teamLab: A Forest Where Gods Live - earth music&ecology
VISITA
TOP
EVIDENZIATO
OPERE
OPERE
EN TEA HOUSE GENKA-TEI
EN TEA HOUSE OTORO
Vedi Tutto
MAP
NOTIZIE
ARTISTA
VICINO
EN TEA HOUSE - GENKA-TEI
EN TEA HOUSE - OTORO
teamLab

teamLab: A Forest Where Gods Live - earth music&ecology | teamLab

メイン画像
ロゴ画像
ESPOSIZIONI PASSATE
2019.07.12(Fri) - 11.04(Mon)Mifuneyama Rakuen, Takeo Hot Springs, Kyushu
メイン画像
ロゴ画像
ESPOSIZIONI PASSATE
2019.07.12(Fri) - 11.04(Mon)Mifuneyama Rakuen, Takeo Hot Springs, Kyushu

Continuous Life

The 500,000 square meter Mifuneyama Rakuen Park was created in 1845, during the end of the Edo period. Sitting on the borderline of the park is the famous 3,000-year-old sacred Okusu tree of Takeo Shrine. Also in the heart of the garden is another 300-year-old sacred tree. Knowing the significance of this, our forebears turned a portion of this forest into a garden, utilizing the trees of the natural forest. The border between the garden and the wild forest is ambiguous, and when wandering through the garden, before they know it, people will find themselves entering the woods and animal trails. Enshrined in the forest is the Inari Daimyojin deity surrounded by a collection of boulders almost supernatural in their formation. 1,300 years ago, the famous priest Gyoki came to Mifuneyama and carved 500 Arhats. Within the forest caves there are Buddha Figures that Gyoki directly carved into the rock face that still remain today. 


The forest, rocks, and caves of Mifuneyama Rakuen have formed over a long time, and people in every age have sought meaning in them over the millennia. The park that we know today sits on top of this history. It is the ongoing relationship between nature and humans that has made the border between the forest and garden ambiguous, keeping this cultural heritage beautiful and pleasing. 


Lost in nature, where the boundaries between man-made garden and forest is unclear, we are able to feel like we exist in a continuous, borderless relationship between nature and humans. It is for this reason that teamLab decided to create an exhibition in this vast, labyrinthine space, so that people will become lost and immersed in the exhibition and in nature. 


We exist as a part of an eternal continuity of life and death, a process which has been continuing for an overwhelmingly long time. It is hard for us, however, to sense this in our everyday lives, perhaps because humans cannot easily conceptualize time for periods longer than their own lives. There is a boundary in our understanding of the continuity of time.


When exploring the forest, the shapes of the giant rocks, caves, and the forest allow us to better perceive and understand that overwhelmingly long time over which it all was formed. These forms can transcend the boundaries of our understanding of the continuity of time.


teamLab's project, Digitized Nature, explores how nature can become art. The concept of the project is that non-material digital technology can turn nature into art without harming it. 


These artworks explore how the forms of the giant rocks, caves, forests, or the garden where nature has continually existed in contact with the lives of people, make it possible to create a place where we can transcend the boundary in our understanding of the continuity of time and feel the long, long continuity of life. The works encourage once again the contemplation of the meaning of “Continuous Life” that has existed over many years in Mifuneyama.

teamLab


Story behind earth music&ecology's contribution

We feel a conceptual affinity between “teamLab: A Forest Where Gods Live”, an art project created by a worldwide spectacle teamLab, and earth music&ecology. We will support the art collective over the long term.

earth music&ecology

    OPERE

    Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond​

    This work is a projection onto the surface of Mifuneyama Rakuen Pond. Using sensors, the water’s surface has become interactive, and the koi that are projected onto the surface interact with the small boat that floats on the pond. The koi do not have a predetermined action, each koi reacts in relation to the behavior of the koi that are close by to it, and each koi swims independently of the others. The koi gather around small boats that gently float on the water, when the boat moves, the koi disperse. The koi swim according to the behavior of the boats, and the influence of the other koi. The movement of the koi leaves trails that draw the artwork.
    Vedi Altro

    Ever Blossoming Life Rock

    Flowers are blooming and scattering for eternity on a large rock (5.5m in height, 4.6m in width, and 6.5m in depth) that is covered in moss. A year of seasonal flowers from the area bloom throughout an hour, continuously scattering and changing.

    Flowers are born, grow, bud, bloom, and eventually scatter, wither and disappear. The flowers are in a continuous cycle of life and death, repeating forever.

