VOLVO teamLab: A Forest Where Gods Live | teamLab

メイン画像
ロゴ画像
전시 종료
2022.07.15(Fri) - 11.06(Sun)Mifuneyama Rakuen, Takeo Hot Springs, Kyushu
メイン画像
ロゴ画像
전시 종료
2022.07.15(Fri) - 11.06(Sun)Mifuneyama Rakuen, Takeo Hot Springs, Kyushu

연속되는 생명

1845년(에도 후기) 50만 제곱미터에 달하는 넓은 부지에 조성된 미후네야마 라쿠엔(御船山楽園). 정원의 경계선에는 다케오 신사의 신목(神木)인, 3000년 묵은 녹나무 ‘오오쿠스’가, 정원의 중심에는 수령이 300년 된 녹나무가 자리 잡고 있다. 이를 보면 알 수 있듯이, 예부터 소중히 여겨온 숲의 나무들을 그대로 보존해가며 정원이 조성되었다. 정원과 숲은 경계가 모호하여, 정원을 거닐다 보면 어느새 숲까지 들어와있게 되거나 우연히 산짐승이 지나다닌 흔적들을 발견하기도 한다. 숲속에는 겹겹이 쌓인 거대한 바위들이 ‘이나리다이묘진(稲荷大明神)’이라 불리는 신으로 모셔지고 있다. 또한 나라(奈良)의 대불상을 만드는 ‘명승 교키(行基)’가 약 1300년 전에 미후네야마에 입산해 ‘오백나한(五百羅漢)’을 새겼다고 추측되며, 동굴 암벽에는 교키가 직접 새겼다고 전해지는 마애불(磨崖仏)이 현재에도 남아있다.

기나긴 시간을 지나 지금의 형태를 갖추게 된 거대한 바위, 동굴, 숲, 각각의 시대마다 사람들이 찾아내온 의미들이 천 년이 넘는 세월 동안 겹겹이 쌓여 비로소 지금의 미후네야마 라쿠엔이 존재할 수 있었다. 또한 오늘날에도 계속되고 있는 자연과 사람의 조화가, 정원과 숲의 경계가 모호한 이 아늑하고도 아름다운 문화적 유산을 만들어내고 있는 것이다.
그리고 정원과 숲의 경계가 모호한 곳에서 길을 잃어 헤매고 있을 때, 자연과 사람의 기나긴 조화의 경계 없는 연속성 위에 ‘나’라는 존재 또한 있음을 느낄 수 있었다. 때문에 이 드넓은 정원과 숲속에 빠져들어 헤매는듯한 전시를 하고 싶다고 생각했다. 
‘자신’이라는 존재는 수십억 년이라는 어마어마하게 긴 시간 동안 끝없이 반복되어온 ‘생명의 생(生)과 사(死)의 연속성’ 위에 자리한다. 하지만 일상에서는 이를 지각하기가 쉽지 않다. 인간이 자신들의 인생보다 긴 시간을 인지하기란 쉽지 않을 것이다. 시간의 연속성에 비해 인지 능력은 한계적인 것이다.
숲속을 거닐다보니 헤아릴 수 없을 만큼 긴 세월에 걸쳐 만들어진 거대한 바위, 동굴과 숲 그대로의 조형이야말로 기나긴 세월을 느낄 수 있는 형태 그 자체임을 깨달았다. 이러한 조형들이야말로 시간의 연속성에 대한 인지의 경계선을 넘어설 수 있다는 생각이 들었다.
teamLab은 'Digitized Nature'라는 프로젝트를 진행하고 있다. 비물질적인 디지털 테크놀로지에 의해 '자연이 자연 그대로 아트가 되다’를 테마로 한 프로젝트다.
우리의 시간보다 훨씬 더 긴 시간을 품은 바위, 동굴, 숲 혹은 자연과 사람의 영위가 오래도록 이어져온 정원 그 자체의 형태를 그대로 이용해 작품화함으로써, 시간의 연속성에 대한 인지능력의 한계를 뛰어넘어 기나긴 생명의 연속선상에 나라는 존재가 있음을 느끼게 하는 장소를 만들 수 있지 않을까 생각했다. 그리고 자신을 넘어선 긴 세월이 깃든 이 자리에서 ‘연속되는 생명'의 의미를 찾아내고, 오늘날 또다시 이 장소에 의미를 새겨나가고자 한다.


