Vortices are drawn by countless cell-like existences that are destroyed by the artificial intervention of people.

However, the resulting painting receives an influx of energy from the outside, autonomously forming a high order steady state of energy, and reverting again to a cell-like existence that continuously emerges.

Both the countless particles and the resulting picture are all part of the whole, born from the whole and returned to the whole.

*Precedents using oil as a medium: Richard Wilson, 20:50 (1987); Kohei Nawa, Biomatrix (2018)