VOLVO teamLab: A Forest Where Gods Live
دليل الزوار
أعلى الصفحة
نظرة عامة
الأعمال الفنية
Inside Mifuneyama Rakuen
Outside Mifuneyama Rakuen
EN TEA HOUSE Genkatei
EN TEA HOUSE Otoro
Ruins and Heritage, Others
مشاهدة الكل
VENUE
SPA
Map
مشاهدة الكل
التطبيق
الفنانون
EN TEA HOUSE - Genkatei
EN TEA HOUSE - Otoro
teamLab

VOLVO teamLab: A Forest Where Gods Live | teamLab

メイン画像
ロゴ画像
المعارض السابقة
‎11.06(Sun) - 2022.07.15(Fri)Mifuneyama Rakuen, Takeo Hot Springs, Kyushu
#AForestWhereGodsLive#
Measures to Prevent the Spread of COVID-19
メイン画像
ロゴ画像
المعارض السابقة
‎11.06(Sun) - 2022.07.15(Fri)Mifuneyama Rakuen, Takeo Hot Springs, Kyushu
#AForestWhereGodsLive#
Measures to Prevent the Spread of COVID-19

Eternal Continuous Life

The 500,000 square meter Mifuneyama Rakuen Park was created in 1845, during the end of the Edo period. Sitting on the borderline of the park is the famous 3,000-year-old sacred Okusu tree of Takeo Shrine. Also in the heart of the garden is another 300-year-old sacred tree. Knowing the significance of this, our forebears turned a portion of this forest into a garden, utilizing the trees of the natural forest. The border between the garden and the wild forest is ambiguous, and when wandering through the garden, before they know it, people will find themselves entering the woods and animal trails. Enshrined in the forest is the Inari Daimyojin deity surrounded by a collection of boulders almost supernatural in their formation. 1,300 years ago, the famous priest Gyoki came to Mifuneyama and carved 500 Arhats. Within the forest caves there are Buddha Figures that Gyoki carved directly into the rock face that still remain today.


The forest, rocks, and caves of Mifuneyama Rakuen have formed over a long time, and people in every age have sought meaning in them over the millennia. The park that we know today sits on top of this history. It is the ongoing relationship between nature and humans that has made the border between the forest and garden ambiguous, keeping this cultural heritage beautiful and pleasing.


Lost in nature, where the boundaries between man-made garden and forest are unclear, we are able to feel like we exist in a continuous, borderless relationship between nature and humans. It is for this reason that teamLab decided to create an exhibition in this vast, labyrinthine space, so that people will become lost and immersed in the exhibition and in nature.


We exist as a part of an eternal continuity of life and death, a process which has been continuing for an overwhelmingly long time. It is hard for us, however, to sense this in our everyday lives, perhaps because humans cannot easily conceptualize time for periods longer than their own lives. In other words, we can understand that the world of today is a continuation of the same world from yesterday, but we feel that the worlds from more distant ages, like the Edo Period, are different and non-continuous. There is a boundary in our understanding of the continuity of long periods of time.


When exploring the forest and seeing the forms and textures of megaliths and caves that formed over eons, we recognize that this long period of time continued until today. The existence of these forms can transcend the boundaries of our understanding of the eternal continuity of life.


teamLab's project, Digitized Nature, explores how nature can become art. The concept of the project is that non-material digital technology can turn nature into art without harming it.


The artworks explore how the existence of these forms can be used as they are to create a place where we can transcend the boundary in our understanding of the continuity of time and feel the long, long continuity of life. Using these existences that embody long periods of time as they are, we can experiment with expressing this eternal continuous life even today and continue to accumulate meaning in this place.


teamLab


Story behind VOLVO contribution

Although teamLab and Volvo are in different fields, we have always resonated with the fact that we are both trying to create new values. teamLab creates many surprises and excitement with its innovative art experiences. Volvo, we always put “people” in center and act to protect environment and the future that surrounds us. Volvo's goal is to make all new cars electric by 2030 and to achieve climate neutrality by 2040.


The "VOLVO teamLab: A Forest Where Gods Live" is an expression of innovation that values what has remained unchanged through the ages, while being willing to change for the sake of the future. In our second year of sponsorship, in addition to the new artwork at Mifuneyama, there will be a satellite exhibit in Tokyo, and we hope that many people will enjoy this new experience of fusion of nature and technology.


Volvo Car Japan

    Inside Mifuneyama Rakuen

    Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond​

    This work is a projection onto the surface of Mifuneyama Rakuen Pond. Using sensors, the water’s surface has become interactive, and the koi, that are projected onto the surface, interact with the small boats that float on the pond. The koi do not have a predetermined action, each koi reacts in relation to the behavior of the koi that are close by to it, and each koi swims independent of the others. The koi gather around small boats that gently float on the water, when the boat moves, the koi disperse. The koi swim according to the behavior of the boats, and the influence of the other koi. The movement of the koi leaves trails that draw the artwork.
    مشاهدة أكثر

    Ever Blossoming Life Rock

    Flowers are blooming and scattering for eternity on a large rock (5.5m in height, 4.6m in width, and 6.5m in depth) that is covered in moss. A year of seasonal flowers from the area bloom throughout an hour, continuously scattering and changing.

    Flowers are born, grow, bud, bloom, and eventually scatter, wither and disappear. The flowers are in a continuous cycle of life and death, repeating forever.

    Our own existence is part of this continuity of life and death, repeating endlessly, for an overwhelming length of time, for billions of years. However, it is difficult to perceive this in everyday life.
    The eternal birth and death of the flowers on the large rock, causes us to realize that the existence of life itself is part of a continuous cycle of life and death.
    The artwork is rendered in real time by a computer program. It is neither a prerecorded animation nor on loop, it is continuously changing. Previous visual states can never be replicated, and will never reoccur.
    مشاهدة أكثر

    Universe of Water Particles on a Sacred Rock

    This artwork uses an actual giant rock. The giant rock (3m in height, 4.5m in width) was reproduced in a virtual three-dimensional space, water was simulated to fall onto it, and the simulated movement of that water on the form of the giant rock draws the waterfall.

    Next to the giant rock, a collection of boulders almost supernatural in their formation surround a small shrine.