    Our own existence is part of this continuity of life and death, repeating endlessly, for an overwhelming length of time, for billions of years. However, it is difficult to perceive this in everyday life.
    The eternal birth and death of the flowers on the large rock, causes us to realize that the existence of life itself is part of a continuous cycle of life and death.
    The artwork is rendered in real time by a computer program. It is neither a prerecorded animation nor on loop, it is continuously changing. Previous visual states can never be replicated, and will never reoccur.
    Vedi Altro

    Universe of Water Particles on a Sacred Rock

    The large sacred rock (about 3m in height, 4.5m in width) of Inari Daimyojin shrine of Mifuneyama Park, was reproduced in a virtual three-dimensional space, and a waterfall was simulated to fall onto it. The waterfall was then projection mapped onto the rock in the actual Inari Daimyojin shrine.

    The water is expressed as a continuum of numerous water particles and the interaction between the particles is calculated. Lines are drawn according to the behavior of the water particles. The cumulation of lines that represent the waterfall are then “flattened” in line with what teamLab considers to be ultrasubjective space.
    Vedi Altro

    Floating Resonating Lamps - One Stroke, Fire

    Each of the lamps on the water’s surface floats autonomously. When a person pushes or stands still near a lamp, or when the wind blows a lamp, it shines brightly and emits a sound. The light of that lamp is transmitted to nearby lamps one by one, as the sound is continuously emitted. The transmitted light always travels through each of the lamps only once, shining brightly, as it propagates through all of the lamps. People become aware of the presence of others in the same space.

    The light is transmitted in such a way that the total distance it travels as short as possible. In other words, the light travels in a single stroke along the shortest route through all of the lamps only once.

    The resonating lamps on the water’s surface change location moment by moment.
    Because the total distance covered by the propagating light is the shortest possible, even if the same lamp starts to shine, the path of light changes every moment.

    When the wind is not blowing and people are not nearby, the lamps begin to blink slowly.

    When the transmitted light meets with a light originating from a different starting point, the lamp where the two lights meet shines brightly for longer. People will surely feel the presence of others in the same space.

    *The lamps are made of Murano glass (Venetian glass).
    Vedi Altro

    Floating Resonating Lamps - One Stroke, Summer Forest at Night

    Each of the lamps on the water’s surface floats autonomously. When a person pushes or stands still near a lamp, or when the wind blows a lamp, it shines brightly and emits a sound. The light of that lamp is transmitted to nearby lamps one by one, as the sound is continuously emitted. The transmitted light always travels through each of the lamps only once, shining brightly, as it propagates through all of the lamps. People become aware of the presence of others in the same space.

    The light is transmitted in such a way that the total distance it travels as short as possible. In other words, the light travels in a single stroke along the shortest route through all of the lamps only once.

    The resonating lamps on the water’s surface change location moment by moment.
    Because the total distance covered by the propagating light is the shortest possible, even if the same lamp starts to shine, the path of light changes every moment.

    When the wind is not blowing and people are not nearby, the lamps begin to blink slowly.

    When the transmitted light meets with a light originating from a different starting point, the lamp where the two lights meet shines brightly for longer. People will surely feel the presence of others in the same space.

    *The lamps are made of Murano glass (Venetian glass).
    Vedi Altro

    Life is Continuous Light - Azalea Valley

    The azaleas spread beneath the cliffs of Mt. Mifuneyama in the azalea valley shine brightly. Each azalea's sphere light is autonomous shining brightly and then fading, as if breathing slowly.
    When people pass by or approach the azaleas, the color of the light changes and a new color resonates out. Then, the light of that tree radiates out and is transmitted to nearby azaleas in the valley. The propagated light of the azaleas will again resonate, and the color will continue to resonate to nearby azaleas in the valley.
    These azaleas are said to have been created by Motozo Sakamoto of the Arima Clan azalea breeding in the late Edo Period during the Tenpo Era (1830 - 1843 C.E.). The azaleas were planted right at the opening of Mifuneyama Rakuen in 1845 C.E.
    Vedi Altro

