teamLab: Existence in an Infinite Continuity | teamLab

メイン画像
ロゴ画像
既往展览
2023.07.22(Sat) - 2024.01.21(Sun)姬路市美術館, 兵庫
Second term on view from Oct 21. The artworks in this exhibition will differ between the first and second term.
Related Exhibition "teamLab: Existence in Perception - Engyoji Temple" On view until Dec 03
メイン画像
ロゴ画像
既往展览
2023.07.22(Sat) - 2024.01.21(Sun)姬路市美術館, 兵庫
Second term on view from Oct 21. The artworks in this exhibition will differ between the first and second term.
Related Exhibition "teamLab: Existence in Perception - Engyoji Temple" On view until Dec 03

teamLab: Existence in an Infinite Continuity

teamLab aims to change humanity’s perception of the world through art. In this exhibition, viewers will immerse themselves in borderless Ultrasubjective Space, where the physical space of reality they stand in merges with the space of the artworks. Through this immersive experience, viewers will become physically aware that the world is built on interconnectedness and continuity. In recent years, teamLab has begun to explore further, creating artworks centered around the theme of “What is life?” In their work, they state: “Our existence is shaped by the interplay between the mind, the body, and the environment that is continuous with them.” Over two parts, this exhibition demonstrates how teamLab’s current position transcends the conventional boundaries of perceiving living organisms and inanimate entities, showcasing the collective’s progress on a large scale.

ー Himeji City Museum of Art

Second term: Oct 21, 2023 - Jan 21, 2024

Dissipative Figures – 1000 Birds, Light in Dark

The contours of life’s existence are not the surface boundary of the body, but something ambiguous that includes the environment that is continuous with it.
As long as people live, they dissipate energy and affect the environment, such as the flow of air.
In this artwork, the existence of the birds are depicted through the energy they dissipate into the world.

Being consists of the mind, the body, and the environment that is continuous with them.

Objects like stones and man-made creations so far have maintained a stable structure on their own. But life is different. Whereas a stone can continue to exist in a closed box, sealed off from the outside world, life would cease to exist.

Life is like a vortex created in the ocean. A vortex forms and exists in a flow of matter, and the boundaries of its existence are ambiguous.  

Although a vortex is steady, it is constantly moving and swelling like a powerful life-form. The vortex cannot maintain a stable structure on its own; rather, it is created and sustained by water that continuously flows inwards and outwards.

The same is true of life. It consumes external matter and energy as food and discharges it, sustaining its ordered structure as the energy dissipates. In other words, life does not exist by itself. It is the environment that is continuous with it that maintains the structure of life.

Life is a miraculous phenomenon that emerges from a flow in an open world. Like an ocean vortex, it is an existence with ambiguous boundaries in an infinite continuity.

To be alive is to be inseparable from the world, constantly dissipating energy into it.

Matter is Void - Fog

任何人都可以下載並擁有這部作品
下載作品

NFT所有者可以改寫作品中的文字
改寫作品中的文字 

 可在Pace Verso購買
*從2022年10月20日17:00(美國東部時間)開始

teamLab通過藝術作品《Matter is Void》,探索着所有權的概念。

這是一個NFT作品。這個作品只有一個NFT,但這並不意味着它是獨一無二的。無論是誰無論是多少人,都可以下載並擁有這件作品。換句話說,無論是否擁有該作品的NFT,被下載的作品都是相同的,它們都是真品。

作品顯示的是由teamLab選擇的文字“Matter is Void”。只有NFT所有者可以任意修改文字,而修改後的文字將反映在世界各地的人下載的作品中。

根據NFT所有者選擇的文字,作品的價值將發生變化。如果NFT所有者改寫的文字具有價值,更多的人可能會選擇擁有該作品;而如果這些文字不具有價值,人們可能不再選擇展示該作品。改寫一個很多人看的作品的文字可能有很大的價值,反之,改寫一個不受人關注的作品的文字則沒有什麼價值。這也就是說,根據NFT所有者改寫的文字,這件NFT作品的價值也可能發生變化。

