teamLab: Impermanente Flores Flutuando em um Mar Eterno | teamLab

メイン画像
ロゴ画像
EXPOSIÇÃO PASSADA
2023.01.25(Wed) - 05.21(Sun)Farol Santander São Paulo, São Paulo
メイン画像
ロゴ画像
EXPOSIÇÃO PASSADA
2023.01.25(Wed) - 05.21(Sun)Farol Santander São Paulo, São Paulo

teamLab: Impermanente Flores Flutuando em um Mar Eterno

O teamLab vem explorando a forma como os seres humanos compreendem o mundo, as fronteiras que nele observam e a percepção de continuidade.

Esta exposição apresenta obras baseadas no conceito de Espaço Ultrassubjetivo, proposto pelo coletivo.

Quando o mundo é recortado por lentes ou pela perspectiva em uma imagem em movimento, o espaço dessa imagem parece existir do outro lado da tela, que se torna uma fronteira. Com o ponto de vista fixo, perdemos a noção de nosso corpo. Além disso, ao focar nossa percepção em um único ponto, entramos facilmente em um estado hipnótico em que a intenção e o espírito crítico se perdem.

As telas das obras baseadas no Espaço Ultrassubjetivo não se tornam uma fronteira, o que torna difusas as margens entre o espaço do observador e a obra. Com um ponto de vista móvel, podemos caminhar livremente ao contemplar a imagem; sem criar foco, é possível expandir a perspectiva infinitamente. O olho não é guiado para lugar algum, o que nos permite um olhar voluntário sobre a imagem.

As flores vistas aqui repetem o ciclo de vida e morte perpetuamente, desabrochando e se espalhando pela influência dos visitantes. Ao tornar o visitante parte da obra, turvam se as bordas entre o mundo da obra e o mundo do observador.

Em Vida e Morte Contínuas no Agora da Eternidade, as flores mudam de estado diariamente, seguindo as estações do ano. A obra fica mais clara ou mais escura, acompanhando a aurora e o pôr do sol da cidade de São Paulo.

Esperamos que os visitantes experimentem o espaço e o tempo criados por obras que formam um contínuo sem fronteiras, percebendo ativamente o mundo através de seus corpos.

OBRAS

Flowers and People, Cannot be Controlled but Live Together – A Whole Year per Hour

The seasons co-exist and change gradually across the installation space.
Flowers blossom according to the seasons, and the places where they grow gradually change.

The flowers bud, grow, and blossom before they begin to wither and their petals eventually scatter, repeating the cycle of life and death in perpetuity. If a person stays still, the flowers surrounding them grow and bloom more abundantly than usual, but if people touch or step on the flowers, they shed their petals, wither, and die all at once. Sometimes the flowers cross the boundaries of other works and bloom in other spaces, but scatter or die due to the influence of other works.

The artwork is not a pre-recorded image that is played back; it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork, so previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

In spring in the Kunisaki Peninsula, there are many cherry blossoms in the mountains and canola blossoms at their base. A visit to this region led teamLab to wonder how much of these flowers were planted by people and how much of them were native to the environment. It was a place of great serenity and contentment. The expansive body of flowers is an ecosystem influenced by human intervention, and the boundary between the work of nature and the work of humans is unclear. Rather than nature and humans being in conflict, a healthy ecosystem is one that includes people. In the past, people understood that they could not grasp nature in its entirety, and that it is not possible to control nature. People lived more closely aligned to the rule of nature, which perhaps created a comfortable natural environment. We believe that these valleys hold faint traces of this premodern relationship with nature that once existed, and we hope to explore a form of human intervention based on the premise that nature cannot be controlled.

Ondas Negras / Black Waves

All oceans are connected to each other, and so are all the waves in this world.

In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity.

When the waves rise, we can feel a powerful breath of life, as though life is blooming. It feels as though each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other.
The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean.

The waves are expressed through a continuous body of countless water particles. The interactions of particles are calculated, and then the movement of water is simulated in three-dimensional space. Lines are created along the trajectories of the water particles, and drawn on the surface layer of the three-dimensional waves.

The lines are created with what teamLab refers to as Ultrasubjective Space. In contrast to space that is created through, or cut out by, lenses and perspective, Ultrasubjective Space does not fix the viewer’s viewpoint and in turn frees the body. The wall that the waves are seen on does not become a boundary between the viewer and the artwork, and the artwork space is continuous with the space of the viewer’s body.

VISITE

Detalhes do local

teamLab: Impermanente Flores Flutuando em um Mar Eterno

Duração

2023.01.25(Wed) - 05.21(Sun)

Horas

9:00 - 20:00 (Última Entrada 19:00)

Fechado

segunda-feira

Acesso

Local

Farol Santander São Paulo
R. João Brícola, 24 - Centro Histórico de São Paulo, São Paulo - SP, 01014-900
ARTISTA
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teamLab
teamLab (f. 2001) is an international art collective. Their collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. Through art, the interdisciplinary group of specialists, including artists, programmers, engineers, CG animators, mathematicians, and architects, aims to explore the relationship between the self and the world, and new forms of perception. In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity. teamLab’s works are in the permanent collection of the National Gallery of Victoria, Melbourne; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; National Gallery of Australia, Canberra; Amos Rex, Helsinki; Museum of Contemporary Art, Los Angeles; Asian Art Museum, San Francisco; Borusan Contemporary Art Collection, Istanbul; and Asia Society Museum, New York, among others. teamlab.art Biographical Documents teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.