teamLab Biovortex Kyoto | teamLab

‎2025.10.07(Tue) - دائمKyoto

Tickets on Sale now

‎2025.10.07(Tue) - دائمKyoto

Tickets on Sale now

الأعمال الفنية

Massless Amorphous Sculpture

This floating, immense sculpture emerges from a sea of bubbles, transcending the very concept of mass. It neither sinks to the ground nor rises completely to the ceiling, but instead drifts in the middle of the space. The contours of its existence are ambiguous—it fragments into smaller pieces, but merges into a larger mass. Even when people fully immerse themselves in this sculpture, its existence remains intact. If broken by people, it naturally restores itself. However, when the sculpture is destroyed beyond what it can repair, it collapses, unable to recover. Even if people try to move or push this floating sculpture, they cannot do so, and if they stir up wind, the sculpture disperses entirely. Physical human actions cannot move the sculpture.
Objects such as stones and man-made creations maintain a stable structure on their own. A stone will continue to exist even if placed in a sealed box, isolated from the external world.On the other hand, a vortex created in the ocean disappears instantly when transferred into an enclosed box. In other words, a vortex does not maintain a stable structure independently. A vortex exists within the flow created by its environment formed by water continuously flowing from the outside to the inside and from the inside to the outside, maintained by the vortex’s ordered structure. This flow allows the vortex to shift as the surrounding currents change. Its boundaries are ambiguous. There is no material distinction between the vortex and its surroundings as they are made of water.
Rather than a solid object, this sculpture is created by the order of energy generated by the phenomena of a unique environment.  Let us call this existence created by the order of energy, a "Higher Order Sculpture." The artwork is inseparable from the environment and changes along with the environment. It transcends the conventional notions of physical objects—it sustains its existence mid-air, having ambiguous boundaries, and it is able to maintain its shape even when people immerse themselves physically into the sculpture, naturally restoring itself even if the sculpture breaks.
The only material substances present in this space are water, air, and ordinary soap.By filling the space with bubbles, a distinct environment is created in which an order of energy is born. By doing so, a massive form emerges from this sea of bubbles that floats steadily in mid-air.
In modern biology, the definition of life cannot be strictly defined, but everything that is structured upon cells, capable of metabolism, and self-reproduction are labeled living things for convenience. In other words, all living things are composed of cells. All cells are enclosed by a cell membrane constructed of a lipid bilayer, with the hydrophilic part facing outward and the hydrophobic part covered within the layers. Both the inside and outside of the enveloping membrane are liquid. Soap bubbles are similarly enveloped by lipid bilayer membranes, and these membranes are structurally identical to cell membranes. However, contrary to cells, the bilayer of the bubble membrane floats in and encloses air, so the hydrophobic part faces outward, while the hydrophilic part is covered within the layers. In other words, if we consider cells to be pouch-shaped membranes in liquid, then bubbles are pouch-shaped membranes in air. This sculpture is created from substances composed in the same ways as cells, the structuring units of life-forms, and the order of energy created from this environment.
The same is true of life. It consumes external matter and energy as food and discharges it, sustaining its ordered structure as the energy dissipates. Life exists within the flow of matter and energy, and its contour, like a vortex, is ambiguous.Perhaps, life is a miraculous phenomenon that emerges in the flow of matter and energy, and its structure is the order of energy created by that flow.

مشاهدة المزيد

Morphing Continuum

Even if individual elements are separated in space and time, when there is a moment that a structure is produced by spontaneous order, a single entity is born. If that order is maintained, even significant changes in shape or size on the surface, or even if all of the elements are replaced, the existence will be maintained - a living universe dependent on a spatial and temporal existence - a biocosmos.
Existence is born from space. It takes form on the ground as a mass and rises from the ground. Existence is born in the air, transcending the very concept of mass, and continues to exist mid-air, fixed in place. Even when people fully immerse themselves in this sculpture, its existence remains intact. If broken by people, it naturally restores itself. Even if people try to move or push this floating sculpture, they cannot do so, and if they stir up wind, the sculpture disperses entirely. Physical human actions cannot move the sculpture. 
Rather than a solid object, this sculpture is created by the order of energy generated by the phenomena of a unique environment.  Let us call this existence Higher Order Sculpture. The artwork is inseparable from the environment and changes along with the environment. It transcends the conventional notions of physical objects—it sustains its existence mid-air, having ambiguous boundaries, and it is able to maintain its shape even when people immerse themselves physically into the sculpture, naturally restoring itself even if the sculpture breaks.

