teamLab Island Dance! Art Museum and Learn & Play! Future Park in Sapporo Factory | teamLab

メイン画像
teamLab Island Dance! Art Museum and Learn & Play! Future Park in Sapporo Factory
전시 종료
2017.01.01(Sun) - 01.17(Tue)Sapporo Factory, Hokkaido
メイン画像
teamLab Island Dance! Art Museum and Learn & Play! Future Park in Sapporo Factory
전시 종료
2017.01.01(Sun) - 01.17(Tue)Sapporo Factory, Hokkaido

작품

Flowers and People, Cannot be Controlled but Live Together – A Whole Year per Hour

The seasons co-exist and change gradually across the installation space.
Flowers blossom according to the seasons, and the places where they grow gradually change.

The flowers bud, grow, and blossom before they begin to wither and their petals eventually scatter, repeating the cycle of life and death in perpetuity. If a person stays still, the flowers surrounding them grow and bloom more abundantly than usual, but if people touch or step on the flowers, they shed their petals, wither, and die all at once. Sometimes the flowers cross the boundaries of other works and bloom in other spaces, but scatter or die due to the influence of other works.

The artwork is not a pre-recorded image that is played back; it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork, so previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.

In spring in the Kunisaki Peninsula, there are many cherry blossoms in the mountains and canola blossoms at their base. A visit to this region led teamLab to wonder how much of these flowers were planted by people and how much of them were native to the environment. It was a place of great serenity and contentment. The expansive body of flowers is an ecosystem influenced by human intervention, and the boundary between the work of nature and the work of humans is unclear. Rather than nature and humans being in conflict, a healthy ecosystem is one that includes people. In the past, people understood that they could not grasp nature in its entirety, and that it is not possible to control nature. People lived more closely aligned to the rule of nature, which perhaps created a comfortable natural environment. We believe that these valleys hold faint traces of this premodern relationship with nature that once existed, and we hope to explore a form of human intervention based on the premise that nature cannot be controlled.

Crows are chased and the chasing crows are destined to be chased as well, Division in Perspective – Light in Dark

A digital installation in three dimensions on seven screens.

This artwork explores Japanese spatial awareness. It exists in a three-dimensional space that we call ultrasubjective space. The Japanese mythical bird Yatagarasu,* rendered in light, flies around the space leaving trails of light in its path, creating spatial calligraphy. As the crows chase and are chased by one another through the air, they turn into flowers and eventually scatter.

The Itano Circus is a unique technique pioneered by creator animator Ichiro Itano. In this technique, a screen is packed to capacity with swarms of flying missiles that are drawn in a completely distorted perspective. These distortions give the audience a stronger sense of dynamic movement and impact. Through ultra-high-speed camera work and staging that envelops the viewer’s perspective, this technique creates an overwhelmingly beautiful image.

In this digital artwork, an homage to the Itano Circus, teamLab has recreated this distortion of space formerly used in 2-D animation in a 3-D space. This is an exploration of 1) what sort of logical structure of perception constitutes this distortion of space pioneered by Japan’s animators, and 2) the hypothesis that this is in line with the continuous tradition of Japanese spatial perception. By recreating this distortion in a 3-D space, teamLab widens the perspectival viewpoint. This work is also an experiment in visual experience, as it divides the viewer’s perspective while deploying divided perspective into 3-D space.

*Yatagarasu, the three-legged crow, is a creature found in Japanese mythology. It is believed to represent the sun and the will of Heaven.

관람안내

전시회장 정보

teamLab Island Dance! Art Museum and Learn & Play! Future Park in Sapporo Factory

기간

2017.01.01(Sun) - 01.17(Tue)

Holding period

January 1, 2017 (Sunday and holidays) - January 17, 2017 (Tuesday)

Location

First Place: Sapporo Factory Hall

Holding time

10:00 to 20:00 (planned) ※ Last admission is 30 minutes before closing time time
※ When congestion might do the admission limit

Closing day

None

Price

On the day tickets: junior high school students or more: 1,200 yen (Advance: 1,000 yen), 3 years old - elementary school students: 700 yen (Advance: 600 yen)
※ deals advance tickets
Weekdays limited parent-child pair of tickets: 1,200 yen (1 adult + 1 child) (except Saturday, Sunday and public holidays),
AFTER 5 pair of tickets: after 5 pm admission possible: 1,600 yen (2 adults)
※ ticket handling
Seven - Eleven (050-219 WEB:http://7ticket.jp/s/050219), Ticket Pia (P code: 990-698), Lawson ticket (0570-084-001 L code: 12972), smartphone ticket DMM.com, HTB Corner(Minami 3 Nishi 4, Chuo, Sapporo underground shopping center Paul Town), Doshin Play Guide (Odorinishi 3, Chuo, Sapporo Doshin Building 1F
※ elementary school following is a partial guardian
Group rates are the same fee and advance tickets more than 10 people ※.
※ place of today's ticket sales office only body disabilities notebook in the venue

Organizers

"teamLab Islands Dance! Art Museum and Learn & Play! Future Parks"Sapporo executive committee

Special cooperation

Sapporo Factory

Cooperation

Pentel , SAPPORO DAIDO PRINTING Co.,Ltd., Hokkaido Shimizu








Supporters

Sapporo, Sapporo City Board of Education
작가
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아트 컬렉티브 teamLab은 2001년 활동을 시작했다. 국경을 넘어선 연대 속에 집단 창작의 방식으로 예술, 과학, 테크놀로지 그리고 자연계의 교차점을 학제적 접근으로 모색한다. 아티스트, 프로그래머, 엔지니어, CG 애니메이터, 수학자, 건축가 등 다양한 분야의 전문가들로 구성된 teamLab은 예술을 통해 인간과 자연, 개인과 세계의 새로운 관계를 탐구하고 표현한다. teamLab은 우리에게 익숙한 모든 경계에 대해 질문한다. 인간은 각자를 둘러싼 바깥 세상을 감각 기관으로 인지해 스스로와 분리하고 낱낱을 경계지어 독립체로 구분하려 한다. 현대 문명은 그런 방식으로 세계를 이해해 왔다. teamLab은 예술을 통해 감각을 확장하고 개인과 세계의 경계, 시간의 연속성에 대한 인지의 경계를 넘어설 수 있다고 믿는다. 이 세계의 모든 것은 광대한 시간 속에, 생명의 끝없는 연속 안에 가까스로, 하지만 기적적으로 존재하고 있다. teamLab의 작품은 시드니 뉴사우스웨일스 주립 미술관, 애들레이드 사우스오스트레일리아 미술관, 샌프란시스코 아시아 미술관, 뉴욕 아시아 소사이어티, 이스탄불 보루산 현대 미술관, 멜버른 빅토리아 국립 미술관, 헬싱키 아모렉스가 영구 소장하고 있다. teamlab.art Biographical Documents teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.