teamLab


Story behind VOLVO contribution

Although teamLab and Volvo are in different fields, we have always resonated with the fact that we are both trying to create new values. teamLab creates many surprises and excitement with its innovative art experiences. Volvo, we always put “people” in center and act to protect environment and the future that surrounds us. Volvo's goal is to make all new cars electric by 2030 and to achieve climate neutrality by 2040.


The "VOLVO teamLab: A Forest Where Gods Live" is an expression of innovation that values what has remained unchanged through the ages, while being willing to change for the sake of the future. In our second year of sponsorship, in addition to the new artwork at Mifuneyama, there will be a satellite exhibit in Tokyo, and we hope that many people will enjoy this new experience of fusion of nature and technology.


Volvo Car Japan

Inside Mifuneyama Rakuen

Living Crystallized Light

Like an organic entity created from crystallized light, the work shines iridescently from its center as it moves around, merging and dividing continuously.

People can walk into the artwork, and even if they do so, the artwork will continue to be maintained, its existence unharmed. If a person touches the artwork, they realize that what they are looking at is ordinary water. The artwork’s existence is not independent, but is actually a unique phenomenon created by its environment.
The places where the work appears will change as the viewer moves. The work’s appearance is unique to the viewer, so someone viewing the artwork from another angle will see a different colored work appearing in a different place. In other words, the existence of the artwork being seen is created by its environment, and exists only in the viewer.

Environmental Phenomena

teamLab explores the creation of artworks based on the concept of environmental phenomena, in which the artworks do not exist independently, but are created by the environment that produces the various phenomena.

Objects like stones and man-made creations maintain a stable structure on their own. Unlike these, the existence of the artworks are dependent on their environment.

The environment produces phenomena and stabilizes their structure - these stabilized phenomena are what create the existence of the artworks.

Environmental phenomena are released from the material substances that have been responsible for maintaining structures of existence. Elements like air, water, and light that permeate our daily lives are transformed by their environment into unique phenomena that become works of art. The boundaries of their existence are ambiguous and continuous. Even if people destroy the work, the work will remain in existence as long as its environment is maintained. On the contrary, the work will disappear if the environment is not maintained.
In time, people's consciousness will expand from existence itself to the environment.

A stone can continue to exist in a closed box, sealed off from the outside world, but life cannot sustain its existence in such a box because it is created by its environment.

Life is a miraculous phenomenon that emerges from a flow in a continuous world.

Megaliths in the Bath House Ruins

Masses (Megaliths) of different space-times are clustered in the bath house ruins.The forest surrounding the bath house ruins is home to 3,000-year-old trees, and it changes daily with the imperceptible, slow flow of time, repeating every year, as a space where the endlessly long time accumulates. The ruins from ages past scattered in the forest and the Edo-period garden which remains today each have their own respective space-times. The bath house was made in modern times, but after just a short period, it was abandoned, becoming a space-time where time had stopped completely. And this group of megaliths is also a mass made up of compressed space-times where the flow of time varies. Here, various space-times intersect and overlap.
Each megalith is surrounded by similarly standing megaliths, the space-times of which are all connected. 
The artwork is continuously rendered in real time by a computer program. It is neither prerecorded, nor on loop. As a whole, previous states never recur, and the artwork is continuously changing due to the movement of people. Every moment is unique and can never be seen again.
The following artworks exist in the artwork space of the three-dimensional objects grouped in these bath house ruins.
・Flowers and PeopleThis artwork is in a state of continuous change. Over a period of one hour, a year’s worth of seasonal flowers blossoms and scatters. The flowers bud, grow, and blossom before their petals begin to wither and eventually fade away. The cycle of growth and decay repeats itself in perpetuity. If a person stays still, the flowers surrounding them grow and bloom more abundantly.
・Universe of Water Particles When people approach the artwork, the flow of the water changes. The movement of people influences the artwork, causing it to evolve continuously, while the artwork influences other works. For instance, the water causes the flowers in the work Flowers and People to scatter.
Water is represented by a continuum of numerous water particles. The interaction between the particles is calculated and then lines are drawn in relation to the behavior of the water particles. The lines are “flattened” using what teamLab considers to be ultrasubjective space.