مشاهدة المزيد

Massless Suns and Dark Suns

Countless spheres of light and spheres of darkness.
Each sphere of light can be clearly perceived in the space as a mass seemingly made of solidified light, however, there is no material surface boundary. The perception of the boundary between the artwork and your body is ambiguous.When you broaden your vision, purple-blue spheres made of darkness also begin to appear, as though darkness has been solidified.
If you try to touch a sphere of light, the sphere shines brightly and the surrounding spheres respond one after the other.Light does not solidify, and masses made entirely of light do not exist in the universe. In other words, these spheres of light only exist in your perception.The artwork cannot exist on its own - its existence is a phenomenon created by its environment.The work questions the notion of existence and what it means.

مشاهدة المزيد

Traces of Life

The artwork space becomes one with the people and begins to move, forming traces from their feet that remain for a while. The trace becomes one long trajectory that remains in the artwork space, and becomes one large existence.
Without people in the artwork space, nothing exists other than the space, and nothing will ever be depicted - the world of the artwork is created through people's existence. 

مشاهدة المزيد

The Way of Birds

The movement of hundreds of thousands of birds is beautiful and mysterious, like a single, giant life form.
Even if each individual element is separated in space and time, when there is order among them, the individual elements may be recognized as a single entity that transcends space and time. Despite significant changes in shape or size on the surface, or even if the elements are replaced, this single existence will be maintained, and be recognized as the same entity. This spatiotemporal existence differs from physical matter, and will open up new possibilities of existence. This artwork portrays this spatiotemporal existence.

مشاهدة المزيد

The Eternal Universe of Words

This work is to be viewed while lying down or sitting, with the body relaxed.
Created for the Prayer exhibition, this work was shown in private from April 25th to May 31st, 2021, during the state of emergency declared due to COVID-19.Spatial Calligraphy continues to be written for eternity in an infinitely expanding space. The sound of the characters echoes from each position in the calligraphy, and the combined sounds create a continuous chant.

مشاهدة المزيد

Forest of Resonating Lamps: One Stroke - a Year in the Mountains

قبل العصر الحديث في اليابان، أُعطيت الألوان المعقدة التي تولد من خصائص الحرير أسماء وصفية تشير إلى الفصول الأربعة. وكانت هذه الألوان تُسمى "كاسانيه نو إيرومي" (وهي اختلافات بين طبقات من الألوان)، يتم إنشاؤها من خلال الجمع بين البطانة والنسيج الخارجي (كان الحرير رقيقًا في ذلك الوقت بحيث كان يظهر لون البطانة من خلال النسيج الخارجي)، والتدرّجات من الألوان المتداخلة، ومزج الاعوجاج واللُّحمة.
يتألّف هذا العمل الفني، الذي تبدو فيه المصابيح متناثرة بطريقة عشوائية، من ضوء متجاوب يتغيّر بحسب العلاقة بين الأشخاص في فضاء العمل الفني، ويعبّر عن جمال الاستمرارية.
عندما يقف شخص ما ساكنًا بالقرب من المصباح، يضيء المصباح بشكل مشرق وينبعث منه صوت، ثم ينتشر الضوء إلى أقرب مصباحين، فتنبعث أصوات منهما وينشران ضوءهما إلى المصابيح الأقرب إليهما. ويمّر الضوء، الذي انقسم الآن إلى ضوئين، على كافة المصابيح في الغرفة مرة واحدة، مخلفًا مسارًا واحدًا للضوء. والضوء الذي يولد من خلال تواجدك في الفضاء والضوء الذي يولد من خلال تواجد الآخرين، يتقاطعان بشكل دائم.
عندما يقف شخص ما ساكنًا بالقرب من المصباح، يضيء المصباح بشكل مشرق وينبعث منه صوت، ثم ينتشر الضوء إلى أقرب مصباحين، فتنبعث أصوات منهما وينشران ضوءهما إلى المصابيح الأقرب إليهما. ويمّر الضوء، الذي انقسم الآن إلى ضوئين، على كافة المصابيح في فضاء العمل الفني مرة واحدة، مخلفًا مسارًا واحدًا للضوء. والضوء الذي يولد من خلال تواجدك في الفضاء والضوء الذي يولد من خلال تواجد الآخرين، يتقاطعان بشكل دائم.
وعلى الرغم من أن المصابيح قد تبدو مبعثرة بشكل عشوائي، إلا أنها وُضعت عن قصد لإنشاء مسار سلس للضوء، بغض النظر عن نقطة انطلاقه أو انتشاره اللانهائي، حيث سينشأ مسار سلس للضوء دائمًا، متقاطعًا مع مسارات الضوء التي أنشأها أشخاص آخرون. 
وبشكل أكثر تحديدًا، يتم تحديد ترتيب المصابيح من خلال قاعدة رياضية. عندما يتم رسم خط بين المصابيح الأقرب إلى بعضها البعض، يتحدّد التوزيع في الارتفاع واتجاه المصباح، وانسيابية المسار الثلاثي الأبعاد من أجل إنشاء خط أحادي المسار بنفس نقطة البداية والنهاية.
ونتيجة لذلك، فإنّ ضوء المصباح الذي ينبعث من وجود شخص ما، بغض النظر عن حقيقة أنه ينتشر فقط إلى أقرب المصابيح، سيمر دائمًا عبر كل مصباح مرة واحدة فقط. وسيعبر الضوء دائمًا الضوء الآخر الناتج عن الآخرين، ويعود إلى المصباح الأصلي الذي بدأ مساره.
وقد يبدو ترتيب المصابيح ترتيبًا عشوائيًا، ولكن الهدف هو التعبير عن جمال استمرارية الضوء الذي ينشأ من خلال الأشخاص الذين يتفاعلون مع المصابيح من أي موضع.

