[Official] teamLab Future World, ArtScience Museum, Marina Bay Sands, Singapore

Seasonal flowers bloom while slowly changing. Animals are born from those flowers. The flowers continue to bloom and die in an eternal cycle, forming the shapes of animals.When people touch the animals, the flower petals scatter. If people touch the animals too much, all of the flowers will scatter, and the animals will die and fade away.
The artwork is not a pre-recorded image that is played back; it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork, so previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

Autonomous abstraction.
The dots of light blink and change color in cycles unique to each dot. A spontaneous order phenomenon occurs between dots that are close to each other, and their hues and the rhythm at which they blink gradually synchronize. When people touch them, the rhythm of the blinking hues change and are randomized, but the dots close to each other once again cause a spontaneous order phenomenon between them.
The dots of lights emit a tone each time they blink. The tones can be heard continuously throughout the space; what sounds like music is solely created by the continuous tones produced by the blinking lights.

A spontaneous order phenomenon occurs when different rhythms influence each other and synchronize. Examples include when the pendulums of two clocks gradually begin to swing together; when many fireflies gather in one tree and all start blinking at the same time, creating a larger light as a whole; or when the cells that make up the heart synchronize and tremble simultaneously to create the pulse of the heart. This can be seen in various systems, from physical phenomena, neurophysiology, to ecosystems. Although the individual parts do not have the ability to observe the whole, the phenomenon of self-organization is the creation of an ordered and larger structure, resulting from the autonomous behavior of each individual part influencing each other. This phenomenon is also known as spontaneous order.

It is believed that entropy (a measurement of the lack of order in a system) in the universe will steadily increase (the law of increasing entropy) and that entities with form eventually collapse. Despite that, it is a wonder that the sun was created and the planets were born, that life was formed and societies exist. However, the reason why the universe, life, nature, and society continue to be maintained in spite of this may be because order is continuously formed on its own through the shared phenomenon of self-organization in the midst of disorder. In other words, the universe and our own existence are a continuous order created by the same phenomenon.

This artwork is in continuous change, transcending the boundaries between itself and other works. Over a period of one hour, a year’s worth of seasonal flowers blossoms and scatters.
Flowers are born, grow, bloom, and eventually scatter and die. The cycle of birth and death repeats itself in perpetuity. If people stay still, more flowers are born. If people touch the flowers and walk around the space, the flowers scatter all at once.
The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork: previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.
The artwork influences other works and flowers scatter due to the influence of other works.
In spring in the Kunisaki Peninsula, there are many cherry blossoms in the mountains and canola blossoms at their base. This experience of nature caused teamLab to wonder how many of these flowers were planted by people and how many were native to the environment. It is a place of great serenity and contentment, but the expansive body of flowers is an ecosystem influenced by human intervention, and the boundary between the work of nature and the work of humans is unclear. Rather than nature and humans being in conflict, a healthy ecosystem is one that includes people. In the past, people understood that they could not grasp nature in its entirety, and that it is not possible to control nature. People lived more closely aligned to the rules of nature that created a comfortable natural environment. We believe that these valleys hold faint traces of this premodern relationship with nature that once existed, and we hope to explore a form of human intervention based on the premise that nature cannot be controlled.

عمل فني أسود فارغ.
لأنه فارغ، يمكن أن يدخل فيه أي شيء. ويفتح احتمالات لا حصر لها. ولأنه فارغ، فإنه يسلط الضوء على وجود الأشياء والمفاهيم الأخرى.

In the background, cherry blossoms bloom and scatter, the cycle of life and death repeats itself.From the countless background points, at a certain rhythm and interval, a circle is born that grows and spreads out radially. The circle born transforms only the light and darkness of the background world.

All the various fish drawn by everyone swim around in this aquarium.
Color in a fish on the paper provided, and see the picture you have drawn come to life, swimming out into the massive aquarium in front of you together with the fish drawn by other people. If you touch the swimming fish, they will swim away. You can also feed the fish by touching the food bags.
The tuna transcend the physical boundaries of the museum and swim out into the Sketch Ocean or Sketch Aquarium: Connected World artworks in exhibitions around the world. Similarly, tuna drawn in other parts of the world may appear and swim into the Sketch Aquarium: Connected World right in front of you.