    The water is expressed as a continuum of numerous water particles and the interaction between the particles is calculated. Lines are drawn according to the behavior of the water particles. The cumulation of lines that represent the waterfall are then “flattened” in line with what teamLab considers to be ultrasubjective space.
    مشاهدة أكثر

    Life is Continuous Light - Azalea Valley

    The azaleas spread beneath the cliffs of Mt. Mifuneyama in the azalea valley shine brightly. Each azalea's sphere light is autonomous shining brightly and then fading, as if breathing slowly.
    When people pass by or approach the azaleas, the color of the light changes and a new color resonates out. Then, the light of that tree radiates out and is transmitted to nearby azaleas in the valley. The propagated light of the azaleas will again resonate, and the color will continue to resonate to nearby azaleas in the valley.
    These azaleas are said to have been created by Motozo Sakamoto of the Arima Clan azalea breeding in the late Edo Period during the Tenpo Era (1830 - 1843 C.E.). The azaleas were planted right at the opening of Mifuneyama Rakuen in 1845 C.E.
    مشاهدة أكثر

    Split Rock and Enso

    This artwork makes use of a large rock (2.4m in height, 4.7m in width) that has been split by a maple tree growing from it. The light that draws the calligraphy is black, meaning there is no light, thus making it indistinguishable from the shadows of the maple breaking the rock. The calligraphy and the shadows become one, drawing the Enso.
    Enso is the Zen practice of drawing a circle with a single brush stroke. This artwork depicts an enso drawn as Spatial Calligraphy. The brush stroke is suspended in space but the viewpoint changes to reveal the circle enso. In Zen, enso is a circle that has since ancient times been written with canes or sticks in midair. It is said to represent enlightenment, truth, the entirety of the universe, and equality. The circle also reflects the hearts and minds of those who view it, with its interpretation left to the individual. 
    Spatial Calligraphy is calligraphy drawn in space, a form of calligraphy that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.
    مشاهدة أكثر

    Spatial Calligraphy on the Rock Wall of Five Hundred Arhats, Continuous Life

    About 1,300 years ago, the famous monk Gyoki, who would later create the Great Buddha in Nara, entered the caves of Mifuneyama and engraved Five Hundred Arhats into three caves, and carved the Three Buddhas in the far rock of the third cave. Also at that time, he carved a hole next to the Three Buddhas, into which water has collected over 1,300 years without ever going dry. This water has long been used as medicinal water.
    The calligraphy moves back and forth between the cave and the rock wall outside. The calligraphy is drawn across the surface of a series of three-dimensional caves and walls, where it rotates in three dimensions.The light calligraphy is black, meaning there is no light, thus making it indistinguishable from the darkness of the cave. The darkness of the calligraphy and the cave become one, and the spatial calligraphy is continuously written on the rock wall.
    Spatial Calligraphy is calligraphy drawn in space, a form of calligraphy that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure of space that teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.
    مشاهدة أكثر

    Sea of Rocks of Oblivion

    A sea of rocks shines brightly. The light of each rock is autonomous, shining brightly and then fading as if breathing slowly. If a person goes close to a rock the light of that rock glows strongly and the color tone resonates out.
    مشاهدة أكثر

    Living Crystallized Light

    Like an organic entity created from crystallized light, the work shines iridescently from its center as it moves around, merging and dividing continuously.

    People can walk into the artwork, and even if they do so, the artwork will continue to be maintained, its existence unharmed. If a person touches the artwork, they realize that what they are looking at is ordinary water. The artwork’s existence is not independent, but is actually a unique phenomenon created by its environment.
    The places where the work appears will change as the viewer moves. The work’s appearance is unique to the viewer, so someone viewing the artwork from another angle will see a different colored work appearing in a different place. In other words, the existence of the artwork being seen is created by its environment, and exists only in the viewer.

    Environmental Phenomena

    teamLab explores the creation of artworks based on the concept of environmental phenomena, in which the artworks do not exist independently, but are created by the environment that produces the various phenomena.

    Objects like stones and man-made creations maintain a stable structure on their own. Unlike these, the existence of the artworks are dependent on their environment.

    The environment produces phenomena and stabilizes their structure - these stabilized phenomena are what create the existence of the artworks.

    Environmental phenomena are released from the material substances that have been responsible for maintaining structures of existence. Elements like air, water, and light that permeate our daily lives are transformed by their environment into unique phenomena that become works of art. The boundaries of their existence are ambiguous and continuous. Even if people destroy the work, the work will remain in existence as long as its environment is maintained. On the contrary, the work will disappear if the environment is not maintained.
    In time, people's consciousness will expand from existence itself to the environment.

    A stone can continue to exist in a closed box, sealed off from the outside world, but life cannot sustain its existence in such a box because it is created by its environment.

    Life is a miraculous phenomenon that emerges from a flow in a continuous world.
    مشاهدة أكثر

    Megaliths in the Bath House Ruins

    Masses (Megaliths) of different space-times are clustered in the bath house ruins.The forest surrounding the bath house ruins is home to 3,000-year-old trees, and it changes daily with the imperceptible, slow flow of time, repeating every year, as a space where the endlessly long time accumulates. The ruins from ages past scattered in the forest and the Edo-period garden which remains today each have their own respective space-times. The bath house was made in modern times, but after just a short period, it was abandoned, becoming a space-time where time had stopped completely. And this group of megaliths is also a mass made up of compressed space-times where the flow of time varies. Here, various space-times intersect and overlap.
    Each megalith is surrounded by similarly standing megaliths, the space-times of which are all connected. 
    The artwork is continuously rendered in real time by a computer program. It is neither prerecorded, nor on loop. As a whole, previous states never recur, and the artwork is continuously changing due to the movement of people. Every moment is unique and can never be seen again.
    The following artworks exist in the artwork space of the three-dimensional objects grouped in these bath house ruins.
    ・Flowers and PeopleThis artwork is in a state of continuous change. Over a period of one hour, a year’s worth of seasonal flowers blossoms and scatters. The flowers bud, grow, and blossom before their petals begin to wither and eventually fade away. The cycle of growth and decay repeats itself in perpetuity. If a person stays still, the flowers surrounding them grow and bloom more abundantly.
    ・Universe of Water Particles When people approach the artwork, the flow of the water changes. The movement of people influences the artwork, causing it to evolve continuously, while the artwork influences other works. For instance, the water causes the flowers in the work Flowers and People to scatter.
    Water is represented by a continuum of numerous water particles. The interaction between the particles is calculated and then lines are drawn in relation to the behavior of the water particles. The lines are “flattened” using what teamLab considers to be ultrasubjective space.