مشاهدة المزيد

Untitled

مشاهدة المزيد

Athletics Forest

A high-dimensional thinking athletics space based on the concept of perceiving the world with your body and thinking about it high-dimensionally. In a complex and challenging space, you will be immersed in a physically challenging four-dimensional world where time changes with the presence of your body.

Rapidly Rotating Bouncing Spheres in the Caterpillar House

الكرة الارتدادية سريعة الدوران هي كرة يمكن للناس القفز عليها. وتدور الكرات بسرعة عالية، ولكن عندما يقترب الأشخاص منها، تتوقّف عن الدوران ويصبح من السهل الخطو عليها.
إذا قفز الأشخاص على كرات من نفس اللون بالتتابع، فستتفرقع الكرات وتنتشر جزيئات الضوء في فضاء العمل الفني. وإذا قفز الأشخاص على المزيد من الكرات من نفس اللون بالتتابع، ستظهر اليرقات، وإذا استمروا في القفز على الكرات الملونة نفسها بالتتابع حتى النهاية، ستتفرقع جميع الكرات من نفس اللون، وستظهر العديد من اليرقات.

مشاهدة المزيد

Multi Jumping Universe

سطح "القفز المتواصل" عبارة عن سطح مرن يمكن للأشخاص القفز عليه، والغوص فيه أو القفز أعلى من المعتاد.  
عند الوقوف على سطح "القفز المتواصل"، يغرق السطح تحت قدميك، مما يؤدي إلى تشكل تشوهات في المكان والزمان. ويجذب هذا التشوه غبار النجوم من الكون ويولد نجومًا جديدة. وإذا قفزت فوق أحد النجوم، يبدأ ذلك النجم بالتحرك، وإذا طاردت النجم وواصلت القفز فوقه، سيكبر النجم. ويؤدي القفز على مذنب أثناء مروره فوق النجم إلى انفجار المذنب ونمو النجم بشكل أكبر بكثير. وعندما تنتهي حياة النجم، يعود إلى غبار نجمي ويتحول إلى لبِنات لنجوم جديدة.ويصبح النجم العملاق والثقيل في النهاية ثقبًا أسود يبتلع جميع النجوم والغبار النجمي المحيط به.

