Among the countless cell-like existences, the behavior of people creates a flow which creates the  vortices.

Through people’s intervention, the countless cell-like existences are destroyed, and trajectories and vortices are drawn.

However, the resulting painting receives a constant influx of energy from the outside, autonomously forming a high order steady state of energy, and reverting again to a cell-like existence that continuously emerges.

Both the countless particles and the resulting picture are all part of the whole, born from the whole and returned to the whole.

*Precedents using oil as a medium: Noriyuki Haraguchi, Matter and Mind I (1977); Richard Wilson, 20:50 (1987); Kohei Nawa, Biomatrix (2018)