    * In order to view teamLab: A Forest Where Gods Live before it opens (sunset), purchase a Daytime Rakan Bath Reservation. After sunset, only a teamLab: A Forest Where Gods Live exhibition ticket is needed.
    مشاهدة أكثر

    Graffiti Nature - Living in the Ruins of a Bathhouse, Red List

    All the various creatures drawn by visitors live in the ruins of the bathhouse in Mifuneyama Park.  Color in a creature on the paper provided, and see the picture you have drawn come to life and move in front of you.
    Living things eat and are eaten by other living things in one shared ecosystem.The creatures you draw will multiply if they eat other living things, but they will die and disappear if they do not eat enough, or if they are eaten by other creatures. The salamanders eat the snakes, the snakes eat the lizards, the lizards eat the frogs, and the frogs eat the butterflies, each one propagating as they consume. Likewise, the butterflies multiply in places where flowers grow.Although flowers will bloom if people stay still, their petals will scatter if people walk around and step on them. Salamanders will die if people step on them too much.
    The International Union for the Conservation of Nature’s Red List is a database of the conservation status of biological species. Wildlife assessed in the Red List, including threatened and endangered species, appear in this work.
    مشاهدة أكثر

    Light Sculpture of Flames

    Pointillism is a genre of paintings that expresses the subject matter through a series of points. This interactive sculpture, however, consists of a set of points of light that are used to express three-dimensional objects. For this work, a three-dimensional interactive flame is produced by the points of light.
    When people move close to the flames, the flames increase in intensity.
    Flames are a phenomenon of light and heat generated by combustion, not a substance, but our sensory experience when we see a chemical reaction called combustion. People perceive the flame, a sensory experience, as if it were an object, and sometimes feel life in it.
    Flames often appear to have a hierarchy of colors from their outside to the center: red on the outside, strong bright white on the inside, and dark in the center. In the case of a raw egg, the outer shell is white, the interior is transparent, and the center is yellow, but because it is a three-dimensional object, only the white shell is visible from the outside. Unlike an egg, the flame is a three-dimensional object made of light, and the strong bright white inside is still white when mixed with the red outside. Therefore, the flame, which is a three-dimensional object, appears as if it were a flat painting with a color hierarchy, no matter where you look at it.
    By creating a three-dimensional flame with a collection of points of light, the three-dimensional flame sculpture moves back and forth between three and two dimensions.
    مشاهدة أكثر

    Universe of Fire Particles in a Decaying Underground Passage

    A long-forgotten underground passage has recently been discovered, and the depths of the passage are decaying. In this space that is crumbling and losing its original structure, a fire burns eternally.

    The forest above the underground passage is home to 3,000-year-old trees, and it changes daily with the imperceptible, slow flow of time and with each year passing year, as a space where the endlessly long time accumulates. The ruins from ages past scattered in the forest and the Edo-period garden which remains today each have their own respective space-times. The forgotten underground tunnel is a space where time seems to have stopped, and the depths of the passage are a decaying space and time that will not exist for much longer. The fire that eternally burns there also has its own space and time.
    Here, various space-times intersect and overlap.

    The fire changes shape due to a transparent absolute presence.
    Lines are drawn in relation to the flow of combusting gas, and the flames are created by the accumulation of those lines in three-dimensions. The lines are then “flattened” using what teamLab considers to be Ultrasubjective Space to represent the flames.

    teamLab is exploring the concept of Distributed Art.
    If you launch the Distributed Fire smartphone application and approach this artwork, the flame will ignite and you can take the artwork home with you. When you bring that flame close to another person's smartphone, a flame will alight. As you connect the flame, and they connect that flame with someone else, the flame will spread all over the world. The flames that are spread are displayed on the Map of The Flame.

    Distributed Art duplicates itself, or a part of an artwork is distributed among people. Then, once in the hands of the people, the artwork is further actively distributed, and also makes copies of itself. The artworks will be distributed and exist on people's networks and become decentralized. When the artwork exists on the network, it continues to exist even if the original disappears.
    مشاهدة أكثر

    Ruptured Hotel Wall

    This installation space consists of a ruptured wall, teamLab’s works Living Crystallized Light and Light Sculpture of Flames, and a VOLVO C40 Recharge.
    As part of a project with VOLVO in 2021, the wall in this space was ruptured and Light Sculpture of Flames was installed. In 2022, Living Crystallized Light was newly created and a VOLVO C40 Recharge was placed inside the installation, existing as one with the work.

    Built during the years of steep modern economic growth, this space inside the hotel was abandoned after a short period, becoming a time-space where time had stopped completely. The forest, rocks, and caves of Mifuneyama Rakuen have formed over a long time, and people in every era have sought meaning in them over the millennia. It is the ongoing, continuous relationship between nature and humans that has made the border between the forest and garden ambiguous, keeping this cultural heritage beautiful and pleasing. By breaking through the walls that have divided this continuity, the space is reconnected to the continuity of the world and time, creating a place where various time-spaces intersect and overlap.
    مشاهدة أكثر

    الحياة تحيا بقوّة الحياة 2

    على الرغم من أن الذات والطبيعة يبدوان مختلفين، إلا أنهما في الواقع كيان واحد، لا ينفصلان عن بعضهما البعض. إن نقيض الانقسام ليس هو التوحد، وقد ندرك أن الوجود الذي يبدو متميزًا هو في الواقع جزء من كلٍّ واحد.
    إن منافع الطبيعة وتهديداتها، وكذلك منافع وتهديدات الحضارة، مستمرة. ولا يوجد مصدر للشر المطلق، ولا يمكن رفضه بشكل مثالي. ومع ذلك فإننا نسعى إلى تأكيد الحياة في جميع جوانبها. إن الحياة جميلة.
    في هذا العمل الفني، تمت كتابة (生 "سيه")، المقطع الذي يدل على الحياة، بشكل ثلاثي الأبعاد باستخدام الخط في الفضاء. والخط في الفضاء هو شكل من أشكال الخط المرسوم في الفضاء والذي كان تيم لاب يستكشفه منذ تأسيسه. يعيد العمل الفني بناء الخط في فضاء ثلاثي الأبعاد للتعبير عن عمق وسرعة وقوة ضربة الفرشاة، ثم يتم تسطيح هذا الخط باستخدام البنية المنطقية التي يطلق عليها تيم لاب الفضاء فوق الذاتي. وينتقل الخط بين بعدين وثلاثة أبعاد.
    يبدو فضاء العمل الفني التقليدي، المؤطر بالعدسة أو المنظور، وكأنه على الجانب الآخر من سطح العمل الفني، حيث يصبح السطح بمثابة حدود، ويتم فصل الفضاء الذي يوجد فيه المشاهد عن فضاء العمل الفني. ومع ذلك، فإن إحدى خصائص الفضاء فوق الذاتي هي أن سطح العمل الفني لا يصبح حدودًا.وبالتالي فإن الفضاء الذي يوجد فيه العمل الفني يتجاوز حدود سطح العمل الفني ويتم إدراكه كما لو أنه موجود بشكل ثلاثي الأبعاد في نفس الفضاء الذي يقف فيه المشاهد. وفضاء العمل الفني متواصل مع الفضاء المادي للمشاهد.
    مشاهدة أكثر