مشاهدة المزيد

Aerial Climbing through a Flock of Colored Birds

العمل الفني "التسلق في الهواء" هو عبارة عن فضاء يتم فيه تعليق درجات أفقية بألوان مختلفة بواسطة حبال تطفو في شكل ثلاثي الأبعاد في الهواء. ويستخدم الأشخاص هذه الدرجات للتنقّل في الهواء في فضاء ثلاثي الأبعاد، ويحاولون عدم السقوط. وبما أنّ الدرجات ترتبط ببعضها البعض، فالحركة التي يقوم بها شخص ما على أحد الدرجات ستؤثّر على الدرجات التي يقف عليها أشخاص آخرون. ويختلف توزيع الدرجات بحسب الطريق المختار، وبالتالي تختلف تجارب الأشخاص بحسب الطرق المختلفة التي ترتبط بها الدرجات. وعندما يتسلّق الأشخاص الدرجات ذات الألوان المختلفة، تبدأ هذه الأخيرة بالتلألؤ، وينبعث منها صوت يرتبط بلونها، وكلما زاد عدد الأشخاص الذين يتسلقون الدرجات بألوان مختلفة، انبعثت المزيد من الأصوات في الوقت ذاته.

وتطير أسراب من الطيور بحرّية في هذا الفضاء، وعندما تطير بالقرب من الأشخاص، تتحول إلى لون الدرجات التي يقف عليها الأشخاص.

تتميّز حركة الآلاف من الطيور بجمالها وغموضها، وتظهر وكأنّها شكل حياة عملاق واحد. ولا تتبع الأسراب أي قائد ولا يوجد توافق متبادل في ما بينها، ولكن الطيور تتحرّك بناء على مبدأ بسيط، وهو إذا تحرّك الطائر الذي بجانبها، ستتحرّك هي أيضًا. ومع ذلك، فإن الآلية البيولوجية التي تدفع مئات الطيور في الوقت نفسه لا تزال لغزًا، ويبدو أن هناك مبدأ كوني لم يفهمه البشر بعد. وعلى أي حال، فإنّ تنسيق ألوان الأسراب ليس محددًا مسبقًا، حيث تتحرّك الطيور متأثّرة بالناس استنادًا إلى قاعدة بدائية غير معروفة للبشرية، وتولّد ألوانا معقدة وجميلة غير مقصودة في ذلك الفضاء.

العمل الفني ليس صورة مسجلة مسبقًا يتم تشغيلها من جديد؛ بل يتم إنشاؤه بواسطة برنامج حاسوبي يعرض العمل باستمرار في الوقت الفعلي. ويؤدي التفاعل بين الأشخاص والأعمال الفنية إلى تغيير مستمر فيها، لذلك لا يتم إعادة عرض الحالات البصرية السابقة، وستستمر بالتغير بلا نهاية. والصورة التي تتجلّى في هذه اللحظة لا يمكن رؤيتها مرةً أخرى.

مشاهدة المزيد

Balance Stepping Stones in the Invisible World

Balance Stepping Stones are stepping stones that interactively change when a person steps on them, emitting a color and tone that affect the space. When a person steps on a stone, it wobbles in various ways.

While jumping across the Balance Stepping Stones, people cross over into the normally invisible world of microorganisms. When a person steps on a Balance Stepping Stone, that stone’s color is transmitted to the microscopic life.

مشاهدة المزيد

Graffiti Nature

Graffiti Nature is an ecosystem of creatures drawn by people.
Color in a creature on the paper provided, and see the picture you have drawn come to life and move in front of you.Living things eat and and are eaten by other living things in one shared ecosystem. The creatures you draw will multiply if they eat other living things, but they will die and disappear if they do not eat enough, or if they are eaten by other creatures.
The salamanders eat the snakes, the snakes eat the lizards, the lizards eat the frogs, and the frogs eat the butterflies, each one propagating as a result. Likewise, the butterflies multiply in places where flowers grow. Although flowers will bloom if people stay still, their petals will scatter if people walk around and step on them. The salamanders will die if people step on them too much. Living creatures spread throughout the world, increasing and decreasing in number. The creatures you have drawn may be increasing somewhere.
Beating Earth is this artwork space. In a complex, three-dimensional space, perception based on common sense is separated from perception based on the body, and the space appears to move.
At times, the waterfall that flows down becomes Sketch Waterfall Droplets. This waterfall is made up of the droplets that everyone has drawn.Freely color in a droplet on the paper provided. Your drawing will then turn into droplets that flow along the terrain. Eventually, they will mix with droplets drawn by other people in the waterfall.A single droplet bounces off like a ball, but when there are many of them together, they behave like water. When the droplets break apart, they start behaving like balls again.A single water molecule does not become liquid. In order to become liquid water, many water molecules need to gather together.Water molecules act like magnets, so they connect with each other and form clusters of water molecules (water clusters). Water clusters have an extremely short lifespan and are thought to be constantly being created and destroyed. In other words, they have a very dynamic structure. This allows water to change into various shapes.Most objects and living things in this world have properties as a whole that are more than the simple sum of the properties of their parts.

