Turandot <br>Opera by Giacomo Puccini | teamLab

メイン画像
Turandot
Opera by Giacomo Puccini
既往展览
2022.06.20(Mon) - 07.03(Sun)Grand Théâtre de Genève, 日內瓦
Directed by Daniel Kramer with Scenography by teamLab, a new production of Giacomo Puccini's opera Turandot premieres at Grand Théâtre de Genève.
Now Streaming on OperaVision
メイン画像
Turandot
Opera by Giacomo Puccini
既往展览
2022.06.20(Mon) - 07.03(Sun)Grand Théâtre de Genève, 日內瓦
Directed by Daniel Kramer with Scenography by teamLab, a new production of Giacomo Puccini's opera Turandot premieres at Grand Théâtre de Genève.
Now Streaming on OperaVision

TURANDOT
OPERA BY GIACOMO PUCCINI

Art collective teamLab makes its scenographic debut with a new production of Giacomo Puccini’s final, unfinished opera Turandot. Transcending the notion of scenography, the opera space is created by a sculptural space of light. Premiering at the Grand Théâtre de Genève in Geneva, teamLab aims to immerse and unify the cast in the light sculptures, creating a space where the stage and audience are continuous without boundaries.

teamLab worked extensively with the Stage Director, Daniel Kramer, to envisage scenography that would unite Kramer’s interpretation of Turandot and teamLab’s aesthetics. As the project evolved over five years, Kramer and teamLab discussed ideas and explored concepts, interpretations, metaphor and symbolism, along with how the visual interpretation of each scene would be realized.
OVERVIEW


Puccini’s last opera is all about riddles. In the Forbidden City of Peking rules the Emperor of China. His unmarried daughter, the Princess Turandot, has been refusing her hand to all her princely suitors by putting them to a test. She gives them three riddles: if they do not answer them correctly, they have their heads chopped off. Scores of unlucky suitors have already failed and lost their heads in the attempt. It is now the turn of Calaf, a prince of the Tatar people, who is fascinated by Turandot’s glory. To everyone’s astonishment, he answers Turandot’s three questions correctly: first, hope; then, blood and, finally, Turandot herself. The princess is his for the taking, as promised by the Emperor. Turandot, however, is reluctant to keep the promise.


Puccini broke off his composition of Turandot in the third act. The maestro died in 1924 before finishing the final duet and it was his assistant Alfano who completed the score. The first performance of the work and its world premiere at Milan’s La Scala in 1926 was a kind of requiem for Puccini. Arturo Toscanini conducted the work up to the last notes left by Puccini and then put down his baton with the words: “Here ends the master’s work. After that, he died”. 


Alfano’s finale became the norm in opera houses throughout the world, without ever really being completely accepted. For this reason, the musical editor Ricordi commissioned a new, less bombastic, finale from the greatest living Italian composer of that time. Luciano Berio’s finale, created in 2002, will be performed in Geneva for the first time ever in Switzerland. 


Daniel Kramer’s new staging transposes the old fairy tale to a futuristic world where Turandot’s magic and power hold sway. In a dystopian game show, reminiscent of Hunger Games, the regime of the woman who refuses to become one institutes a surveillance state in which men are culled and the reproduction and breeding of the human species is conducted in a mechanical facility. The US-born director harks back to the archaic essentials of the battle between the sexes. 


For the first time in their career, the famous international art collective teamLab will be working extensively on the scenography of an opera, using state-of-the-art visual technologies never before been seen on an opera stage. teamLab’s light creations have been on show all over the world; they create an immersive artistic experience that absorbs and enthrals the audience in its avant-gardist visual flux. 


After his impressive Grand Théâtre début with Aida during the 2019-2020 and in La Cenerentola last season, which replaced this production of Turandot, impossible to perform under COVID-19 measures, Antonino Fogliani a true master of the Italian repertoire, is back with his baton. After performing Elektra, the dramatic voice par excellence of Ingela Brimberg returns as icy Princess Turandot. The young soprano Olga Busuoc will be the innocent voice of the luminous Liú.
- Grand Théâtre de Genève




Watch on YouTube - Turandot Videos

Composer Giacomo Puccini 
Musical Director Antonino Fogliani

Stage Director Daniel Kramer
Scenography, Digital and Light Art teamLab
Stage Design teamLab Architects
Costumes Kimie Nakano
Lighting Designer Simon Trottet
Dramaturgy Stephan Müller
Choir director Alan Woodbridge


Turandot Ingela Brimberg
Altoum Chris Merrit
Timur Liang Li
Calaf Teodor Ilincai
Liù Olga Busuioc
Ping Simone Del Savio
Pang Sam Furness
Pong Julien Henric
Un Mandarin Michael Mofidian


Grand Théâtre de Genève Chorus
Maîtrise du Conservatoire populaire
Orchestre de la Suisse Romande

參觀指南

會場資訊

Turandot
Opera by Giacomo Puccini

展期

2022.06.20(Mon) - 07.03(Sun)

時間

June 20, 22, 24, 29 and July 1, 2022
20:00

June 26 and July 3, 2022
15:00

交通指南

地址

Grand Théâtre de Genève
Boulevard du Théâtre 11
CH-1204 Genève
Parking
GTG Plaine de Plainpalais
Uni Dufour BFM Seujet, Hôtel des Finances, Tribune de Genève * For more information visit GTG Contacts & Access
Public Transport
GTG
Stop Pl. de Neuve
Bus : 3 · 5 · 20 · 36 Tram : 12 · 17 · 18 Stop Théâtre Bus : 2 · 19 Stop Cirque Bus : 1 · 2 · 19 · 35 Tram : 15 Stop Bovy-Lysberg Bus : 3 · 5 · 20 BFM
Stand
Bus : 1 · D Tram : 14 · 15

聯系我們

Box Office

Grand Théâtre de Genève
+41 22 322 5050
billetterie@gtg.ch

Administration

Grand Théâtre de Genève
+41 22 322 50 00
info@gtg.ch
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