    Concrete and Abstract - Sacred Tree Forest Entrance

    This artwork exists at the border between the garden and the forest of Mifuneyama Rakuen. The forest behind the artwork leads to the famous 3,000 year-old sacred Okusu tree of Takeo Shrine.When people stop inside the artwork space, a new set of lines is born and spreads across the space.Through this artwork, the forest becomes a flattened plane.
    The artwork is not a pre-recorded image that is played back: it is created by a computer program that continuously renders the work in real time. The interaction between people and the installation causes continuous change in the artwork: previous visual states can never be replicated, and will never reoccur. The picture at this moment can never be seen again.
    مشاهدة أكثر

    Resonating Forest - Cherry Blossoms and Maple

    The cherry blossoms and maple forest of Mifuneyama Rakuen shine brightly. Each tree’s light is autonomous, shining brightly and then fading as if it’s breathing.
    As people pass nearby, the light of the trees changes color, and a tone specific to that color resonates out. The light of an individual tree spreads radially to the neighboring trees. In the same way that the light is transmitted between trees, the tone also propagates through each tree, spreading continuously.
    If a wave of light comes from the other side, it signifies the presence of people there. People gain a heightened sense of awareness of the existence of other people in the same space.
    مشاهدة أكثر

    Resonating Forest in the Ravine

    The forest in the ravine shines brightly. Each tree’s light is autonomous, shining brightly and then fading, as if it’s breathing.

    As people pass nearby, the light of the tree changes color, and a tone specific to that color resonates out. The light of an individual tree spreads radially to the neighboring trees. In the same way that the light is transmitted between the trees, the tone also propagates through each tree, spreading continuously.

    If a wave of light comes from the other side, it signifies the presence of people there. People gain a heightened sense of awareness of the existence of other people in the same space.
    مشاهدة أكثر

    Memory of Continuous Life

    مشاهدة أكثر

    Cut Out Continuous Life - Forest Canopy

    مشاهدة أكثر

    Cut Out Continuous Life - Forest Path

    مشاهدة أكثر

    The Floating Tree

    The Floating Tree exists near the entrance to the path to the ancient sacred tree.
    The ancient sacred tree is a giant tree over 3,000 years old. The roots of the sacred tree are wrapped in rough bark, with their central section split open near the surface of the ground. The interior is a hollow space about 22 square meters in size, with a stone shrine in the back.
    When the garden was built towards the end of the Edo period (1845 CE), efforts were made to find a path connecting the garden to the sacred tree based on the theory that there was a hidden path in the forest. A path made from stones was discovered, and the entrance  was restored.
    مشاهدة أكثر

    Resonating Mt. Mifuneyama

    The light of Mt. Mifuneyama is autonomous, it shines brightly and then fades as if slowly breathing.
    It responds to the light from Life is Continuous Light - Azalea Valley at the base of Mt. Mifuneyama, resonating and shining brighter.

    Mt. Mifuneyama emerged from the Ariake Sea approximately 3 million years ago. It is said that the Empress consort Jingu moored her ship (fune) on her return home from the Korean Peninsula (c. 200 C.E.), which is how the name Mifuneyama came about.
    مشاهدة أكثر

    Hanamidai (Viewing Spot)

    This Hanamidai (flower viewing platform) is about 30m above the ground, beyond the Memory of Continuous Life. When people pass by the trees in the Resonating Forest - Cherry Blossoms and Maple that spread out below, new colored light is born, and that light spreads to the surrounding trees along with a sound tone specific to that color. The light created by people walking in the forest can be seen spreading through the trees of Mifuneyama Rakuen.
    مشاهدة أكثر

    Sansui Mizaka (Viewing Spot)

    This Sansui Mizaka (landscape viewing area) is by the pond in Mifuneyama Rakuen. The artworks Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond that spreads across the whole surface of the pond and Resonating Mt. Mifuneyama which illuminates Mt. Mifuneyama in light can be seen together in this composition.
    The light of Mt. Mifuneyama is created by people walking in the azalea valley at the foot of the mountain in the work Life is Continuous Light - Azalea Valley.
    مشاهدة أكثر

    Outside Mifuneyama Rakuen

    Hours:
    Jul 15 - Sep 11 15:00 - 19:00
    Sep 12 - Oct 9 15:00 - 18:00
    Oct 10 - Nov 6 15:00 - 17:00

    Location: Takeo Shrine (7 min walk from the Takeo Keirin Parking Lot, 17 min walk to Mifuneyama Rakuen)

    The Sacred Tree

    Over 3,000 years old, this camphor tree is the 7th largest tree in Japan. The roots of the tree are wrapped in rough bark, with their central section split open near the surface of the ground. The interior is a hollow space about 22 square meters in size, with a stone shrine in the back. This is the sacred tree of Takeo Shrine, which was built in the Nara Period (735 CE).

    Depending on your location and the pace at which you walk through the shrine from the torii gate, to the forest, to the bamboo thicket, to the sacred tree, the musical experience changes.

    If you look at the satellite photo on Google Maps, you will see the sacred tree is located in the forests of Mifuneyama that lead to the garden. When the garden was built towards the end of the Edo period (1845 CE), efforts were made to find a path connecting the garden to the sacred tree based on the theory that there was a hidden path in the forest. A footpath made from stones was finally uncovered, where you can find The Floating Tree. Currently, only the section of path between the garden and the sacred tree containing that artwork is being maintained.
    مشاهدة أكثر

    EN TEA HOUSE Genkatei

    About Genkatei

    Flowers Bloom in an Infinite Universe inside a Teacup

    عندما يتم تحضير فنجان شاي، تتفتح الأزهار داخل الفنجان، وعندما يتم رفع الفنجان، تنتشر بتلات الأزهار وتنتشر خارجه. والأزهار تزهر بلا حدود طالما هناك شاي، ويصبح الشاي في الفنجان عالمًا لانهائيًا تزهر فيه الأزهار باستمرار. اشرب عالمًا متسع بلا نهاية.
    يتم إنشاء العمل الفني عندما يكون هناك شاي في الفنجان، وعندما يختفي الشاي، يختفي العمل الفني معه. فالشاي هو كيان تحوّلي، وكمية الشاي في الفنجان ستغيّر حجم سطح الشاي، وبالتالي ستغيّر حجم الأزهار أيضًا. 
    تتغير الأزهار التي تتفتح في فنجان الشاي مع مرور الوقت الحقيقي.
    يتغير العمل الفني إلى الأبد ولا يمكن رؤية الصورة في هذه اللحظة مرة أخرى.
    مشاهدة أكثر