مشاهدة المزيد

Sliding through the Fruit Field

This is a slide where fruit grows.
You become the sunlight and slide down the slope. When your body collides with the water balls and honey bee balls, your energy will be transferred to them, and they will go flying off in all directions. When the balls collide with the fruit, the fruit will begin to grow.
Each ball has a different role depending on its color.
A light blue ball represents water: when this ball hits the seeds, they sprout, bud, and blossom. When a yellow honey bee ball hits the flowers, they are pollinated, and the flowers become fruit. When the fruit is hit by a ball, new seeds are sown, leading to new life.

مشاهدة المزيد

Waterfall Droplets, Flowing Down a Slope

Many water droplets flow down a slope.
A single droplet bounces like a ball, but when many are gathered together, they behave like water. When they break apart, they behave like a ball again.
When people climb the steps up the hill, the droplets near the step receive energy and break apart.

A water molecule on its own is not liquid. In order for water to be a liquid, many water molecules must come together.
Because water molecules act like magnets, they stick to each other, forming a group of water molecules (a water cluster). Water clusters have an extremely short lifespan and are thought to be constantly being created and broken apart. They have a very dynamic structure and because of that, water can change into various forms.

Most living things and objects in this world, through properties that are more than the simple sum of the properties of their parts, appear as a whole.

مشاهدة المزيد

Future Park

An educational project based on the concept of collaborative creativity. Freely create the world together with others.

Sketch Ocean

All the various fish drawn by everyone swim around in this ocean.
Color in a fish on the paper provided and see the picture you have colored come to life, swimming out into the ocean in front of you together with the fish drawn by other people. If you touch the fish, they will swim away. You can also feed the fish by touching the food bags.
Sometimes, the fish leave the room, transcend the boundaries between artworks, and begin to swim.
The tuna swim out to Sketch Ocean’s around the world. Similarly, tuna drawn in other parts of the world may appear and swim into the Sketch Ocean right in front of you.

مشاهدة المزيد

A Musical Wall where Little People Live

هذا جدار موسيقي يعيش فيه الأقزام.
عندما يتم لصق لصاقات بأشكال مختلفة مثل الفطر أو حظائر الأغنام أو قضبان طويلة على شكل جليد على الجدار، تظهر هذه الأشياء في عالم الأقزام. ويلاحظ الأقزام هذه الأشياء ويبدؤون في القفز عليها.وبحسب شكل اللصاقات، ينزلق الأشخاص الصغار أو يقفزون أو يتسلّقون. وإذا تمت إزالة اللصاقة تبقى في عالم الأقزام لفترة أطول قبل أن تختفي.قُم بإلصاق لصاقات مختلفة على الجدار، وسيلعب الأقزام بكلّ سرور.
بذور ذات وجوه مبتسمة تسقط من الأعلى، وعندما تصطدم باللصاقات، يتم سماع أنغام متنوّعة بحسب نوع وموضع اللصاقة التي اصطدمت بها، ممّا يؤدي إلى تشكل نغمات موسيقية في النهاية.

مشاهدة المزيد

A Table where Little People Live

هذه  طاولة يعيش فيها أقزام.
عندما تضع شيئًا، مثل يدك، فوق الطاولة، سيقفز الأقزام عليه. ووفقًا لشكل الأشياء التي تقوم بوضعها على الطاولة، سينزلق الأقزام أو يقفزون أو يتسلّقون. قم بوضع العديد من الأشياء على الطاولة وسيلعب الأقزام بكلّ سرور.