    Split Rock and Enso

    This artwork makes use of a large rock (2.4m in height, 4.7m in width) that has been split by a maple tree growing from it. The light that draws the calligraphy is black, meaning there is no light, thus making it indistinguishable from the shadows of the maple breaking the rock. The calligraphy and the shadows become one, drawing the Enso.
    Enso is the Zen practice of drawing a circle with a single brush stroke. This artwork depicts an enso drawn as Spatial Calligraphy. The brush stroke is suspended in space but the viewpoint changes to reveal the circle enso. In Zen, enso is a circle that has since ancient times been written with canes or sticks in midair. It is said to represent enlightenment, truth, the entirety of the universe, and equality. The circle also reflects the hearts and minds of those who view it, with its interpretation left to the individual. 
    Spatial Calligraphy is calligraphy drawn in space, a form of calligraphy that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.
    Vedi Altro

    Spatial Calligraphy on the Rock Wall of Five Hundred Arhats, Continuous Life

    About 1,300 years ago, the famous monk Gyoki, who would later create the Great Buddha in Nara, entered the caves of Mifuneyama and engraved Five Hundred Arhats into three caves, and carved the Three Buddhas in the far rock of the third cave. Also at that time, he carved a hole next to the Three Buddhas, into which water has collected over 1,300 years without ever going dry. This water has long been used as medicinal water.
    The calligraphy moves back and forth between the cave and the rock wall outside. The calligraphy is drawn across the surface of a series of three-dimensional caves and walls, where it rotates in three dimensions.The light calligraphy is black, meaning there is no light, thus making it indistinguishable from the darkness of the cave. The darkness of the calligraphy and the cave become one, and the spatial calligraphy is continuously written on the rock wall.
    Spatial Calligraphy is calligraphy drawn in space, a form of calligraphy that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure of space that teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.
    Vedi Altro

    Sea of Rocks of Oblivion

    A sea of rocks shines brightly.
    The light of each rock is autonomous, shining brightly and then fading as if breathing slowly.
    If a person goes close to a rock the light of that rock glows strongly and the color tone resonates out.
    Vedi Altro

    Concrete and Abstract - Sacred Tree Forest Entrance

    This artwork exists at the border between the garden and the forest of Mifuneyama Rakuen. The forest behind the artwork leads to the famous 3,000 year-old sacred Okusu tree of Takeo Shrine.When people stop inside the artwork, a new set of lines is born and spreads across the space.Through this artwork, the forest becomes a flattened plane.
    The artwork is rendered in real time by a computer program. It is neither a prerecorded animation nor on loop, it is continuously changing. Previous visual states can never be replicated, and will never reoccur.
    Vedi Altro

    Resonating Forest - Cherry Blossoms and Maple

    The cherry blossoms and maple forest of Mifuneyama Rakuen shine brightly. Each tree’s light is autonomous, shining brightly and then fading as if it’s breathing.

    As people pass nearby, the light of the trees changes color, and a tone specific to that color resonates out. The light of an individual tree spreads radially to the neighboring trees. In the same way that the light is transmitted between trees, the tone also propagates through each tree, spreading continuously.

    If a wave of light comes from the other side, it signifies the presence of people there. People gain a heightened sense of awareness of the existence of other people in the same space.
    Vedi Altro

    Resonating Forest in the Ravine

    The forest in the ravine shines brightly. Each tree’s light is autonomous, shining brightly and then fading, as if it’s breathing.

    As people pass nearby, the light of the tree changes color, and a tone specific to that color resonates out. The light of an individual tree spreads radially to the neighboring trees. In the same way that the light is transmitted between the trees, the tone also propagates through each tree, spreading continuously.

    If a wave of light comes from the other side, it signifies the presence of people there. People gain a heightened sense of awareness of the existence of other people in the same space.
    Vedi Altro

    Memory of Continuous Life

    Vedi Altro

    Cut Out Continuous Life - Forest Canopy

    Vedi Altro

    Cut Out Continuous Life - Forest Path

    Vedi Altro

    The Floating Tree

    Vedi Altro

    Resonating Mt. Mifuneyama

    The light of Mt. Mifuneyama is autonomous, it shines brightly and then fades as if slowly breathing.It responds to the light from Life is Continuous Light - Azalea Valley at the base of Mt. Mifuneyama, resonating and shining brighter.
    Vedi Altro

    Butterflies Dancing in the Depths of the Underground Ruins, Transcending Space

    In the ruins discovered at the end of a long, underground tunnel in Mifuneyama Rakuen, small microcosms of accumulated space times are spread. A group of butterflies in the microcosm dances beyond the boundaries of the time and space of the ruins.

    The forest above the underground tunnel is home to 3,000-year-old trees, and it changes daily with the imperceptible, slow flow of time, repeating every year, as a space where the endlessly long time accumulates. The ruins from ages past scattered in the forest and the Edo-period garden which remains today each have their own respective space-times. The forgotten underground tunnel is a space-time where time has stopped completely.