Color in an airplane, butterfly, or hawk on the paper provided and see the picture you have drawn appear three-dimensionally, flying through the world in front of you. If you touch them, they speed up or fly away.
You can control the plane, butterfly, or hawk with the tablet and see the world from their perspectives on the screen.For example, butterflies have a 344-degree horizontal field of vision, and almost a 360-degree vertical field of vision. With the tablet, you can see the world not only in front of you, but on both sides and behind you as well.Hawks can see two things clearly at once. They can observe small creatures on the ground while looking ahead of them as they fly. Tap an area you want to zoom in on the tablet, and that area will appear bigger on the screen.
Each living creature understands the world only through their own perception, so the world looks different depending on the creature. Such worlds constructed upon each creature’s unique perceptual experiences are called umwelt.

إنها نافذة على كون يعيش فيه الأقزام.

يمكنك إنشاء لوحات من خلال رسم خطوط بقلم ضوئي أو إنشاء أشكال من خلال طوابع ضوئية. ولكلّ خط قوة عجيبة بحسب لونه تؤثّر على عالم الأقزام. وتظهر الأشكال التي أنشأتها بواسطة الطوابع الضوئية في عالم الأقزام، وتبدأ في التحرّك.

تدفع الخطوط الصفراء الأقزام إلى القفز والوثب عاليًا.
وتقوم الخطوط الزرقاء بتسريع الأقزام، فيجرون بشكل أسرع.

ارسم لوحات كبيرة وجرّب الكثير من الطوابع مع الأشخاص من حولك. وقُم بإنشاء عالم جديد في كون الأقزام، وامنحهم مختلف القوى، وشاهدهم يلعبون بنشاط أكبر.

العمل الفني "التسلق في الهواء" هو عبارة عن فضاء يتم فيه تعليق درجات أفقية بألوان مختلفة بواسطة حبال تطفو في شكل ثلاثي الأبعاد في الهواء. ويستخدم الأشخاص هذه الدرجات للتنقّل في الهواء في فضاء ثلاثي الأبعاد، ويحاولون عدم السقوط. وبما أنّ الدرجات ترتبط ببعضها البعض، فالحركة التي يقوم بها شخص ما على أحد الدرجات ستؤثّر على الدرجات التي يقف عليها أشخاص آخرون. ويختلف توزيع الدرجات بحسب الطريق المختار، وبالتالي تختلف تجارب الأشخاص بحسب الطرق المختلفة التي ترتبط بها الدرجات. وعندما يتسلّق الأشخاص الدرجات ذات الألوان المختلفة، تبدأ هذه الأخيرة بالتلألؤ، وينبعث منها صوت يرتبط بلونها، وكلما زاد عدد الأشخاص الذين يتسلقون الدرجات بألوان مختلفة، انبعثت المزيد من الأصوات في الوقت ذاته.

وتطير أسراب من الطيور بحرّية في هذا الفضاء، وعندما تطير بالقرب من الأشخاص، تتحول إلى لون الدرجات التي يقف عليها الأشخاص.

تتميّز حركة الآلاف من الطيور بجمالها وغموضها، وتظهر وكأنّها شكل حياة عملاق واحد. ولا تتبع الأسراب أي قائد ولا يوجد توافق متبادل في ما بينها، ولكن الطيور تتحرّك بناء على مبدأ بسيط، وهو إذا تحرّك الطائر الذي بجانبها، ستتحرّك هي أيضًا. ومع ذلك، فإن الآلية البيولوجية التي تدفع مئات الطيور في الوقت نفسه لا تزال لغزًا، ويبدو أن هناك مبدأ كوني لم يفهمه البشر بعد. وعلى أي حال، فإنّ تنسيق ألوان الأسراب ليس محددًا مسبقًا، حيث تتحرّك الطيور متأثّرة بالناس استنادًا إلى قاعدة بدائية غير معروفة للبشرية، وتولّد ألوانا معقدة وجميلة غير مقصودة في ذلك الفضاء.

العمل الفني ليس صورة مسجلة مسبقًا يتم تشغيلها من جديد؛ بل يتم إنشاؤه بواسطة برنامج حاسوبي يعرض العمل باستمرار في الوقت الفعلي. ويؤدي التفاعل بين الأشخاص والأعمال الفنية إلى تغيير مستمر فيها، لذلك لا يتم إعادة عرض الحالات البصرية السابقة، وستستمر بالتغير بلا نهاية. والصورة التي تتجلّى في هذه اللحظة لا يمكن رؤيتها مرةً أخرى.