teamLab Biovortex Kyoto | teamLab

メイン画像
Opening in October 2025Kyoto
Tickets on Sale This August
メイン画像
Opening in October 2025Kyoto
Tickets on Sale This August

작품

Massless Amorphous Sculpture

The only material substances present in this space are ordinary soap, water, and air. The bubbles are soap bubbles.
This floating, immense sculpture emerges from a sea of bubbles, transcending the very concept of mass. It neither sinks to the ground nor rises completely to the ceiling, but instead drifts in the middle of the space. The contours of its existence are ambiguous—it fragments into smaller pieces, but merges into a larger mass. Even when people fully immerse themselves in this sculpture, its existence remains intact. If broken by people, it naturally restores itself. However, when the sculpture is destroyed beyond what it can repair, it collapses, unable to recover. Even if people try to move or push this floating sculpture, they cannot do so, and if they stir up wind, the sculpture disperses entirely. Physical human actions cannot move the sculpture.
Objects such as stones and man-made creations maintain a stable structure on their own. A stone will continue to exist even if placed in a sealed box, isolated from the external world.On the other hand, a vortex created in the ocean disappears instantly when transferred into an enclosed box. In other words, a vortex does not maintain a stable structure independently. A vortex exists within the flow created by its environment formed by water continuously from the outside to the inside and from the inside to the outside, maintained by the vortex’s ordered structure. This flow allows the vortex to shift as the surrounding currents change. Moreover, its boundaries are ambiguous, and there is no material distinction between the vortex and its surroundings.
Rather than a solid object, this sculpture is created by the order of energy generated by the phenomena of a unique environment.  Let us call this existence created by the order of energy, a "Higher Order Sculpture." The artwork is inseparable from the environment and changes along with the environment. It transcends the conventional notions of physical objects—it sustains its existence mid-air, having ambiguous boundaries, and it is able to maintain its shape even when people immerse themselves physically into the sculpture, naturally restoring itself even if the sculpture breaks.
By filling the space with soap bubbles, a distinct environment is created in which an order of energy is born. By doing so, a massive form emerges from this sea of bubbles that floats steadily in mid-air.
In modern biology, the definition of life cannot be strictly defined, but everything that is structured upon cells, capable of metabolism, and self-reproduction are labeled living things for convenience. In other words, all living things are composed of cells. All cells are enclosed by a cell membrane constructed of a lipid bilayer, with the hydrophilic part facing outward and the hydrophobic part covered within the layers. Both the inside and outside of the enveloping membrane are liquid. Soap bubbles are similarly enveloped by lipid bilayer membranes, and these membranes are structurally identical to cell membranes. However, contrary to cells, the bilayer of the bubble membrane floats in and encloses air, so the hydrophobic part faces outward, while the hydrophilic part is covered within the layers. In other words, if we consider cells to be pouch-shaped membranes in liquid, then bubbles are pouch-shaped membranes in air. This sculpture is created from substances composed in the same ways as cells, the structuring units of life-forms, and the order of energy created from this environment.
The same is true of life. It consumes external matter and energy as food and discharges it, sustaining its ordered structure as the energy dissipates. Life exists within the flow of matter and energy, and its contour, like a vortex, is ambiguous.Perhaps, life is a miraculous phenomenon that emerges in the flow of matter and energy, and its structure is the order of energy created by that flow.

