Vortex Sea: Waves and Whirlpools
* 位置: Vegan Ramen UZU
青海波纹样是日本传统的,包含着“无限延伸的平稳波浪的图案,表达了对于广阔的海洋所带来的恩惠的感谢,以及永远持续和平生活的向往”意义的图案。青海波纹样始于“波斯萨珊朝(226-651年)”,通过丝绸之路传到中国,在飞鸟时代(593-710年)传播到了日本。
而漩涡的图案在先史时代就得到了几乎所有名族的偏爱,据说像漩涡图案一样广泛分布在世界各地的图案除此无二。
人们横向描绘波浪,从正上方描绘漩涡。
我们在三次元世界重新诠释,在球体上描绘漩涡,把自由旋转状态的球体形成一定的秩序排列,再把漩涡球群体通过超主观空间理论进行平面化后,描绘在右屏。
然后再把同样的球体无序的排列,把无序排列的漩涡球群体通过超主观空间理论进行平面化后,描绘在左屏。
We reinterpreted the blue ocean waves in three dimensions and drew whirlpools on a sphere so that the blue ocean waves are seen from the side and the whirlpools are seen from above. The spheres in free rotation are arranged in an orderly fashion. (Image: Perspective)
This Vortex Sea: Waves depicts this set of whirlpool spheres through one of teamLab's concepts ‘Ultrasubjective Space’. (Image: Vortex Sea: Waves)
The same spheres are arranged in a disorderly way. (Image: Perspective)
And, Vortex Sea: Whirlpools is also cut out through Ultrasubjective Space and drawn in the same way. (Image: Vortex Sea: Whirlpools)