    And the microcosms that are spread through the ruins of the underground tunnels also have their own space-times. Here, various space-times intersect and overlap.

    Vedi Altro

    Graffiti Nature - Living in the Ruins of a Bathhouse, Red List

    All the various creatures drawn by visitors live in the ruins of the bathhouse in Mifuneyama Park.  Color in a creature on the paper provided, and see the picture you have drawn come to life and move in front of you.
    Living things eat and are eaten by other living things in one shared ecosystem.The creatures you draw will multiply if they eat other living things, but they will die and disappear if they do not eat enough, or if they are eaten by other creatures. The salamanders eat the snakes, the snakes eat the lizards, the lizards eat the frogs, and the frogs eat the butterflies, each one propagating as they consume. Likewise, the butterflies multiply in places where flowers grow.Although flowers will bloom if people stay still, their petals will scatter if people walk around and step on them. Salamanders will die if people step on them too much.
    The International Union for the Conservation of Nature’s Red List is a database of the conservation status of biological species. Wildlife assessed in the Red List, including threatened and endangered species, appear in this work.
    Vedi Altro

    EN TEA HOUSE GENKA-TEI

    About GENKA-TEI

    EN TEA HOUSE OTORO

    About OTORO

    Forest and Spiral of Resonating Lamps - One Stroke, Autumn Mountain

    This artwork, in which lamps are seemingly scattered in a random manner, is composed of resonating light that changes based on the relationship between the people in the artwork space. It is a work that expresses the beauty of continuity.
    When a person stands still close to a lamp, it shines brightly and emits a sound. The light spreads to the two closest lamps, which in turn similarly emit a sound, spreading their light to the lamps nearest to them. The light, now divided into two, will pass through all of the lamps in the room once, creating a single trajectory of light. The light created by your presence and light created by the presence of others, will always intersect.
    Although the lamps may seem randomly scattered, they have been intentionally placed so that regardless of the light’s starting point, or even if the light spreads endlessly, a smooth trajectory of light will always be created, crossing trajectories of light created by other people. 
    More specifically, the arrangement of the lamps is mathematically determined. When drawing a line between lamps that are closest to each other, the distribution in height, direction of the lamp, and the smoothness of the three-dimensional trajectory is quantified in order to create a unicursal line with the same starting and ending point.
    As a result, a lamp’s light triggered by a person’s presence will, regardless of the fact that it is only spreading to the closest lamps, always pass through every lamp only once. The light will always cross the light created by others, and return to the original lamp that started its trajectory.
    The arrangement of the lamps may appear random, but it is to express the beauty of the continuity of light, created by people interacting with the lamps from any position.
    Vedi Altro