此外,即使NFT所有者在將文字改寫成其他文字后,重新將其改回 "Matter is Void",這些文字也會呈現出不同於初始的狀態。最初的 "Matter is Void "一旦被修改,將無法再看到相同的狀態。


被寫在作品中的文字,會不斷地公轉和自轉。不停旋轉的文字,我們也許能在某些角度認出它們,也可能會在某些瞬間辨認出文字的整體含義,接着它們又會再一次變回難以辨認的文字。文字的公轉,在視覺上既是順時針的,又是逆時針的,它會隨着觀賞者的意識,呈現向左方向或向右方向旋轉的形態。

焰粒子世界 / Universe of Fire Particles

火焰的形狀會隨著絕對黑色的形態而發生變化。

火焰是基於燃燒而產生光和熱的現象,也是流動中被汽化了或被分解了的物質,這是我們在看到現象和物質之間的間隙時的感官體驗。 這種感官上的體驗,使得火焰能夠被我們認知為是一種物體,且有時能夠在其中感受到生命的存在。

氣體燃燒所產生的氣流,在空間中描畫出線條,這些線的立體集合構成了火焰, 根據teamLab的 "超主體空間 "概念進行平面化處理而描繪出火焰。

teamLab正在摸索「分散型藝術」的理念。
當您拿著手機軟件「Distributed Fire」靠近作品中的火焰時,火焰會「點燃」您的手機,您就可以把作品帶回家。而當您將帶回家的火焰靠近其他人的手機時,同樣的火焰會被傳播出去。就這樣把自己得到的火焰傳播給他人,通過他人再次傳播給其他人之後,火焰會在世界各地被廣泛傳播。被廣泛傳播的火焰群體,會描繪出一幅火焰地圖。

在「分散型藝術」的理念之下,一些藝術作品會進行自我複製,一些作品會使它的一部分在人們之間傳播。當作品到了人們手中,它就會再次自我複製,人們也會積極使其分散傳播開來。藝術作品在由人構成的人際網絡中傳播並存在,就會成為去中心化藝術。
當作品存在於網絡上時,即使原件消失了,它也會繼續存在。

First term: Jul 22 - Oct 9, 2023

Dissipative Figures – Human, Light in Dark

The contours of life’s existence are not the surface boundary of the body, but something ambiguous that includes the environment that is continuous with it.
As long as people live, they dissipate energy and affect the environment, such as the flow of air.
In this artwork, the existence of a person is depicted through the energy dissipated by people into the world for as long as they live.

Being consists of the mind, the body, and the environment that is continuous with them.

Objects like stones and man-made creations so far have maintained a stable structure on their own. But life is different. Whereas a stone can continue to exist in a closed box, sealed off from the outside world, life would cease to exist.

Life is like a vortex created in the ocean. A vortex forms and exists in a flow of matter, and the boundaries of its existence are ambiguous.  

Although a vortex is steady, it is constantly moving and swelling like a powerful life-form. The vortex cannot maintain a stable structure on its own; rather, it is created and sustained by water that continuously flows inwards and outwards.

The same is true of life. It consumes external matter and energy as food and discharges it, sustaining its ordered structure as the energy dissipates. In other words, life does not exist by itself. It is the environment that is continuous with it that maintains the structure of life.

Life is a miraculous phenomenon that emerges from a flow in an open world. Like an ocean vortex, it is an existence with ambiguous boundaries in an infinite continuity.

To be alive is to be inseparable from the world, constantly dissipating energy into it.

自律抽象畫 / Autonomous Abstraction

自律抽象畫。
光點存在固有的明暗與色相周期。彼此靠近的光點之間會出現同步現像,彼此靠近的光點的明暗節奏和色相會逐漸接近。人如果接觸這些光點,光點的明暗與色相周期就會產生變化變得各不相同,之後彼此靠近的光點間的明暗節奏和色相會再次逐漸接近。
每個光點在每次明暗閃爍時都會響起一個音調。空間中,只有這些音調串聯後發出的聲音,而我們在這個空間裡感知到的音樂,也只是由明暗閃爍串聯起來的音調而形成的。

