teamLab: Living Digital Forest and Future Park | teamLab

メイン画像
teamLab: Living Digital Forest and Future Park
المعارض السابقة
‎11.19(Sun) - 2017.05.20(Sat)PACE BEIJING, Beijing
メイン画像
teamLab: Living Digital Forest and Future Park
المعارض السابقة
‎11.19(Sun) - 2017.05.20(Sat)PACE BEIJING, Beijing

Living Digital Forest: Lost, Immersed and Reborn

Flowers and People, Cannot be Controlled but Live Together – A Whole Year per Hour

The seasons co-exist and change gradually across the installation space.
Flowers blossom according to the seasons, and the places where they grow gradually change.

The flowers bud, grow, and blossom before they begin to wither and their petals eventually scatter, repeating the cycle of life and death in perpetuity. If a person stays still, the flowers surrounding them grow and bloom more abundantly than usual, but if people touch or step on the flowers, they shed their petals, wither, and die all at once. Sometimes the flowers cross the boundaries of other works and bloom in other spaces, but scatter or die due to the influence of other works.

The artwork is not a pre-recorded image that is played back; it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork, so previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

In spring in the Kunisaki Peninsula, there are many cherry blossoms in the mountains and canola blossoms at their base. A visit to this region led teamLab to wonder how much of these flowers were planted by people and how much of them were native to the environment. It was a place of great serenity and contentment. The expansive body of flowers is an ecosystem influenced by human intervention, and the boundary between the work of nature and the work of humans is unclear. Rather than nature and humans being in conflict, a healthy ecosystem is one that includes people. In the past, people understood that they could not grasp nature in its entirety, and that it is not possible to control nature. People lived more closely aligned to the rule of nature, which perhaps created a comfortable natural environment. We believe that these valleys hold faint traces of this premodern relationship with nature that once existed, and we hope to explore a form of human intervention based on the premise that nature cannot be controlled.

Universe of Water Particles – Gold

Universe of Water Particles – Gold is a virtual waterfall created in a virtual 3-D space using teamLab’s concept of ultrasubjective space, a term that refers to the depiction of space found in premodern Japanese painting.

Computer-generated water consisting of hundreds of thousands of water particles is virtually poured onto a virtually sculpted rock. The computer calculates the movement of the particles to produce a simulation of water that flows in accordance with the laws of physics. Lines are drawn in relation to a selection of 0.1% of the particles. The sinuousness of the lines depends on the overall interaction of the water particles.

In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed using a series of lines. These lines give the impression of movement and life, as though water was a living entity. This form of expression leads us to explore why premodern people sensed life in rivers and oceans. Universe of Water Particles – Gold fuses the objective world of today’s knowledge with the subjective world of premodern people.

When viewing this artwork, regardless of the fact that the waterfall is a reproduction of physical phenomena, it can be possible to feel a sense of life in the collection of lines.

If, when viewing this artwork - as opposed to a video of a waterfall shot with a video camera—people feel the barrier between themselves and the waterfall dissolve, they become immersed in the work as if the waterfall is luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved towards it.

If we regard ourselves as part of nature, and consider nature as something not just to be observed, it is possible to feel that there is no boundary between ourselves and nature.

Future Park: Co-creation

دليل الزوار

تفاصيل المكان

teamLab: Living Digital Forest and Future Park

الفترة

‎11.19(Sun) - 2017.05.20(Sat)

أوقات العمل

10:00-18:00

العطل

Monday

رسوم الدخول

CNY 80 for weekdays
CNY 120 for weekends & holidays
CNY 150 general tickets

وسائل المواصلات

العنوان

PACE BEIJING
الفنانون
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تيم لاب
"تيم لاب" هو عبارة عن مجموعة فنيّة عالمية (تأسست عام 2001)، يتم التعاون فيها بهدف التعمّق في نقاط الالتقاء بين الفن والعلوم والتكنولوجيا والعالم الطبيعي. فعبر الأعمال الفنيّة، تهدف مجموعة من الخبراء ذوي الاختصاصات المختلفة، بمن فيهم فنانين ومبرمجين ومهندسين، وأخصائي رسوم متحركة، وعلماء رياضيات ومهندسين معماريين، إلى استكشاف العلاقة بين الذات والعالم وأشكال جديدة من الإدراك. وفي محاولة إلى فهم العالم حولهم، يسعى الناس إلى فصله إلى وحدات مستقلة يتصوّرون حدودًا في ما بينها. ولكن "تيم لاب" يسعى إلى تجاوز هذه الحدود التي تحدّ رؤيتنا ونظرتنا إلى العالم وإلى العلاقة بين الذات والعالم واستمرارية الزمن. فكل شيء قائم في استمرارية بلا حدود، في استمرارية مستدامة وهشّة وخارقة في آن واحد. تم عرض أعمال "تيم لاب" حول العالم، بما يشمل نيويورك، لندن، باريس، وادي السيليكون، بكين، وملبورن ضمن مدن أخرى. متاحف "تيم لاب" ومعارضه الضخمة الدائمة تشمل "تيم لاب بلا حدود" و"كواكب تيم لاب" في طوكيو، و"تيم لاب ماوراء الطبيعة" في ماكاو، و"تيم لاب بلا كتلة" في بكين. مع المزيد من المعارض التي سوف يتم افتتاحها في أبوظبي، هامبورغ، جدة، ويوتريخت. تتواجد أعمال "تيم لاب" من ضمن المجموعة الدائمة لمتحف الفن المعاصر في لوس أنجلوس، وفي معرض الفنون في نيو ساوث ويلز في سيدني، وفي معرض الفنون في جنوب أستراليا في أديليد، وفي متحف الفن الآسيوي في سان فرانسيسكو، وفي متحف جمعية آسيا في نيويورك، وفي مجموعة بوروسان للفن المعاصر في إسطنبول، وفي المعرض الوطني لفيكتوريا في ملبورن، وفي آموس ريكس في هلسنكي.