teamLab: Impermanent Flowers Floating in a Continuous Sea | teamLab
المعارض السابقة
2023.05.07(Sun) - 2022.11.11(Fri)Kumu Art Museum, Tallinn
المعارض السابقة
2023.05.07(Sun) - 2022.11.11(Fri)Kumu Art Museum, Tallinn
teamLab: Impermanent Flowers Floating in a Continuous Sea
All oceans are connected to each other, and so are all the waves of the world.
In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity.
When the waves rise, we can feel a powerful breath of life, as though life is blooming. It seems that each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other.
The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean.
The artwork space consists of one continuous and connected wave, with neither beginning nor end. The exterior of this perceived mass is also its interior, and the external and internal are one.
Inside the mass of waves, ever-blossoming flowers continually grow and wither in a repeating and ever-changing cycle of life and death. The waves and flowers do not form a fixed viewpoint, which allows people to move freely around the space. The wall on which the work is projected does not become a boundary between people and the work, and the space filled with flowers is continuous with the space of the people experiencing the work.
The flame artwork duplicates and distributes itself among people, and once the artwork is in the hands of people, it is further actively distributed. The flame will exist on people’s networks, transforming into decentralized, Distributed Art. When the flame exists on a network, it will continue to exist even if the original flame disappears.
Through the experience of transcending the boundaries between the body and the artwork, people redefine their perception of the boundaries between the self and the world, and thereby recognize the continuity between humans and the world.
In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity.
When the waves rise, we can feel a powerful breath of life, as though life is blooming. It seems that each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other.
The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean.
The artwork space consists of one continuous and connected wave, with neither beginning nor end. The exterior of this perceived mass is also its interior, and the external and internal are one.
Inside the mass of waves, ever-blossoming flowers continually grow and wither in a repeating and ever-changing cycle of life and death. The waves and flowers do not form a fixed viewpoint, which allows people to move freely around the space. The wall on which the work is projected does not become a boundary between people and the work, and the space filled with flowers is continuous with the space of the people experiencing the work.
The flame artwork duplicates and distributes itself among people, and once the artwork is in the hands of people, it is further actively distributed. The flame will exist on people’s networks, transforming into decentralized, Distributed Art. When the flame exists on a network, it will continue to exist even if the original flame disappears.
Through the experience of transcending the boundaries between the body and the artwork, people redefine their perception of the boundaries between the self and the world, and thereby recognize the continuity between humans and the world.
الأعمال الفنية
دليل الزوار
تفاصيل المكان
teamLab: Impermanent Flowers Floating in a Continuous Sea
الفترة
2023.05.07(Sun) - 2022.11.11(Fri)
أوقات العمل
Tuesday
10:00 - 18:00
Wednesday
10:00 - 18:00
Thursday
10:00 - 20:00
Friday - Sunday
10:00 - 18:00
* Last admissions up to half an hour before the closing time.
* The museum closes 3 hours earlier on: December 23 and February 23
العطل
Mondays and National Holidays
Website
وسائل المواصلات
العنوان
Kumu Art Museum
Great Hall
A. Weizenbergi 34, 10127 Tallinn
Great Hall
A. Weizenbergi 34, 10127 Tallinn
العنوان باللغة المحلية:
Kumu kunstimuuseum
Suur saal
Weizenbergi 34 / Valge 1
10127 Tallinn
Suur saal
Weizenbergi 34 / Valge 1
10127 Tallinn
By Tram
Line no. 1: Kopli – Balti jaam – Hobujaama – Kadriorg
Line no. 3: Tondi – Vabaduse väljak – Hobujaama – Kadriorg
From the final stop, “Kadriorg”, walk to the end of Weizenbergi Street (approx. 10 min)
By Bus
Lines no. 31, 67 and 68: Estonia – Kivisilla – Kumu
Take the stairs near the stop and turn to the right at the top.
Lines no. 1a, 8, 29, 34a, 35, 38, 44 and 51 from the bus terminal at Viru Shopping Centre to the stop “J. Poska”
Line no. 5: Männiku – Vabaduse väljak – Viru – J. Poska
Line no. 39: Veerenni – Autobussijaam – Kumu (next to the museum)
الفنانون
تيم لاب
"تيم لاب" هو عبارة عن مجموعة فنيّة عالمية (تأسست عام 2001)، يتم التعاون فيها بهدف التعمّق في نقاط الالتقاء بين الفن والعلوم والتكنولوجيا والعالم الطبيعي. فعبر الأعمال الفنيّة، تهدف مجموعة من الخبراء ذوي الاختصاصات المختلفة، بمن فيهم فنانين ومبرمجين ومهندسين، وأخصائي رسوم متحركة، وعلماء رياضيات ومهندسين معماريين، إلى استكشاف العلاقة بين الذات والعالم وأشكال جديدة من الإدراك.
وفي محاولة إلى فهم العالم حولهم، يسعى الناس إلى فصله إلى وحدات مستقلة يتصوّرون حدودًا في ما بينها. ولكن "تيم لاب" يسعى إلى تجاوز هذه الحدود التي تحدّ رؤيتنا ونظرتنا إلى العالم وإلى العلاقة بين الذات والعالم واستمرارية الزمن. فكل شيء قائم في استمرارية بلا حدود، في استمرارية مستدامة وهشّة وخارقة في آن واحد.
تم عرض أعمال "تيم لاب" حول العالم، بما يشمل نيويورك، لندن، باريس، وادي السيليكون، بكين، وملبورن ضمن مدن أخرى. متاحف "تيم لاب" ومعارضه الضخمة الدائمة تشمل "تيم لاب بلا حدود" و"كواكب تيم لاب" في طوكيو، و"تيم لاب ماوراء الطبيعة" في ماكاو، و"تيم لاب بلا كتلة" في بكين. مع المزيد من المعارض التي سوف يتم افتتاحها في أبوظبي، هامبورغ، جدة، ويوتريخت.
تتواجد أعمال "تيم لاب" من ضمن المجموعة الدائمة لمتحف الفن المعاصر في لوس أنجلوس، وفي معرض الفنون في نيو ساوث ويلز في سيدني، وفي معرض الفنون في جنوب أستراليا في أديليد، وفي متحف الفن الآسيوي في سان فرانسيسكو، وفي متحف جمعية آسيا في نيويورك، وفي مجموعة بوروسان للفن المعاصر في إسطنبول، وفي المعرض الوطني لفيكتوريا في ملبورن، وفي آموس ريكس في هلسنكي.
تيم لاب
وثائق السيرة الذاتية
يتم تمثيل أعمال "تيم لاب" من قبل معرض بايس، ومعرض مارتن براون للفنون المعاصرة، ومعرض إيكان للفنون.