مشاهدة المزيد

A Window to the Universe where Little People Live

إنها نافذة على كون يعيش فيه الأقزام.
يتم رسم لوحات من خلال رسم خطوط بقلم ضوئي أو إنشاء أشكال من خلال طوابع ضوئية. ولكلّ خط قوة عجيبة بحسب لونه تؤثّر على عالم الأقزام. وتظهر الأشكال التي تم إنشاؤها بواسطة الطوابع الضوئية في عالم الأقزام، وتبدأ في التحرّك.
تجعل الخطوط الصفراء الأقزام إلى يتشقلبون بقوة.تقوم الخطوط الزرقاء بتسريع حركة الأقزام.تقوم الخطوط الوردية بجعل الأقزام تقفز كالحبل المطاطي، وينتقل الاهتزاز إلى الخطوط.الخطوط البنفسجية لها قوة الجاذبية، وتقوم بجذب الأقزام.ترسم الخطوط الخضراء أشكالًا، وتبدأ تلك الأشكال بالتحرك.
قم برسم لوحات كبيرة وجرّب الكثير من الطوابع مع الأشخاص من حولك. وقُم بإنشاء عالم جديد في كون الأقزام، وامنحهم مختلف القوى، وشاهدهم يلعبون بنشاط أكبر.

مشاهدة المزيد

حول تيم لاب

"تيم لاب" هو عبارة عن مجموعة فنيّة عالمية (تأسست عام 2001)، يتم التعاون فيها بهدف التعمّق في نقاط الالتقاء بين الفن والعلوم والتكنولوجيا والعالم الطبيعي. فعبر الأعمال الفنيّة، تهدف مجموعة من الخبراء ذوي الاختصاصات المختلفة، بمن فيهم فنانين ومبرمجين ومهندسين، وأخصائي رسوم متحركة، وعلماء رياضيات ومهندسين معماريين، إلى استكشاف العلاقة بين الذات والعالم وأشكال جديدة من الإدراك.

وفي محاولة إلى فهم العالم حولهم، يسعى الناس إلى فصله إلى وحدات مستقلة يتصوّرون حدودًا في ما بينها. ولكن "تيم لاب" يسعى إلى تجاوز هذه الحدود التي تحدّ رؤيتنا ونظرتنا إلى العالم وإلى العلاقة بين الذات والعالم واستمرارية الزمن. فكل شيء قائم في استمرارية بلا حدود، في استمرارية مستدامة وهشّة وخارقة في آن واحد.

تتواجد أعمال "تيم لاب" من ضمن المجموعة الدائمة لمعرض فكتوريا الوطني في ملبورن، ومعرض الفنون نيو ساوث ويلز في سيدني، ومعرض فنون جنوب أستراليا في أديلايد، ومعرض أستراليا الوطني في كانبيرا، ومتحف الفنون آموس ريكس في هلسنكي، ومتحف الفن المعاصر في لوس أنجلوس، ومتحف الفن الآسيوي في سان فرانسيسكو، ومتحف مجموعة بوروسان للفن المعاصر في إسطنبول، وجمعية متحف آسيا في نيويورك، وغيرها.

تيم لاب

وثائق السيرة الذاتية

يتم تمثيل أعمال "تيم لاب" من قبل معرض بايس، ومعرض مارتن براون للفنون المعاصرة، ومعرض إيكان للفنون.

دليل الزوار

تفاصيل المكان

teamLab Biovortex Kyoto

الفترة

‎2025.10.07(Tue) - دائم

الوقت

9:00 - 21:00
* Last entry: 19:30
* Opening hours are subject to change.

العطل

Tuesday, October 21
Tuesday, November 4
Tuesday, November 18
Tuesday, December 2
Tuesday, December 16
* Closed days are subject to change.

وسائل المواصلات

العنوان

21-5 Higashikujo Higashi-Iwamotocho, Minami-ku, Kyoto

العنوان باللغة المحلية:

京都市南区東九条東岩本町21-5

By Train

7 min on foot from Hachijo East Gate of Kyoto Station
11 min on foot from Shichijo Station on the Keihan Line

أسئلة مكررة

Regarding tickets

Will tickets be available on the day？

If not sold out, tickets can be purchased on the day of the event through the official ticket website.
They can also be purchased on site, but at different prices. Tickets may be sold out.

Can I change or cancel the date of my ticket?

