Flowers are eternally repeating the process of blooming and scattering.
The flowers that bloom change daily along with the real-time seasons. As the sun rises where the artwork is located, the world of the artwork becomes brighter, and as the sun sets, it becomes darker.

The real time in which the viewer exists, the time of the city, and the time of the continuous life of the flowers, all of these different times intersect and overlap, while the viewer’s body, the city, and the world of the artwork remain connected. The artwork space is an overlap of different times and space.

The space of the artwork is created with what teamLab refers to as Ultrasubjective Space. In contrast to spaces that are flattened into two dimensions through, or in other words cut out by, lenses and perspective, Ultrasubjective Space does not fix the viewer’s viewpoint and in turn frees the body in a dynamic state. The wall that the artwork world is seen on does not become a boundary between the viewer and the artwork, and the artwork space is continuous with the space of the viewer’s body.