    EN TEA HOUSE Otoro

    About Otoro
    معارض موسميةUntil Dec 08

    Forest and Spiral of Resonating Lamps - One Stroke, Autumn Mountain

    Before the modern era in Japan, Kasane no Irome (nuances of layered colors) were seasonal colors created in silk. The complicated colors were the result of a combination of front and back colors (silk at the time was so thin that the liner was transparent, creating more nuanced colors), overlapping color gradations, complex weave colors, and combinations of warp and weft.
    When a person stands still close to a lamp, it shines brightly and emits a color that resonates out. The light of this lamp becomes the starting point, and it spreads to the two nearest lamps. The light from the two nearest lamps transmits the same color to other lamps, one after another, spreading out continuously. The light transmitted from the lamp always resonates out as a bright light once, passing to close lamps, until all of the lamps have shone brightly once, and then returns to the first lamp. The light of the lamp in response to human interaction, divides in two, becomes one optical line through all of the lamps respectively, before finally, returning to the first lamp that was the starting point. People become aware of the presence of others in the same space.
    All the lamps, seemingly scattered randomly, have a single connecting line (unicursal) that can be drawn. When drawing a line, the stroke (the same starting and ending points) is drawn from a lamp to the lamp that is the closest in distance in three-dimensions. By arranging the lamps in this way, the light of the lamp corresponding to the person is always propagated to the nearest lamp, and must always pass through all the lamps in the space in a single stroke, before finally returning to the first lamp that was its origin.
    The arrangement of the lamps is mathematically determined to satisfy a number of restrictions outlined below. A large number of solutions were evaluated that take into account the variation and distribution in the height, the direction of the lamps, and the smoothness of the three-dimensional path (light trajectory).
    The hanging lamps are arranged uniformly, in such a way that they form an orderly grid. This is the first constraint. The second constraint is that of the boundaries of the physical space: the distance between the floor and the ceiling, and the height and the width of the passages through which people can move. And the third constraint is that when a line is drawn from any lamp to another lamp in three dimensions, the starting point and the ending point must be connected as a single line (unicursal).
    Since the arrangement of the lamps born from such a process seems to be random at first sight, the trajectory of the resonating light cannot be predicted: the light continues to the lamp that is physically closest, thus giving a natural feeling - like a fire burning. And since the light trajectory of the lamps is connected by a single line, the light born from any particular lamp and the light born from any other lamp will always cross each other.
    The arrangement of the lamps is not only beautiful in a static way, but also in a dynamic way when activated by people in the space. It demonstrates the space of a new era that can be designed freely and change itself through digital technology, a space that adapts and changes due to the movement of the people in it. 
    ※The lamp are made of Murano glass (Venetian glass).
    مشاهدة أكثر

    Ruins and Heritage, Others

    Iwakura

    Location: Inside Mifuneyama Rakuen Garden
    Hours: Can be viewed during Mifuneyama Rakuen opening hours

    This enormous megalith, almost supernatural in its formation, is an iwakura (an ancient form of nature worship in Japan known as animism), within which a hokora (small shrine) has been preserved.
    مشاهدة أكثر

    Gyoki's Three Buddha Figures and Five Hundred Arhats

    Location: Inside Mifuneyama Rakuen Garden
    Hours: Can be viewed during Mifuneyama Rakuen opening hours

    It is said that about 1,300 years ago, the famous Buddhist priest Gyoki came to Mifuneyama and carved a total of three Buddha figures and five hundred Arhats on rocks which he then placed in a cave. After carving these five hundred Arhats, the severely ill Gyoki was believed to have carved the three Buddha figures while praying for his recovery. These figures still remain on the walls of the cave today.
    مشاهدة أكثر

    Hagino Ochaya Tea House

    Location: Inside Mifuneyama Rakuen Garden
    * Only available to guests of Mifuneyama Rakuen Hotel or Onyado Chikurintei

    In the late Edo period when Mifuneyama Rakuen was built (1845 CE), the Hagino Ochaya Tea House was constructed with a thatched roof on the shores of a pond as the public villa of Nabeshima Shigeyoshi Nabeshima, the 28th generation lord of Takeo. This venue is open to the public in spring and fall.
    مشاهدة أكثر

    300-Year-Old Okusu Tree

    Location: Inside Mifuneyama Rakuen Garden
    Hours: Can be viewed during Mifuneyama Rakuen opening hours

    A 300-year-old Okusu Tree that has existed since before the garden was built.
    مشاهدة أكثر

    Mifuneyama

    Location: Inside Mifuneyama Rakuen Garden
    Hours: Can be viewed during Mifuneyama Rakuen opening hours

    It is said that the origin of "Mifuneyama" can be traced to Empress Jingu being named "Mifune" on her journey back from the ancient kingdom of Shilla on the Korean peninsula (around 200 CE).
    مشاهدة أكثر

    Mifuneyama Fudoson (Wisdom King) Figure

    Location: Outside Mifuneyama Rakuen Garden
    * Difficult to access due to poor footing.

    This enormous 23m tall figure was carved over the entire surface of a sheer cliff.It was believed to have been carved by a sorcerer from the Asuka period in the 7th century named En-no-gyouza-ozunu, who was thought to be the founder of Shugendo (a unique Japanese religion based on ancient Japanese mountain asceticism that had been syncretized with Buddhism).
    Google MAP
    مشاهدة أكثر

    The Stone Gate of Tsukazaki Castle

    Location: Outside Mifuneyama Rakuen Garden
    Hours: On view 24 hours a day

    Tsukazaki Castle is also known as Mifuneyama Castle.This castle is said to have been built by the second generation lord of Takeo, Sukeshige Goto, in the period around 1118-1120 CE.In the early Edo period (the first half of the 17th century), the Goto family received the surname of Nabeshima from the lord of Saga, Katsushige Nabeshima, and the Goto family name then became Takeo Nabeshima.Under the "One Castle per Province" law (1615 CE) of the Edo Shogunate, Tsukazaki Castle was eventually abandoned, but it survived to the present as a residence of the Takeo Nabeshima family through the Edo period.
    Google MAP
    مشاهدة أكثر

    EN TEA's Private Farm (Ureshino Tea Plantation)

    The private farm of EN TEA, from which the tea used at EN TEA HOUSE is sourced, is located around a 20-minute drive from Mifuneyama Rakuen in the woodlands of Kyushu's Ureshino, which lies along the borders of Saga and Nagasaki prefectures. This is the region where green tea was believed to have been produced in Japan for the very first time. Research on tea production methods is being conducted here, alongside the cultivation of tea in this small company farm where roaming goats eat the weeds growing in the tea fields.