* In order to view  teamLab: A Forest Where Gods Live before it opens (sunset), purchase a Daytime Rakan Bath Reservation. After sunset, only a teamLab: A Forest Where Gods Live exhibition ticket is needed.

불꽃의 빛의 조각 / Light Sculpture of Flames

Pointillism is a genre of paintings that expresses the subject matter through a series of points. This interactive sculpture, however, consists of a set of points of light that are used to express three-dimensional objects. For this work, a three-dimensional interactive flame is produced by the points of light.
When people move close to the flames, the flames increase in intensity.
Flames are a phenomenon of light and heat generated by combustion, not a substance, but our sensory experience when we see a chemical reaction called combustion. People perceive the flame, a sensory experience, as if it were an object, and sometimes feel life in it.
Flames often appear to have a hierarchy of colors from their outside to the center: red on the outside, strong bright white on the inside, and dark in the center. In the case of a raw egg, the outer shell is white, the interior is transparent, and the center is yellow, but because it is a three-dimensional object, only the white shell is visible from the outside. Unlike an egg, the flame is a three-dimensional object made of light, and the strong bright white inside is still white when mixed with the red outside. Therefore, the flame, which is a three-dimensional object, appears as if it were a flat painting with a color hierarchy, no matter where you look at it.
By creating a three-dimensional flame with a collection of points of light, the three-dimensional flame sculpture moves back and forth between three and two dimensions.

Universe of Fire Particles in a Decaying Underground Passage

A long-forgotten underground passage has recently been discovered, and the depths of the passage are decaying. In this space that is crumbling and losing its original structure, a fire burns eternally.
The forest above the underground passage is home to 3,000-year-old trees, and it changes daily with the imperceptible, slow flow of time and with each year passing year, as a space where the endlessly long time accumulates. The ruins from ages past scattered in the forest and the Edo-period garden which remains today each have their own respective space-times. The forgotten underground tunnel is a space where time seems to have stopped, and the depths of the passage are a decaying space and time that will not exist for much longer. The fire that eternally burns there also has its own space and time.Here, various space-times intersect and overlap.
The fire changes shape due to a transparent absolute presence.Lines are drawn in relation to the flow of combusting gas, and the flames are created by the accumulation of those lines in three-dimensions. The lines are then “flattened” using what teamLab considers to be Ultrasubjective Space to represent the flames.
teamLab is exploring the concept of Distributed Art.If you launch the Distributed Fire smartphone application and approach this artwork, the flame will ignite and you can take the artwork home with you. When you bring that flame close to another person's smartphone, a flame will alight. As you connect the flame, and they connect that flame with someone else, the flame will spread all over the world. The flames that are spread are displayed on the Map of The Flame.
Distributed Art duplicates itself, or a part of an artwork is distributed among people. Then, once in the hands of the people, the artwork is further actively distributed, and also makes copies of itself. The artworks will be distributed and exist on people's networks and become decentralized. When the artwork exists on the network, it continues to exist even if the original disappears.