    MAP

    map画像
    Ingrandisci

    • 1

      関連画像

      Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond​

    • 2

      関連画像

      Floating Resonating Lamps - One Stroke, Fire

    • 3

      関連画像

      Resonating Forest in the Ravine

    • 4

      関連画像

      Resonating Forest - Cherry Blossoms and Maple

    • 5

      関連画像

      Life is Continuous Light - Azalea Valley

    • 6

      関連画像

      Resonating Mt. Mifuneyama

    • 7

      関連画像

      Ever Blossoming Life Rock

    • 8

      関連画像

      The Floating Tree

    • 9

      関連画像

      Split Rock and Enso

    • 10

      関連画像

      Sea of Rocks of Oblivion

    • 11

      関連画像

      Concrete and Abstract - Sacred Tree Forest Entrance

    • 12

      関連画像

      Universe of Water Particles on a Sacred Rock

    • 13

      関連画像

      Memory of Continuous Life

    • 14

      関連画像

      Cut Out Continuous Life - Forest Canopy

    • 15

      関連画像

      Cut Out Continuous Life - Forest Path

    • 16

      関連画像

      Spatial Calligraphy on the Rock Wall of Five Hundred Arhats, Continuous Life

    • 17

      関連画像

      Flowers Bloom in an Infinite Universe inside a Teacup

    • 18

      関連画像

      Graffiti Nature - Living in the Ruins of a Bathhouse, Red List

    • 19

      関連画像

      Megaliths in the Bath House Ruins

    • 20

      関連画像

      Butterflies Dancing in the Depths of the Underground Ruins, Transcending Space

    • 21

      関連画像

      Forest and Spiral of Resonating Lamps - One Stroke, Summer Forest

    • 1

      関連画像

      Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond​

    • 2

      関連画像

      Floating Resonating Lamps - One Stroke, Fire

    • 3

      関連画像

      Resonating Forest in the Ravine

    • 4

      関連画像

      Resonating Forest - Cherry Blossoms and Maple

    • 5

      関連画像

      Life is Continuous Light - Azalea Valley

    • 6

      関連画像

      Resonating Mt. Mifuneyama

    • 7

      関連画像

      Ever Blossoming Life Rock

    • 8

      関連画像

      The Floating Tree

    • 9

      関連画像

      Split Rock and Enso

    • 10

      関連画像

      Sea of Rocks of Oblivion

    • 11

      関連画像

      Concrete and Abstract - Sacred Tree Forest Entrance

    • 12

      関連画像

      Universe of Water Particles on a Sacred Rock

    • 13

      関連画像

      Memory of Continuous Life

    • 14

      関連画像

      Cut Out Continuous Life - Forest Canopy

    • 15

      関連画像

      Cut Out Continuous Life - Forest Path

    • 16

      関連画像

      Spatial Calligraphy on the Rock Wall of Five Hundred Arhats, Continuous Life

    • 17

      関連画像

      Flowers Bloom in an Infinite Universe inside a Teacup

    • 18

      関連画像

      Graffiti Nature - Living in the Ruins of a Bathhouse, Red List

    • 19

      関連画像

      Megaliths in the Bath House Ruins

    • 20

      関連画像

      Butterflies Dancing in the Depths of the Underground Ruins, Transcending Space

    • 21

      関連画像

      Forest and Spiral of Resonating Lamps - One Stroke, Summer Forest

    VISITA

    Informazioni sulla Sede

    teamLab: A Forest Where Gods Live - earth music&ecology

    Durata

    2019.07.12(Fri) - 11.04(Mon)

    Orari

    Jul 12 - Sep 12, 2019 19:00 - 22:30
    Sep 13 - Oct 11, 2019 18:00 - 22:30
    Oct 12 - Nov 4, 2019 17:00 - 22:30

    * Enter from Entrance 1. Entrance 2 is only available 90 min after the opening.
    * Last entry is 30 minutes before closing.

    * There are two simultaneous exhibitions at Mifuneyama Rakuen, held before and after sunset;
    Daytime Exhibition, 11:30 - Sunset
    teamLab: A Forest Where Gods Live, Ruins and Heritage - THE NATURE OF TIME
    Nighttime Exhibition, Sunset - 22:30
    teamLab: A Forest Where Gods Live - earth music&ecology
    * Only on the day of, a "teamLab: A Forest Where Gods Live - earth music&ecology" ticket admits entry to both exhibitions.

    Chiuso

    Open daily

    Website

    Mifuneyama Rakuen
    EN TEA House GENKA-TEI 
    EN TEA House OTORO 

    Accesso

    Sede

    Mifuneyama Rakuen
    4100 Takeo, Takeo-cho, Takeo City, Saga, Japan
    Guests Entering through Mifuneyama Rakuen Entrance 1:
    * The shuttle bus does not stop at Entrance 1.
    * Entrance 1 is 5 min walk from Odds Park TAKEO 2nd Parking Lot.
    * Entrance 1 is 15 min walk from Odds Park TAKEO 1st Parking Lot.
    accessImageIngrandisci
    By Train
    From JR Hakata Station: 70 min by train to JR Takeo Onsen Station. Take a taxi (5 min) or a bus (8 min) to Mifuneyama Rakuen stop. From JR Takeo Onsen Station: 5 min by taxi or 8 min by bus to Mifuneyama Rakuen stop.
    By Air
    From Nagasaki Airport: 40 min by car From Saga Airport: 50 min by car From Fukuoka Airport: 70 min by car
    Parking
    Odds Park TAKEO 2nd Parking Lot: 300 cars Odds Park TAKEO 1st Parking Lot: 900 cars Other nearby parking lots: 900 cars * Once Odds Park TAKEO 2nd Parking Lot is full, Odds Park TAKEO 1st Parking Lot opens.
    Shuttle Bus
    A free shuttle bus runs between Odds Park TAKEO Parking Lot and Mifuneyama Rakuen Entrance 2 on weekends. Jul 12 - Sep 12, 2019 19:30 - 23:00 Sep 13 - Oct 11, 2019 18:30 - 23:00 Oct 12 - Nov 4, 2019 17:30 - 23:00 * Does not run on weekdays. * Departs every 15 minutes. * Once Odds Park TAKEO 2nd Parking Lot is full, TAKEO 1st Parking Lot opens and the shuttle starts running from TAKEO 1st. * The shuttle bus does not stop at Entrance 1.