    Google MAP
    مشاهدة أكثر
    SPA



    A New Art and Sauna Experience

    Take Alternating Hot and Cold Baths, Enter a Sauna Trance, Activate the Brain and Senses, then Experience Art in the Forest

    This is a new art and sauna experience combining the “VOLVO teamLab: A Forest Where Gods Live” exhibition and the Mifuneyama Rakuen Hotel Rakan Bath, the winner of SAUNACHELIN 2019, 2020 & 2021.
    Combo tickets for a day trip to Rakan Bath and “VOLVO teamLab: A Forest Where Gods Live” are available, allowing visitors not staying at the Mifuneyama Rakuen Hotel or Onyado Chikurintei to take a sauna, then experience art in the forest. (*Reservation Required) Open your mind in a sauna surrounded by 3-million-year-old nature and 1,300 years’ worth of heritage. Reconnect with the continuity of the world and of time in 500,000 square meters of art spread across historic forests and gardens.

    Open Your Mind in a Sauna Surrounded by the Forest and History, Become a Part of Nature and History, and Reconnect with the World

    In the forest where the 3,000-year-old sacred Okusu tree resides, is a cave of five hundred Arhats carved 1,300 years ago by the Buddhist monk Gyoki. (*1) Next to the cave, visitors will open their brains in a sauna of history and forest, and walk through the art spread over 500,000 square meters of forest and a garden built in Edo.
    (*1 ) The Tsukahara no Karafuro, one of the oldest existing saunas in Japan, is said to have been built by Gyoki, an ascetic who traveled all over Japan before building the Great Buddha in Nara, hoping to cure people of their illnesses. It is believed that Gyoki built saunas for people while practicing Buddhism all over the country.






    Mifuneyama Rakuen Hotel Rakan Bath

    The Rakan Bath, the winner of the SAUNACHELIN 2019, 2020 & 2021 Grand Prix, at Mifuneyama Rakuen Hotel have been completely renovated (both men's and women's). The men's bath now has a meditation sauna where guests can enjoy löyly (pouring hot water on sauna stones to produce steam, uses natural water from Mt. Mifune and roasted tea from Ureshino, Saga). The men's bath also has a cold water bath with hot spring water cooled to 16 degrees Celcius, and a large open-air bath/bathing space surrounded by the nature of Mt. Mifune.
    The women's bath is also now equipped with a meditation sauna, allowing guests to enjoy löyly (uses natural water from Mt. Mifune) and Kugel (aroma balls that produce a scent when on top a sauna stove). It also has a cold water bath with hot spring water cooled to 17 degrees Celcius, a steam sauna, a cafe (has homemade pudding, detox water, etc.), and an open-air bath/bathing space surrounded by the nature of Mt. Mifune.

    Map

    Artwork Map

    map画像
    تكبير

    • A1

      関連画像

      Forest and Spiral of Resonating Lamps - One Stroke

    • A2

      関連画像

      الحياة تحيا بقوّة الحياة 2

    • A3

      関連画像

      Light Sculpture of Flames

    • A4

      関連画像

      Living Crystallized Light

    • B1

      関連画像

      Graffiti Nature - Living in the Ruins of a Bathhouse, Red List

    • B2

      関連画像

      Megaliths in the Bath House Ruins

    • B3

      関連画像

      Universe of Fire Particles in a Decaying Underground Passage

    • C1

      関連画像

      Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond​

    • C2

      関連画像

      Resonating Forest in the Ravine

    • D1

      関連画像

      Resonating Forest - Cherry Blossoms and Maple

    • D2

      関連画像

      Life is Continuous Light - Azalea Valley

    • D3

      関連画像

      Ever Blossoming Life Rock

    • D4

      関連画像

      Resonating Mt. Mifuneyama

    • D5

      関連画像

      Split Rock and Enso

    • D6

      関連画像

      Sea of Rocks of Oblivion

    • D7

      関連画像

      Concrete and Abstract - Sacred Tree Forest Entrance

    • D8

      関連画像

      The Floating Tree

    • D9

      関連画像

      Universe of Water Particles on a Sacred Rock

    • D10

      関連画像

      Memory of Continuous Life

    • D11

      関連画像

      Cut Out Continuous Life - Forest Canopy

    • D12

      関連画像

      Cut Out Continuous Life - Forest Path

    • D13

      関連画像

      Spatial Calligraphy on the Rock Wall of Five Hundred Arhats, Continuous Life

    • D14

      関連画像

      Flowers Bloom in an Infinite Universe inside a Teacup

    • E1

      関連画像

      The Sacred Tree

    • A1

      関連画像

      Forest and Spiral of Resonating Lamps - One Stroke

    • A2

      関連画像

      الحياة تحيا بقوّة الحياة 2

    • A3

      関連画像

      Light Sculpture of Flames

    • A4

      関連画像

      Living Crystallized Light

    • B1

      関連画像

      Graffiti Nature - Living in the Ruins of a Bathhouse, Red List

    • B2

      関連画像

      Megaliths in the Bath House Ruins

    • B3

      関連画像

      Universe of Fire Particles in a Decaying Underground Passage

    • C1

      関連画像

      Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond​

    • C2

      関連画像

      Resonating Forest in the Ravine

    • D1

      関連画像

      Resonating Forest - Cherry Blossoms and Maple

    • D2

      関連画像

      Life is Continuous Light - Azalea Valley

    • D3

      関連画像

      Ever Blossoming Life Rock

    • D4

      関連画像

      Resonating Mt. Mifuneyama

    • D5

      関連画像

      Split Rock and Enso

    • D6

      関連画像

      Sea of Rocks of Oblivion

    • D7

      関連画像

      Concrete and Abstract - Sacred Tree Forest Entrance

    • D8

      関連画像

      The Floating Tree

    • D9

      関連画像

      Universe of Water Particles on a Sacred Rock

    • D10

      関連画像

      Memory of Continuous Life

    • D11

      関連画像

      Cut Out Continuous Life - Forest Canopy

    • D12

      関連画像

      Cut Out Continuous Life - Forest Path

    • D13

      関連画像

      Spatial Calligraphy on the Rock Wall of Five Hundred Arhats, Continuous Life

    • D14

      関連画像

      Flowers Bloom in an Infinite Universe inside a Teacup

    • E1

      関連画像

      The Sacred Tree

    Heritage Map (Inside Mifuneyama Rakuen Park)

