The eternally continuous life and death of flowers connects to the eternal now.

The world of the artwork is in the same flow of time in which we live. It grows brighter with the sunrise of this location and darker with the sunset. And, in accordance with the changing of the seasons, the blooming flowers slowly change.

The real time in which the viewer exists and the time in which the flowers change as they go through cycles of life and death are connected to this place and the world of the artwork, continuing and overlapping without being separated.

This pictorial world drawn through Ultrasubjective Space does not split the world of the artwork and the space the viewer is in, with the screen acting as a boundary. The world of the artwork is continuously connected to the space in which the viewer’s body exists, and the viewer, while retaining free bodily movement, walks inside this space where different times intersect in the same place.

The artwork continues to be drawn in real time, and continuously changes eternally, without the previous state being replicated as a whole. The picture at this moment can never be seen again.

The repeated life and death of the flowers in front of our eyes will continue into the future, while remaining connected to the now of this location. When we feel that continuity within the eternal now, we realize that life and death has continued from the distant past to the present, and that our existence stands upon that continuity.