teamLab exhibition at TANK Shanghai Museum "teamLab: Universe of Water Particles in the Tank"

メイン画像
teamLab: Universe of Water Particles in the Tank
المعارض السابقة
‎08.31(Sat) - 2019.03.23(Sat)TANK Shanghai, Shanghai
メイン画像
teamLab: Universe of Water Particles in the Tank
المعارض السابقة
‎08.31(Sat) - 2019.03.23(Sat)TANK Shanghai, Shanghai

الأعمال الفنية

Flowers and People, Cannot be Controlled but Live Together - Transcending Boundaries, A Whole Year per Hour

This artwork is in continuous change, transcending the boundaries between itself and other works. Over a period of one hour, a year’s worth of seasonal flowers blossoms and scatters.
Flowers are born, grow, bloom, and eventually scatter and die. The cycle of birth and death repeats itself in perpetuity. If people stay still, more flowers are born. If people touch the flowers and walk around the space, the flowers scatter all at once.
The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork: previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.
The water from the Universe of Water Particles in the Tank artwork influences this work, causing the flowers to scatter.

In spring in the Kunisaki Peninsula, there are many cherry blossoms in the mountains and canola blossoms at their base. This experience of nature caused teamLab to wonder how many of these flowers were planted by people and how many were native to the environment. It is a place of great serenity and contentment, but the expansive body of flowers is an ecosystem influenced by human intervention, and the boundary between the work of nature and the work of humans is unclear. Rather than nature and humans being in conflict, a healthy ecosystem is one that includes people. In the past, people understood that they could not grasp nature in its entirety, and that it is not possible to control nature. People lived more closely aligned to the rules of nature that created a comfortable natural environment. We believe that these valleys hold faint traces of this premodern relationship with nature that once existed, and we hope to explore a form of human intervention based on the premise that nature cannot be controlled.

Black Waves: Lost, Immersed and Reborn

This is an installation made of one continuous wave. The waves projected are all connected and form a single, unbroken body of water. As we immerse and meld ourselves into the waves, we explore a continuity among people, as well as a new relationship that transcends the boundaries between people and the world.

The movement of water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, lines were drawn in relation to the movement of the particles. The waves created in 3-D space were then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.

In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water is a living entity.  

This form of expression leads us to question why pre-modern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.

While viewing this artwork, if we feel a sense of life in the collection of lines — what can be called the subjective world of premodern people — then perhaps this is one aspect of objective recognition.

When viewing this artwork, as opposed to when watching images of waves captured by a video camera, people may feel that the boundary between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and, consequently, how they behaved toward the world.

If we regard ourselves as a part of nature and consider nature not just as something to be observed, we might join pre-modern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that engages us, and allows us to feel that there is no boundary between ourselves and nature.

دليل الزوار

تفاصيل المكان

teamLab: Universe of Water Particles in the Tank

الفترة

‎08.31(Sat) - 2019.03.23(Sat)

أوقات العمل

Tue – Fri 10:00 – 20:00 (Last entry 19:30)
Sat, Sun, Public Holiday 10:00 – 21:00 (Last entry 20:30)

العطل

Monday

WeChat

teamLab
TANK Shanghai

وسائل المواصلات

العنوان

TANK Shanghai
Tank No.5, 2380 Longteng Avenue, Xuhui District, Shanghai
上海油罐艺术中心
上海市徐汇区龙腾大道2380号
Baidu Map | Google Map
• Take Metro line 11 to Yunjin station and go out from exit No.2. Walk for 839 meters.
• Take the bus Puxi No.1 to Longteng Avenue and Longlan station and walk for 175 meters.
• Take the bus No.1222 to Yunjin and Longyao station and walk for 739 meters.

للاستفسار

Contact

TANK Shanghai
 +86 (21) 6950 0005

تنبيهات

Use of flash, monopods, tripods, selfie sticks, props are prohibited.

Photos and videos allowed for personal use. 

الفنانون
logo
تيم لاب
"تيم لاب" هو عبارة عن مجموعة فنيّة عالمية (تأسست عام 2001)، يتم التعاون فيها بهدف التعمّق في نقاط الالتقاء بين الفن والعلوم والتكنولوجيا والعالم الطبيعي. فعبر الأعمال الفنيّة، تهدف مجموعة من الخبراء ذوي الاختصاصات المختلفة، بمن فيهم فنانين ومبرمجين ومهندسين، وأخصائي رسوم متحركة، وعلماء رياضيات ومهندسين معماريين، إلى استكشاف العلاقة بين الذات والعالم وأشكال جديدة من الإدراك. وفي محاولة إلى فهم العالم حولهم، يسعى الناس إلى فصله إلى وحدات مستقلة يتصوّرون حدودًا في ما بينها. ولكن "تيم لاب" يسعى إلى تجاوز هذه الحدود التي تحدّ رؤيتنا ونظرتنا إلى العالم وإلى العلاقة بين الذات والعالم واستمرارية الزمن. فكل شيء قائم في استمرارية بلا حدود، في استمرارية مستدامة وهشّة وخارقة في آن واحد. تم عرض أعمال "تيم لاب" حول العالم، بما يشمل نيويورك، لندن، باريس، وادي السيليكون، بكين، وملبورن ضمن مدن أخرى. متاحف "تيم لاب" ومعارضه الضخمة الدائمة تشمل "تيم لاب بلا حدود" و"كواكب تيم لاب" في طوكيو، و"تيم لاب ماوراء الطبيعة" في ماكاو، و"تيم لاب بلا كتلة" في بكين. مع المزيد من المعارض التي سوف يتم افتتاحها في أبوظبي، هامبورغ، جدة، ويوتريخت. تتواجد أعمال "تيم لاب" من ضمن المجموعة الدائمة لمتحف الفن المعاصر في لوس أنجلوس، وفي معرض الفنون في نيو ساوث ويلز في سيدني، وفي معرض الفنون في جنوب أستراليا في أديليد، وفي متحف الفن الآسيوي في سان فرانسيسكو، وفي متحف جمعية آسيا في نيويورك، وفي مجموعة بوروسان للفن المعاصر في إسطنبول، وفي المعرض الوطني لفيكتوريا في ملبورن، وفي آموس ريكس في هلسنكي.

المنظمون

TANK Shanghai