    map画像
    تكبير

    • A

      関連画像

      Iwakura

    • B

      関連画像

      Gyoki's Three Buddha Figures and Five Hundred Arhats

    • C

      関連画像

      Hagino Ochaya Tea House

    • D

      関連画像

      300-Year-Old Okusu Tree

    • E

      関連画像

      Mifuneyama

    • A

      関連画像

      Iwakura

    • B

      関連画像

      Gyoki's Three Buddha Figures and Five Hundred Arhats

    • C

      関連画像

      Hagino Ochaya Tea House

    • D

      関連画像

      300-Year-Old Okusu Tree

    • E

      関連画像

      Mifuneyama

    Heritage Map (Outside Mifuneyama Rakuen Park)

    map画像
    تكبير

    • F

      関連画像

      The Sacred Tree

    • G

      関連画像

      Mifuneyama Fudoson (Wisdom King) Figure

    • H

      関連画像

      The Stone Gate of Tsukazaki Castle

    • F

      関連画像

      The Sacred Tree

    • G

      関連画像

      Mifuneyama Fudoson (Wisdom King) Figure

    • H

      関連画像

      The Stone Gate of Tsukazaki Castle

    التطبيق

    アプリ画像
    アイコン画像

    teamLab App

    Know

    We have prepared a guide app that allows you to read the concepts of the artworks near you.

    Understand deeply, and enjoy more.


    Download the app for free

    iPhoneApp Download
    AndroidApp Download
    アプリ画像
    アイコン画像

    Distributed Fire

    Light the Flame

    When you launch this app and approach Universe of Fire Particles in a Decaying Underground Passage, your flame will ignite and you can take the artwork home with you.


    Share the Flame

    If you approach other people with the app, you can share your flame with them.


    See the Map of the Flame

    The flames that are shared and spread, as well as the flames shared and spread by you, are displayed on the map in the app.

    iPhoneApp Download
    AndroidApp Download

    دليل الزوار

    إعلانات

    The "Art Exhibition (Indoor Artworks Only) & Daytime Rakan Bath Combo Ticket" price will change from September 1.

    Before You Visit
    * The venue is dark and has many rough roads. Wear comfortable shoes such as sneakers.
    * To avoid mosquito bites, wear long sleeves and long pants to avoid skin exposure, and use insect repellent.
    * The park is huge. Give yourself enough time to explore.

    Venue Map
    See here.

    تفاصيل المكان

    VOLVO teamLab: A Forest Where Gods Live

    الفترة

    ‎11.06(Sun) - 2022.07.15(Fri)

    أوقات العمل

    VOLVO teamLab: A Forest Where Gods Live
    Jul 15 - Sep 11, 2022 19:00 - 22:30
    Sep 12 - Oct 9, 2022 18:00 - 22:30
    Oct 10 - Nov 6, 2022 17:00 - 22:30
    * Enter through Entrance 1. Entrance 2 is also available 1 hour after the exhibition opens
    * Last entry 22:00
    * teamLab Exhibition & Daytime "Rakan Bath" Combo Ticket holders may view the indoor artworks from 11:00.
    Indoor artworks: "Megaliths in the Bath House Ruins", "Graffiti Nature", "Living Crystallized Light", "Light Sculpture of Flames", "Universe of Fire Particles in a Decaying Underground Passage", "Life Survives by the Power of Life II", "Forest and Spiral of Resonating Lamps"

    Daytime "Rakan Bath"
    Reservation Required / Fixed Capacity
    July 15 - Sep 30, 2022
    Session #1: 8:30 - 11:00 (Up to 10 Men / 10 Women)
    Session #2: 16:00 - 18:30 (Up to 15 Men / 15 Women)
    Session #3: 18:30 - 21:00 (Up to 15 Men / 15 Women)
    Session #4: 21:00 - 23:30 (Up to 10 Men / 10 Women)

    Oct 1 - Nov 6, 2022
    Session #1: 8:30 - 11:00 (Up to 10 Men / 10 Women)
    Session #2: 15:00 - 17:30 (Up to 15 Men / 15 Women)
    Session #3: 17:30 - 20:00 (Up to 15 Men / 15 Women)
    Session #4: 20:00 - 22:30 (Up to 10 Men / 10 Women)
    ----------
    * No overnight stay.
    * You must be 16 years old or older to use the daytime "Rakan Bath".
    * Groups of four or more people of the same sex are not allowed.
    * Reservation can be made via phone or Official Ticket Page.

    العطل

    Open Daily

    Map of Venue

    Please see here.

    Website

    Mifuneyama Rakuen
    EN TEA House Genkatei
    EN TEA House Otoro
    Mifuneyama Rakuen Rakan Bath

    وسائل المواصلات

    العنوان

    Mifuneyama Rakuen
    4100 Takeo, Takeo-cho, Takeo City, Saga
    Map
    accessImageتكبير
    By Train
    From JR Hakata Station: 70 min by train to JR Takeo Onsen Station. Take a taxi (5 min) or a bus (8 min) to Mifuneyama Rakuen stop. From JR Nagasaki Station: 23min by Nishi Kyushu Shinkansen to JR Takeo Onsen Station. Take a taxi (5 min) or a bus (8 min) to Mifuneyama Rakuen stop. From JR Takeo Onsen Station: 5 min by taxi or 8 min by bus to Mifuneyama Rakuen stop.
    By Air
    From Nagasaki Airport: 40 min by car From Saga Airport: 50 min by car From Fukuoka Airport: 70 min by car
    Parking
    Mifuneyama Rakuen Temporary Parking Lot: 300 cars Takeo Keirin Parking Lot: 900 cars Other nearby parking lots: 900 cars * Only when the Mifuneyama Rakuen Temporary Parking Lot is full, the Takeo Keirin Parking Lot opens.
    Free Shuttle Bus
    A free shuttle bus runs between Mifuneyama Rakuen Temporary Parking Lot, Takeo Keirin Parking Lot, and Mifuneyama Rakuen Entrance 2 on weekends. Jul 15 - Sep 11, 2022 19:30 - 23:00 Sep 12 - Oct 9, 2022 18:30 - 23:00 Oct 10 - Nov 6, 2022 17:30 - 23:00 * Departs every 15 minutes. * Does not run on weekdays. * The shuttle bus does not stop at Mifuneyama Rakuen Entrance 1. * Only when the Mifuneyama Rakuen Temporary Parking Lot is full, the Takeo Keirin Parking Lot opens and the bus starts running to/from the Takeo Keirin Parking Lot.

