, and light that permeate our daily lives are transformed by their environment into unique phenomena that become works of art. The boundaries of their existence are ambiguous and continuous. Even if people destroy the work, the work will remain in existence as long as its environment is maintained. On the contrary, the work will disappear if the environment is not maintained.
In time, people's consciousness will expand from existence itself to the environment.
A stone can continue to exist in a closed box, sealed off from the outside world, but life cannot sustain its existence in such a box because it is created by its environment.
Life is a miraculous phenomenon that emerges from a flow in a continuous world.
teamLab, 2020, Interactive Installation, Sound: teamLab
The only material substances present in this space are ordinary soap, water, and air. The bubbles are soap bubbles.
This floating, immense sculpture emerges from a sea of bubbles, transcending the very concept of mass. It neither sinks to the ground nor rises completely to the ceiling, but instead drifts in the middle of the space. The contours of its existence are ambiguous—it fragments into smaller pieces, but merges into a larger mass. Even when people fully immerse themselves in this sculpture, its existence remains intact. If broken by people, it naturally restores itself. However, when the sculpture is destroyed beyond what it can repair, it collapses, unable to recover. Even if people try to move or push this floating sculpture, they cannot do so,, and if they stir up wind, the sculpture disperses entirely. Physical human actions cannot move the sculpture.
Objects such as stones and man-made creations maintain a stable structure on their own. A stone will continue to exist even if placed in a sealed box, isolated from the external world.
On the other hand, a vortex created in the ocean disappears instantly when transferred into an enclosed box. In other words, a vortex does not maintain a stable structure independently. A vortex exists within the flow created by its environment formed by water continuously from the outside to the inside and from the inside to the outside, maintained by the vortex’s ordered structure. This flow allows the vortex to shift as the surrounding currents change. Moreover, its boundaries are ambiguous, and there is no material distinction between the vortex and its surroundings.
Rather than a solid object, this sculpture is created by the order of energy generated by the phenomena of a unique environment. Let us call this existence created by the order of energy, a "Higher Order Sculpture." The artwork is inseparable from the environment and changes along with the environment. It transcends the conventional notions of physical objects—it sustains its existence mid-air, having ambiguous boundaries, and it is able to maintain its shape even when people immerse themselves physically into the sculpture, naturally restoring itself even if the sculpture breaks.
By filling the space with soap bubbles, a distinct environment is created in which an order of energy is born. By doing so, a massive form emerges from this sea of bubbles that floats steadily in mid-air.
In modern biology, the definition of life cannot be strictly defined, but everything that is structured upon cells, capable of metabolism, and self-reproduction are labeled living things for convenience. In other words, all living things are composed of cells. All cells are enclosed by a cell membrane constructed of a lipid bilayer, with the hydrophilic part facing outward and the hydrophobic part covered within the layers. Both the inside and outside of the enveloping membrane are liquid. Soap bubbles are similarly enveloped by lipid bilayer membranes, and these membranes are structurally identical to cell membranes. However, contrary to cells, the bilayer of the bubble membrane floats in and encloses air, so the hydrophobic part faces outward, while the hydrophilic part is covered within the layers. In other words, if we consider cells to be pouch-shaped membranes in liquid, then bubbles are pouch-shaped membranes in air.
This sculpture is created from substances composed in the same ways as cells, the structuring units of life-forms, and the order of energy created from this environment.
The same is true of life. It consumes external matter and energy as food and discharges it, sustaining its ordered structure as the energy dissipates. Life exists within the flow of matter and energy, and its contour, like a vortex, is ambiguous.
Perhaps, life is a miraculous phenomenon that emerges in the flow of matter and energy, and its structure is the order of energy created by that flow.
teamLab, 2022, Digital Installation, Sound: teamLab
A sphere made of accumulated rays of light.
The light radiates from the center in infinite fine rays, creating its spherical shape. The light source remains motionless, yet the countless lines emitting from it wriggle continuously.
The sphere has no surface boundary, and the perception of the boundary between the artwork and the body is ambiguous. When you try to touch a sphere, your hand goes into the sphere as it does not have a physical boundary.
What is this sphere? Why do the rays wriggle?
Our world is within us.
And once we recognize this sphere made of accumulated lines, our perception of the world expands, and we will begin to notice them wherever we go.
teamLab, 2022-, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi
无数的光之球体群与黑暗的球体群。
每一个光球,都仿佛是光凝固了之后形成的仅由光构成的团块一般,在空间中能够被清晰地感知,但却没有物质层面上的表面。人们对于作品与身体之间边界的认知也是模糊的。拓宽视野后,仿佛是仅由黑暗形成的青紫色的黑暗球体开始在眼前浮现。
当你想要触碰光之球体时,球体会发出强光,周边的球体也会接连呼应,连续而去。
在这个宇宙中,其实并不存在仅由光构成的团块。也就是说,这些光之球体存在于你的认知之中。
而且,作品无法单独存在,环境所造成的现象是作品的存在本身。
作品对存在的概念提出了疑问。
悬浮──被平面化的赤与青,与暧昧的紫 / Levitation - Flattening Red and Blue & Blurred Violet
teamLab, 2021, Digital Installation, Sound: Hideaki Takahashi
在空间中,如生命一样的能量的秩序被创造出来。
球体在空间中没有任何依附。即使如此,球体还是能借由能量的秩序,超越质量的概念在空中上浮,既不顶天也不立地,或静静地漂浮在空间的正当中,或在空中上下起伏。当球体被敲击时,就会落到地面上并会在地面上滚动。而当没有受到撞击或打扰时,它又会仿佛自我修复一般,慢慢回升到空中。
球体始终在立体和平面之间循环往复。
何为生命?比如说,因为病毒并不拥有生物学上所定义的最小单位的生命体:细胞,而且也不会复制增殖,所以被认为是在生物和非生物的边界线上存在的东西。在生物学里,到目前还无法定义到底是什么来左右物质最终成为生物或者非生物。
而另一方面,你,在明天也仍然继续保持是你,这是有违于“熵(shang)增定律”里有形物体会崩溃的理论的。一般被认为熵(表现混乱或者无序程度的物理量)在自然界中会朝着无限增大的方向发展,而生命却正相反。生命是与物理定律相反的,超越自然现象的存在。
1977年诺贝尔化学奖得主物理化学家伊利亚·普里高津发现,自然界存在需要借由,从外部摄取的能量后,在内部生成熵,并通过把这些熵向外部排出体外而才得以形成的,能够在非平衡状态中得以维持的秩序和构造。把能量(以及物质)往外部耗散从而减少内部的熵,并以此产生秩序。 也可以说生命体以将外界的能量作为食物来摄取,将熵作为排泄物向外部耗散,从而维持内部的熵保持不变。
生命可能是一种与外部环境相连的能量的秩序。
而由于生命的存在本身就是一种违背物理定律的超自然现象,所以当我们在作品的空间中创造能量的秩序时,球体便会仿若是是一种与物理规律相反的超自然现象一样,违背了万有引力,慢慢地漂浮起来,停留在空间的正当中,或在空中上下起伏。
当我们看到超自然现象(指超越自然界定律的现象)在眼前发生时,自身的认知本身就会发生改变。而这种认知上的改变,则会引导你进入 "与日常生活不同的状态"当中。
我们旨在通过艺术作品探索认知的变化。