同步現像是指不同的節奏之間相互影響從而變得一致。比如,掛在牆上的兩個掛鐘的鐘擺會逐漸同步擺動。眾多螢火蟲聚集在一棵樹上時,會同步閃爍並產生更大的光亮。構成心髒的細胞們同步律動使得心髒得以產生跳動。這種影響在物理現像、神經生理學、生命系統和生態學等許多領域與系統中都可以見到。即使每個個體不具備審視整體的能力,也會由於個體的自律行為最終形成一個有秩序的大結構。這種自發地生成秩序的現像可以稱之為自組織現像。

在宇宙中,熵(用於表示物質系統無序程度的物理量)只會保持不變或增加(熵增定律),物質或系統則會在這個過程中逐漸崩潰。但盡管如此,太陽誕生、行星誕生、生命出現、社會存在,這些事情想來都是非常不可思議的。宇宙中的生命,自然與社會之所以依舊得以成立,大概就是因為在向失序發展的同時,仍然有自組織的現像的普遍存在,使得秩序能夠得以生成吧。也就是說,這個宇宙,以及自我的存在,也都是由同一個現像、持續不斷地產生的秩序。

APP

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アイコン画像

Distributed Fire

點燃火焰

當您啟動此應用程序、並接近作品《從空中噴涌而出的焰粒子世界》時,您的火焰將被會點燃,您就可以將藝術品帶回家。


分享火焰

如果您使用該應用程序接近其他人,您還可以與他們分享您的火焰。


觀看火焰地圖

被廣泛傳播的火焰群體,以及您自己傳播出去的火焰,會在軟件裡描繪出一幅地圖。

參觀指南

會場資訊

teamLab: Existence in an Infinite Continuity

展期

2023.07.22(Sat) - 2024.01.21(Sun)

開館時間

10:00 - 17:00 (Last Entry 16:30)

休息日

Mondays (except Monday, September 18, Monday, October 9, and Monday, January 8, 2024)
Tuesday, September 19
Thursday, December 28 through Wednesday, January 3, 2024
Tuesday, January 9, 2024

交通指南

地址

姬路市美術館
兵庫縣姬路市本町68-25

地址用當地語言:

姫路市立美術館
兵庫県姫路市本町68-25
藝術家
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teamLab
teamLab是自2001年起開始活動的藝術團隊。通過團隊創作來探索藝術、科學、技術和自然界交匯點的國際性跨域藝術團隊。由藝術家、程式設計師、工程師、CG動畫師、數學家和建築師等各個領域的專家組成。 teamLab想通過藝術,摸索人與世界的關係和新的認知。人類爲了更好地認知世界,習慣性地把世界分割,並將其視爲具有邊界的事物。我們探索認知的邊界,並試圖超越人類對世界、對時間連續性的邊界的認知。世間萬物都是奇跡般地存在於積年累月且沒有邊界的連續性上的。 teamLab在紐約、倫敦、巴黎、新加坡、矽谷、北京、墨爾本等世界各地舉辦了藝術展。teamLab所開設的大型常設美術館有位於東京台場的「teamLab Borderless」、位於東京豐洲的「teamLab Planets」、位於上海黃浦濱江的「teamLab 無界上海」、位於澳門的「澳門 teamLab 超自然空間」,位於北京的「teamLab無相藝術空間」等等。今後還將有更多的美術館落地在漢堡、烏得勒支、吉達等地。 teamLab的作品被世界各大藝術機構收藏,如墨爾本維多利亞國家美術館(墨爾本)、悉尼新南威爾士州美術館(悉尼)、阿德萊德南澳大利亞藝術畫廊(阿德萊德)、赫爾辛基阿莫斯·雷克斯美術館(赫爾辛基)、舊金山亞洲藝術博物館(舊金山)、洛杉磯現代美術館(洛杉磯)、伊斯坦堡Borusan當代藝術收藏館(伊斯坦堡)、紐約亞洲協會博物館(紐約)。 teamlab.art Biographical Documents teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

主辦單位

姬路市美術館

協辦單位

The Kobe Shimbun