    للاستفسار

    Tel

    Mifuneyama Rakuen
    +81-954-23-3131

    تنبيهات

    Regarding Entry

    Entry may be restricted depending on crowds.

    Due to time constraints, if the number of visitors exceeds capacity, entry may not be permitted.


    Wheelchair & Stroller Access

    The garden has natural trails that may be difficult to access with a wheelchair or stroller.


    Accessible artworks include;

    ・"Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond"

    ・"Resonating Forest in the Ravine"

    ・"Resonating Forest - Cherry Blossoms and Maple"

    ・"Resonating Azalea Valley "

    ・"Resonating Mt. Mifuneyama"

    ・"Ever Blossoming Life Rock"

    ・"Flowers Bloom in an Infinite Universe inside a Teacup”

    ・"Living Crystallized Light"
    ・"Light Sculpture of Flames"
    ・"Life Survives by the Power of Life II"

    ・"Forest and Spiral of Resonating Lamps - one stroke"


    Liability

    The organizers will not be held responsible for any injury, loss, or damage to personal items.


    Trash Free Park

    For environmental preservation, trash cans are not available in this park. Be prepared to take your trash home for disposal and recycling.


    No Smoking

    All parks and natural areas are strictly smoke and tobacco-free.


    Clothing

    There are steep slopes and natural trails in this park. Visitors are advised to wear suitable clothing and footwear.


    No Pets Allowed

    No pets are allowed in the park. Service dogs are welcome.


    Exhibition Suspended or Delayed Due to Weather

    In case of strong rain and/or wind, the exhibition will be suspended. Please check the park's official website, facebook, or instagram for details.


    Photography & Videography

    Use of flash, drones and/or tripod inside the park is prohibited.


    Other

    By entering this exhibition, you consent to having your image captured by official photographers and videographers. The resulting materials, including still photographs, video and audio recordings may be used by the Organizers or local promotional entities without restriction or financial compensation, in news materials, promotional materials, on the web and other properties.


    Conditions for Usage of Day Trip Rakan Bath
    Mifuneyama Rakuen Hotel reserves the right to refuse serving the guests that match the following descriptions;
    * Groups of more than 4 same sex guests
    * Guests under the age of 16 (for day trips)
    * People who are, or are deemed to be, connected to criminal or antisocial gangs/organisations
    * People with tattoos
    * People who are excessively drunk
    * People being loud and disruptive
    * People with skin disorders or other transmissible conditions, and people forbidden from bathing by a doctor
    * People experiencing a fever or significant sluggishness, people experience coughs, labored breathing or other symptoms of a respiratory condition, and people who are otherwise physically unwell
    * People engaging in behavior that is disruptive or dangerous for other guests, and people acting unhygienically
    * People deemed inappropriate to use our facilities
    الفنانون
    logo
    تيم لاب
    "تيم لاب" هو عبارة عن مجموعة فنيّة عالمية (تأسست عام 2001)، يتم التعاون فيها بهدف التعمّق في نقاط الالتقاء بين الفن والعلوم والتكنولوجيا والعالم الطبيعي. فعبر الأعمال الفنيّة، تهدف مجموعة من الخبراء ذوي الاختصاصات المختلفة، بمن فيهم فنانين ومبرمجين ومهندسين، وأخصائي رسوم متحركة، وعلماء رياضيات ومهندسين معماريين، إلى استكشاف العلاقة بين الذات والعالم وأشكال جديدة من الإدراك. وفي محاولة إلى فهم العالم حولهم، يسعى الناس إلى فصله إلى وحدات مستقلة يتصوّرون حدودًا في ما بينها. ولكن "تيم لاب" يسعى إلى تجاوز هذه الحدود التي تحدّ رؤيتنا ونظرتنا إلى العالم وإلى العلاقة بين الذات والعالم واستمرارية الزمن. فكل شيء قائم في استمرارية بلا حدود، في استمرارية مستدامة وهشّة وخارقة في آن واحد. تم عرض أعمال "تيم لاب" حول العالم، بما يشمل نيويورك، لندن، باريس، وادي السيليكون، بكين، وملبورن ضمن مدن أخرى. متاحف "تيم لاب" ومعارضه الضخمة الدائمة تشمل "تيم لاب بلا حدود" و"كواكب تيم لاب" في طوكيو، و"تيم لاب ماوراء الطبيعة" في ماكاو، و"تيم لاب بلا كتلة" في بكين. مع المزيد من المعارض التي سوف يتم افتتاحها في أبوظبي، هامبورغ، جدة، ويوتريخت. تتواجد أعمال "تيم لاب" من ضمن المجموعة الدائمة لمتحف الفن المعاصر في لوس أنجلوس، وفي معرض الفنون في نيو ساوث ويلز في سيدني، وفي معرض الفنون في جنوب أستراليا في أديليد، وفي متحف الفن الآسيوي في سان فرانسيسكو، وفي متحف جمعية آسيا في نيويورك، وفي مجموعة بوروسان للفن المعاصر في إسطنبول، وفي المعرض الوطني لفيكتوريا في ملبورن، وفي آموس ريكس في هلسنكي.
    تيم لاب وثائق السيرة الذاتية يتم تمثيل أعمال "تيم لاب" من قبل معرض بايس، ومعرض مارتن براون للفنون المعاصرة، ومعرض إيكان للفنون.

    المنظمون

    Mifuneyama Rakuen
    teamLab

    Main Partner

    Volvo Car Japan

    Under the auspices of

    Kyushu Railway Company

    Special Thanks

    Saga Television Station

    معارض أخرى

    展示画像

    المعروضة حاليا

    teamLab Borderless: MORI Building DIGITAL ART MUSEUM

    ‎2024.02.09(Fri) - دائم

    Azabudai Hills, Tokyo

    teamLab Museum

    展示画像

    المعروضة حاليا

    teamLab Planets TOKYO

    July 7, 2018 - End of 2027

    Toyosu, Tokyo

    teamLab Museum

    展示画像

    المعروضة حاليا

    تيم لاب بلا حدود جدة

    ‎2024.06.10 - دائم

    ميدان الثقافة, جدة التاريخية

    teamLab Museum

    مشاهدة أكثر