・In general, tickets cannot be canceled or changed once purchased. However, the date can be changed for tickets directly purchased from the official ticketing website.
To do so, select 'Modify ticket date' displayed on the QR ticket and follow the procedure. 
The date of the ticket may be changed up to 3 times. 
Deadline for the change
Entrance Pass: Changes can be made up to 2 hours prior to the admission date and time.
Flexible Pass: Changes can be made up to 2 hours prior to the last admission time.

The ticket date cannot be changed in the following cases:
　- The date has already been changed 3 times
　- Changing to a different type of ticket
　- Changing to date that has sold out or has insufficient tickets left
　- Changing the date of a portion of tickets within a multiple-ticket purchase
　- Changing to multiple dates within a multiple-ticket purchase
　- Changing to a date that is not yet available for purchase

Regarding entry

Is re-entry permitted?

Re-entry is not permitted.

Regarding the venue

Are filming and photography allowed? Can I post them on social media?

Taking photos and videos, as well as posting them on social media are allowed. However, the following actions are prohibited:

・Use of monopods, tripods, selfie sticks and other auxiliary equipments with a total  length of 30cm or more, as well as flash photography or drone photography.
・Filming or photography for commercial purposes without prior consent.
・Other actions that may cause inconvenience to other visitors.

مشاهدة الكل

للاستفسار

Visitor Inquiries

Inquiry Form

Media Inquiries

Inquiry Form

Group admission

*This is the website of JTB Corporation.

التذاكر

أسعار التذاكر

Entrance Pass

This is a timed-entry ticket.

* Adult admission fees are based on a variable pricing system, so the price varies depending on the date and time.
* For tickets purchased at the venue, a JPY 200 fee will be added to the online price shown below.
* The only official sales sites are the official ticket site and KLOOK

Adults

18 and above

JPY 3,400

13 - 17 years

JPY 2,800

4 - 12 years

JPY 1,800

3 years and under

مجاني

Visitors with disabilities

Tickets for visitors with disabilities are available for holders of a disability certificate and up to one accompanying person. One ticket per person is required for admission.

JPY 1,700

Flexible Pass

This ticket is purchased by specifying only your visit date. You can enter anytime during opening hours on the day of your visit.

* For tickets purchased at the venue, a JPY 200 fee will be added to the online price shown below.

Adults / Child

Admission time is not specified

JPY 12,000

شراء التذاكر

Official Ticketing Website

شراء التذاكر

تنبيهات

Regarding ticket purchase

・Tickets are date and time-specific, and may sell out.

・Adult and disabled discounts are based on a variable price system.

・If the tickets are not sold out, they can be purchased on the day of the event through the official ticket website.

Tickets can also be purchased at the venue, but ticket prices vary and they may sell out when you purchase.

・In general, tickets cannot be canceled or changed once purchased. However, the date can be changed for tickets directly purchased from the official ticketing website.

The date of the ticket may be changed up to 3 times. To do so, select 'Modify ticket date' displayed on the QR ticket and follow the procedure.

Deadline for the Change: Changes can be made 2 hours prior to the indicated date and time.

The ticket date cannot be changed in the following cases:

　- The date has already been changed 3 times

　- Changing to a different type of ticket

　- Changing to date that has sold out or has insufficient tickets left

　- Changing the date for a portion of tickets within a multiple-ticket purchase

　- Changing to multiple dates within a multiple-ticket purchase

　- Changing to a date that is not yet available for purchase

・Prices include tax.

・For those aged 13-17, proof of ID is required at the entrance gate.

・Visitors with a disability certificate:

Discounted tickets are available for holders of a disability certificate, along with one accompanying person.

(Children's tickets cannot be further discounted, however, the accompanying adult is eligible for a discounted ticket if the child holds a disability certificate.)

The disability certificate will be requested at the entrance gate, so please make sure that the accompanying person enters at the same time.

The disability certificate can be issued by any country.

The Mirailo ID app can be accepted in place of a Disability Certificate.

・Children (elementary school and below) must be accompanied by an adult who is 18 years old or above. (High School studets are allowed) There must be one accompanying adult for every three children, including children eligible for free entry.

・Children under 3 years old may enter for free.

・Curators, guides, escorts, and attendants accompanying groups, tours, etc. are also required to purchase a ticket regardless of any credentials they might have.

