teamLab: Living Digital Forest and Future Park | teamLab

Flowers bud, bloom, and in the course of time, wither and die. While eternally repeating the process of life and death, the places where they grow change gradually. When people stand still, the flowers surrounding them grow and bloom abundantly, but when people touch the flowers or walk around, they scatter and die all at once.The artwork is not a pre-recorded image that is played back; it continues to be rendered in real time under the influence of people's behavior. The picture at this moment can never be seen again.
In spring in the Kunisaki Peninsula, there are many cherry blossoms in the mountains and canola blossoms at their base. A visit to this region led teamLab to wonder how many of these flowers were planted by people and how many of them were native to the environment. It was a place overflowing with flowers, a place of great serenity and contentment. This nature is an ecosystem influenced by human activity, making us feel that nature and humanity are not in conflict. Perhaps a truly comforting nature is one that encompasses human presence as part of the ecosystem. Based on the premise that nature cannot be completely controlled, this artwork explores human activity that lives closely aligned to the rules of nature.
This artwork is an ecological pictorial space drawn through Ultrasubjective Space, which continues to be generated along with the body, others, time, and the environment. Viewers physically walk around and touch inside the world of the artwork, transforming it together with others in the same space.
This pictorial space differs from images or paintings flattened by a lens or single-point perspective. In such images or paintings, space appears behind the picture plane; the space that opens there and the space the viewer inhabits are split, and the picture plane becomes a boundary surface. The viewpoint is fixed at a single point, and bodily freedom is lost.On the other hand, a picture plane formed by Ultrasubjective Space is not a boundary that separates where we are from the world of the artwork. The world of the artwork is not outside a window; it appears as a single field that is continuously connected, without boundary, to the space in which the viewer’s body exists. Moreover, any position — front, back, left, or right — can become a viewpoint, so viewpoints exist in infinite number, and the viewer is physically free to move.Not bound to a single point, the viewer moves their body and lets their eyes roam freely, continually re-composing the world of the artwork as it changes over time, and building the pictorial space within themselves. In that moment, the artwork becomes a centerless, subjective, and embodied pictorial space in which the viewer walks and touches.
In this space, the boundaries between the viewer and the artwork become ambiguous. The artwork transforms simply by the presence of a body there, and the behavior of others also changes the world of the artwork. In conventional art, other people were often considered an obstacle that interferes with a one-on-one relationship with the artwork. However, here, the presence of others enriches and creates new changes in the artwork.
This artwork is an attempt to expand painting from a world on the other side of the screen into a space continuous with the body, others, time, and the environment. The artwork continues to be generated within the relationships among the behavior of people, the life and death of flowers, the passage of time, and the entire space. Here, the painting does not exist on its own as a completed entity; it relates to people's bodies and includes the presence of others, existing as an ecological field without boundaries.

Fleeting Flower Series. Everything exists on a fragile continuity of life that knows no boundaries and has continued for a long, long time. The image of a peacock appears in peony flowers that are born and blossom. In time the flowers scatter. At the moment each flower scatters that part of the peacock scatters.

Fleeting Flower Series. Everything exists on a fragile continuity of life that knows no boundaries and has continued for a long, long time. The image of an elephant appears in lotus flowers that are born and blossom. In time the flowers scatter. At the moment each flower scatters that part of the elephant scatters.

This work is to be viewed from a position close to the entrance of the space.
The artwork begins when Crows are Chased and the Chasing Crows are Destined to be Chased as well: Flying Beyond Borders enters the Cosmic Void. When it ends, the crows leave the space.
If you stand at the position close to the entrance, the boundary between the wall and the floor disappears and the real world dissolves, making the lines drawn by the trails of the crows appear three-dimensional. Eventually the body becomes immersed in the world of the artwork, and the boundary between the artwork and viewer dissolves as well.
Flocks of mythical crows (Yatagarasu) rendered in light fly around the space leaving trails in their wake and forming Spatial Calligraphy. The chasing crows are eventually chased themselves, and form flowers when they crash into each other, scattering their petals. Although the crows usually avoid crashing into people in the space, when they happen to do so, they similarly form flowers, scattering their petals.

In the background, cherry blossoms bloom and scatter, the cycle of life repeats. From the center of the background a circle is born which increases in size with a constant rhythm. Depending on the circle the light and darkness of the background world changes.

All the various fish drawn by everyone swim around in this aquarium.

Color in a fish on the paper provided, and see the picture you have drawn come to life, swimming out into the massive aquarium in front of you together with the fish drawn by other people. If you touch the swimming fish, they will swim away. You can also feed the fish by touching the food bags.

This is a table where little people live.
If you put something, such as your hand, on top of the table, the little people will jump on to it. Depending on the shape of the objects you place on the table, the little people will slide, jump, or climb. Place many objects on the table and see the little people’s world transform into a completely new world.

This is a game of hopscotch where you hop on the circles, triangles, and squares in the water.

When you land on the same shape several times in a row, a fish, butterfly, or bird is born. If you jump on many of the same shapes in a row, even more animals will appear.

And, if you consecutively jump on the same-colored shapes, that color will spread throughout the space.

If you touch the fish, butterflies, or birds that move along the walls, the animals will dissolve into the world.