Morphing Continuum

Even if individual elements are separated in space and time, when a structural order appears among them, the elements transcend space and time and form a single entity. Despite significant changes in shape or size on the surface, or even if all of the elements are replaced, the single existence will be maintained. This spatiotemporal existence is part of the whole, it appears from the whole, and is returned to it. It is a living universe - a biocosmos.
Sculptural existence is born in space. It takes form on the ground as a mass and rises from the ground. Existence is born in the air, transcending the very concept of mass, and continues to exist mid-air, maintained in place. The boundaries of these existences are ambiguous, and the glowing spheres that compose them are continuously changing. Even when people fully immerse themselves in this sculpture, its existence remains intact. If broken by people, it naturally restores itself. Even if people try to move or push this floating entity, they cannot do so. Physical human actions cannot move the sculpture. 
Rather than a solid object, this sculptural entity is created by the order of energy generated by the phenomena of a unique environment. Let us call this existence High Order Sculpture. The artwork is inseparable from the environment and changes along with the environment. It transcends the conventional notions of physical objects—it sustains its existence mid-air, having ambiguous boundaries, and it is able to maintain its shape even when people immerse themselves physically into the sculpture, naturally restoring itself even if the sculpture breaks.

Forest of Resonating Lamps: One Stroke - Fire

This artwork, in which lamps are seemingly scattered in a random manner, is composed of resonating light that changes based on the relationship between the people in the artwork space. It is a work that expresses the beauty of continuity.
When a person stands close to a lamp, it shines brightly and emits a sound. The light spreads to the closest lamps, propagating their light to the lamps nearest to them. The light continues to flow to the closest lamp, passing through each lamp once, creating a single light trajectory that passes through all the lamps. The light created by your presence and the light created by the presence of others, will always intersect.
The seemingly random arrangement of the lamps is an arrangement in which the light produced by the presence of people is always continuous, and is an arrangement created for the beauty of the continuity itself.
Specifically, the lamps are mathematically arranged in space so that when a line is drawn from each lamp to the closest lamp in three dimensions, it forms a single connected line (unicursal) with the same start and end points, that line becomes the trajectory of light that is beautiful.As a result, the lamp light triggered by a person’s presence will, regardless of the fact that it is only spreading to the closest lamps, always pass through each lamp only once, as if it were a single stroke. It then intersects with the light created by other people in the same space at the same time, and ultimately returns to the original lamp that was the starting point. This artwork represents the l continuity of light as people freely interact with the lamps.
teamLab에 대해
아트 컬렉티브 teamLab은 2001년 활동을 시작했다. 국경을 넘어선 연대 속에 집단 창작의 방식으로 예술, 과학, 테크놀로지 그리고 자연계의 교차점을 학제적 접근으로 모색한다. 아티스트, 프로그래머, 엔지니어, CG 애니메이터, 수학자, 건축가 등 다양한 분야의 전문가들로 구성된 teamLab은 예술을 통해 인간과 자연, 개인과 세계의 새로운 관계를 탐구하고 표현한다. teamLab은 우리에게 익숙한 모든 경계에 대해 질문한다. 인간은 각자를 둘러싼 바깥 세상을 감각 기관으로 인지해 스스로와 분리하고 낱낱을 경계지어 독립체로 구분하려 한다. 현대 문명은 그런 방식으로 세계를 이해해 왔다. teamLab은 예술을 통해 감각을 확장하고 개인과 세계의 경계, 시간의 연속성에 대한 인지의 경계를 넘어설 수 있다고 믿는다. 이 세계의 모든 것은 광대한 시간 속에, 생명의 끝없는 연속 안에 가까스로, 하지만 기적적으로 존재하고 있다. teamLab의 작품은 시드니 뉴사우스웨일스 주립 미술관, 애들레이드 사우스오스트레일리아 미술관, 샌프란시스코 아시아 미술관, 뉴욕 아시아 소사이어티, 이스탄불 보루산 현대 미술관, 멜버른 빅토리아 국립 미술관, 헬싱키 아모렉스가 영구 소장하고 있다. teamlab.art Biographical Documents teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

관람안내

전시회장 정보

teamLab Biovortex Kyoto

기간

Opening in October 2025

오시는 길

주소

21-5 Higashikujo Nishiiwamotocho, Minami-ku, Kyoto

현지 언어로 된 주소:

京都市南区東九条東岩本町21-5

주최자

Kyoto Station Southeast Area Project Limited Liability Partnership