Notice to Visitors

・Regarding injuries, losses, damages, and other troubles arising that may occur during your visit to this exhibition, we shall not be liable except in cases where such issues are directly caused by our negligence. Except in cases of our willful misconduct or gross negligence, in which case our liability shall be limited to direct and actual damages.

・Resale of tickets is prohibited, and tickets purchased on resale websites, etc. will not be accepted. In such cases, teamLab will not be held responsible for any problems associated with those tickets.

・Certain artworks may not be available due to large crowds or maintenance.

・Artworks or artwork specifications may vary by season.

・The opening time of the venue may change with prior notice on the official website.

・The exhibition may be canceled due to circumstances of the venue.

・Tickets can be refunded only if the venue has an unscheduled closure.

・We do not guarantee travel expenses or other costs associated with your visit, even in the event of a temporary closure.

・Please come to the entrance at the admission time indicated on the ticket and wait in line.

・Please note that you may be asked to wait to enter during busy times. Please be prepared for heat and cold protection depending on the season.

・Please refrain from waiting, eating, drinking, or sitting around the museum.

We also ask that you please be considerate of nearby residents.

・If you would like to leave the line temporarily, please make sure that someone in your party stays in the line

・There is no limit on the duration of your stay at the venue after admission.

・Re-entry is not permitted.

・Animals are not allowed at the venue excluding assistance dogs.

・Please look after your own personal belongings. The venue will not be liable for any stolen or lost items.

・Please be aware that the exhibition space is dimly lit and has uneven and potentially unstable surfaces. This may increase the risk of falls, collisions with other visitors, and other potential injuries.

For your comfort and safety, we ask that the following visitors carefully consider these conditions and use their own judgment when deciding whether to experience the exhibition

Please note that our staff may also restrict the experience based on their observations.

　- Pregnant individuals

　- Those who have difficulty walking independently

　- Those carrying children

　- Individuals who are sensitive to light or flashing lights

　- Individuals with physical or health concerns

・For safety reasons, anyone wearing high heels, sandals, wooden clogs, or other unsteady footwear will not be allowed to enter the Athletic Area. You can rent and change into sneakers. However, they are limited in quantity and design, so we recommend that you bring your own sneakers.

・The artworks may produce flashing lights, loud sounds, and aromas.

・Some of the artwork has restrictions of height and age.

・There are some artworks that have mirror floors, please be aware. For the customers wearing skirts, you can borrow a wrap skirt which is near the artwork.

・You must take the stairs to experience some artworks.

・For safety reasonspregnant women are not permitted in some areas.

・It is possible to enter the museum on a wheelchair. However, there are some art works that cannot be experienced (works inaccessible with a wheelchair) for safety reasons.

・Wheelchair users may be asked to wait, as the number of wheelchair users admitted at one time is limited.

About baggage

・The following items are not allowed to be brought in

　Food & alcoholic beverages

　Items that exceed 50cm

　Strollers must be stored in the luggage room.

　Hazardous items, items with strong smells, fresh flowers, etc.

　Drinks with no caps.

　Any other items deemed to be dangerous by staff.

・Please refrain from entering the premises with things on your person that may affect other visitors' viewing experience, such as flashing shoes, flashing bracelets or glow sticks.

・Please do not touch the projectors, sensors, lights, and other equipment for safety reasons.

・Eating food including candy and gum are not allowed in the museum.Only drinks are allowed in the designated area.

・Visitors who are ill or drunk will not be allowed to entry.

・You may be asked to provide identification upon entry.

Examples: driver's licence, health insurance card, student card, passport, My Number card, any identification that provides valid proof of your name and age.

・Please follow the staff's instructions. Visitors who do not follow the instructions may be escorted out of the premisis.

Regarding filming

・Taking photos and videos are allowed but please be careful not to cause inconvenience to other visitors.

・Please refrain from using flash.

・No monopods, tripods, selfie sticks, or other auxiliary equipments with a total length of 30cm or more are allowed to be brought in or used.

・Media filming may take place without prior notice. If you do not wish to be featured in the coverage, please inform our staff.

・Filming, photography or live streaming for commercial purposes is not permitted without prior consent.

المنظمون

Kyoto Station Southeast Area Project Limited Liability Partnership