teamLab: Impermanent Flowers Floating in a Continuous Sea | teamLab
既往展览
2022.11.11(Fri) - 2023.05.07(Sun)Kumu Art Museum, Tallinn
既往展览
2022.11.11(Fri) - 2023.05.07(Sun)Kumu Art Museum, Tallinn
teamLab: Impermanent Flowers Floating in a Continuous Sea
All oceans are connected to each other, and so are all the waves of the world.
In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity.
When the waves rise, we can feel a powerful breath of life, as though life is blooming. It seems that each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other.
The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean.
The artwork space consists of one continuous and connected wave, with neither beginning nor end. The exterior of this perceived mass is also its interior, and the external and internal are one.
Inside the mass of waves, ever-blossoming flowers continually grow and wither in a repeating and ever-changing cycle of life and death. The waves and flowers do not form a fixed viewpoint, which allows people to move freely around the space. The wall on which the work is projected does not become a boundary between people and the work, and the space filled with flowers is continuous with the space of the people experiencing the work.
The flame artwork duplicates and distributes itself among people, and once the artwork is in the hands of people, it is further actively distributed. The flame will exist on people’s networks, transforming into decentralized, Distributed Art. When the flame exists on a network, it will continue to exist even if the original flame disappears.
Through the experience of transcending the boundaries between the body and the artwork, people redefine their perception of the boundaries between the self and the world, and thereby recognize the continuity between humans and the world.
In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity.
When the waves rise, we can feel a powerful breath of life, as though life is blooming. It seems that each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other.
The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean.
The artwork space consists of one continuous and connected wave, with neither beginning nor end. The exterior of this perceived mass is also its interior, and the external and internal are one.
Inside the mass of waves, ever-blossoming flowers continually grow and wither in a repeating and ever-changing cycle of life and death. The waves and flowers do not form a fixed viewpoint, which allows people to move freely around the space. The wall on which the work is projected does not become a boundary between people and the work, and the space filled with flowers is continuous with the space of the people experiencing the work.
The flame artwork duplicates and distributes itself among people, and once the artwork is in the hands of people, it is further actively distributed. The flame will exist on people’s networks, transforming into decentralized, Distributed Art. When the flame exists on a network, it will continue to exist even if the original flame disappears.
Through the experience of transcending the boundaries between the body and the artwork, people redefine their perception of the boundaries between the self and the world, and thereby recognize the continuity between humans and the world.
作品
参观指南
会场信息
teamLab: Impermanent Flowers Floating in a Continuous Sea
展期
2022.11.11(Fri) - 2023.05.07(Sun)
开馆时间
Tuesday
10:00 - 18:00
Wednesday
10:00 - 18:00
Thursday
10:00 - 20:00
Friday - Sunday
10:00 - 18:00
* Last admissions up to half an hour before the closing time.
* The museum closes 3 hours earlier on: December 23 and February 23
休息日
Mondays and National Holidays
Website
交通指南
地址
Kumu Art Museum
Great Hall
A. Weizenbergi 34, 10127 Tallinn
Great Hall
A. Weizenbergi 34, 10127 Tallinn
地址用当地语言:
Kumu kunstimuuseum
Suur saal
Weizenbergi 34 / Valge 1
10127 Tallinn
Suur saal
Weizenbergi 34 / Valge 1
10127 Tallinn
艺术家
teamLab
teamLab是自2001年起开始活动的艺术团队。通过团队创作来探索艺术、科学、技术和自然界交汇点的国际性跨域艺术团队。由艺术家、程序员、工程师、CG动画师、数学家和建筑师等各个领域的专家组成。
teamLab想通过艺术,摸索人与世界的关系和新的认知。人类为了更好地认知世界,习惯性地把世界分割,并将其视为具有边界的事物。我们探索认知的边界,并试图超越人类对世界、对时间连续性的边界的认知。世间万物都是奇迹般地存在于积年累月且没有边界的连续性上的。
teamLab在纽约、伦敦、巴黎、新加坡、硅谷、北京、墨尔本等世界各地举办了艺术展。teamLab所开设的大型常设美术馆有位于东京台场的“teamLab Borderless”、位于东京丰洲的“teamLab Planets”、位于上海黄浦滨江的“teamLab 无界上海”、位于澳门的“澳门 teamLab 超自然空间”,位于北京的“teamLab无相艺术空间”等等。今后还将有更多的美术馆落地在汉堡、乌得勒支、吉达等地。
teamLab的作品被世界各大艺术机构收藏,如墨尔本维多利亚国家美术馆(墨尔本)、悉尼新南威尔士州美术馆(悉尼)、阿德莱德南澳大利亚艺术画廊(阿德莱德)、赫尔辛基阿莫斯·雷克斯美术馆(赫尔辛基)、旧金山亚洲艺术博物馆(旧金山)、洛杉矶现代美术馆(洛杉矶)、伊斯坦布尔Borusan当代艺术收藏馆(伊斯坦布尔)、纽约亚洲协会博物馆(纽约)。
teamlab.art
Biographical Documents
teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.