    CONTATTI

    Inquiry on tickets

    Contact from

    Contact the venue

    Mifuneyama Rakuen Hotel +81-954-23-3131

    Le nota

    Regarding Entry

    Entry may be restricted depending on crowds.

    Due to time constraints, if the number of visitors exceeds capacity, entry may not be permitted.


    Wheelchair & Stroller Access

    The garden has natural trails that may be difficult to access with a wheelchair or stroller.


    Accessible artworks include;


    At "teamLab: A Forest Where Gods Live" exhibition:

    ・"Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond"

    ・"Floating Resonating Lamps - One Stroke"

    ・"Resonating Forest in the Ravine"

    ・"Resonating Forest - Cherry Blossoms and Maple"

    ・"Resonating Azalea Valley "

    ・"Resonating Mt. Mifuneyama"

    ・"Ever Blossoming Life Rock"

    ・"Flowers Bloom in an Infinite Universe inside a Teacup”

    ・"Forest and Spiral of Resonating Lamps - one stroke"


    At "teamLab: A Forest Where Gods Live, Ruins and Heritage" exhibition:

    For details on accessible artworks, please contact Mifuneyama Rakuen Hotel (0954-23-3131).


    Liability

    The organizers will not be held responsible for any injury, loss, or damage to personal items.


    Trash Free Park

    For environmental preservation, trash cans are not available in this park. Be prepared to take your trash home for disposal and recycling.


    No Smoking

    All parks and natural areas are strictly smoke and tobacco-free.


    Clothing

    There are steep slopes and natural trails in this park. Visitors are advised to wear suitable clothing and footwear.


    No Pets Allowed

    No pets are allowed in the park. Service dogs are welcome.


    Exhibition Suspended or Delayed Due to Weather

    In case of strong rain and/or wind, the exhibition will be suspended. Please check the park's official website, facebook, or instagram for details.


    Photography & Videography

    Use of flash, drones and/or tripod inside the park is prohibited.


    Other

    By entering this exhibition, you consent to having your image captured by official photographers and videographers. The resulting materials, including still photographs, video and audio recordings may be used by the Organizers or local promotional entities without restriction or financial compensation, in news materials, promotional materials, on the web and other properties.

    NOTIZIE

    ARTISTA
    logo
    teamLab
    teamLab (f. 2001) is an international art collective. Their collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. Through art, the interdisciplinary group of specialists, including artists, programmers, engineers, CG animators, mathematicians, and architects, aims to explore the relationship between the self and the world, and new forms of perception. In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity. teamLab exhibitions have been held in cities worldwide, including New York, London, Paris, Singapore, Silicon Valley, Beijing, and Melbourne among others. teamLab museums and large-scale permanent exhibitions include teamLab Borderless and teamLab Planets in Tokyo, teamLab Borderless Shanghai, and teamLab SuperNature Macao, with more to open in cities including Abu Dhabi, Beijing, Hamburg, Jeddah, and Utrecht. teamLab’s works are in the permanent collection of the Museum of Contemporary Art, Los Angeles; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Asian Art Museum, San Francisco; Asia Society Museum, New York; Borusan Contemporary Art Collection, Istanbul; National Gallery of Victoria, Melbourne; and Amos Rex, Helsinki. teamlab.art Biographical Documents teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

    Gli Organizzatore

    Mifuneyama Rakuen
    teamLab

    Gli sponsors

    earth music&ecology

    Cooperation

    Saga Television Station

    ESPOSIZIONI VICINO

    近くの展示画像
    Spatial Calligraphy and Crane - Ariake, Fukuoka

    2017.03.30(Thu) - Permanente

    Public Art

    ALTRE ESPOSIZIONI

    展示画像

    APERTO

    teamLab Borderless: MORI Building DIGITAL ART MUSEUM

    2024.02.09(Fri) - Permanente

    Azabudai Hills, Tokyo

    teamLab Museum

    展示画像

    APERTO

    teamLab Planets TOKYO

    July 7, 2018 - End of 2027

    Toyosu, Tokyo

    teamLab Museum

    展示画像

    APERTO

    teamLab Borderless Jeddah

    2024.06.10(Mon) - Permanente

    Culture Square, Jeddah Historic District

    teamLab Museum

    Vedi Altro