Life Survives by the Power of Life II

나 자신과 바깥 환경은 둘이 아니다(不二). 서로 가르고 나눌 수 없다는 가르침이 있다. 분리의 반대말은 통합이 아니다. 둘로 보이는 것이 실은 처음부터 하나였음을 깨닫는 일로부터, 우리는 분리를 벗어난다. 오늘날 우리에게 ‘살아 있는’ 일은 이렇게 형상화되어야 하지 않을까.
한자 ‘生(날 생)’을 ‘공서(空書)’로 입체적으로 써 나간다. ‘생(生)’은 삶이자 살아 있음을 뜻한다. ‘공서’란 teamLab이 초기부터 계속해 오는 작업 방식으로, 빈 허공에 쓰는 붓글씨다. 먹물을 머금은 붓의 궤적이 지닌 깊이와 속도, 힘의 강약 등을 새롭게 해석해 공간 속에 입체로서 재구축하고, teamLab의 ‘초주관 공간’ 논리 구조에 따라 다시 평면화한다. 결과적으로 붓글씨가 평면과 입체 사이를 끊임없이 오간다.
렌즈나 원근법으로 잘라낸 작품 공간은 디스플레이 면이 향하는 쪽에 작품 공간이 나타난다. 즉 디스플레이 면이 경계선이 되어 감상자가 존재하는 공간과 작품 공간은 분단된다. 하지만 초주관 공간의 특징 중 하나로, 이 작품 공간은 디스플레이 면이 경계가 되지 않는다. 이 작품 공간은 디스플레이 면을 넘어서 감상자가 존재하는 공간까지 입체적으로 존재하는 것처럼 인지된다. 작품 공간은 감상자의 신체가 있는 공간에 연속하여 이어진다.

EN TEA HOUSE Otoro

Ruins and Heritage, Others

SPA



A New Art and Sauna Experience

Take Alternating Hot and Cold Baths, Enter a Sauna Trance, Activate the Brain and Senses, then Experience Art in the Forest

This is a new art and sauna experience combining the “VOLVO teamLab: A Forest Where Gods Live” exhibition and the Mifuneyama Rakuen Hotel Rakan Bath, the winner of SAUNACHELIN 2019, 2020 & 2021.
Combo tickets for a day trip to Rakan Bath and “VOLVO teamLab: A Forest Where Gods Live” are available, allowing visitors not staying at the Mifuneyama Rakuen Hotel or Onyado Chikurintei to take a sauna, then experience art in the forest. (*Reservation Required) Open your mind in a sauna surrounded by 3-million-year-old nature and 1,300 years’ worth of heritage. Reconnect with the continuity of the world and of time in 500,000 square meters of art spread across historic forests and gardens.

Open Your Mind in a Sauna Surrounded by the Forest and History, Become a Part of Nature and History, and Reconnect with the World

In the forest where the 3,000-year-old sacred Okusu tree resides, is a cave of five hundred Arhats carved 1,300 years ago by the Buddhist monk Gyoki. (*1) Next to the cave, visitors will open their brains in a sauna of history and forest, and walk through the art spread over 500,000 square meters of forest and a garden built in Edo.
(*1 ) The Tsukahara no Karafuro, one of the oldest existing saunas in Japan, is said to have been built by Gyoki, an ascetic who traveled all over Japan before building the Great Buddha in Nara, hoping to cure people of their illnesses. It is believed that Gyoki built saunas for people while practicing Buddhism all over the country.






Mifuneyama Rakuen Hotel Rakan Bath

The Rakan Bath, the winner of the SAUNACHELIN 2019, 2020 & 2021 Grand Prix, at Mifuneyama Rakuen Hotel have been completely renovated (both men's and women's). The men's bath now has a meditation sauna where guests can enjoy löyly (pouring hot water on sauna stones to produce steam, uses natural water from Mt. Mifune and roasted tea from Ureshino, Saga). The men's bath also has a cold water bath with hot spring water cooled to 16 degrees Celcius, and a large open-air bath/bathing space surrounded by the nature of Mt. Mifune.
The women's bath is also now equipped with a meditation sauna, allowing guests to enjoy löyly (uses natural water from Mt. Mifune) and Kugel (aroma balls that produce a scent when on top a sauna stove). It also has a cold water bath with hot spring water cooled to 17 degrees Celcius, a steam sauna, a cafe (has homemade pudding, detox water, etc.), and an open-air bath/bathing space surrounded by the nature of Mt. Mifune.

Map

Artwork Map

Heritage Map (Inside Mifuneyama Rakuen Park)

Heritage Map (Outside Mifuneyama Rakuen Park)

APP

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teamLab App

알다

가까이에 있는 작품의 컨셉을 읽을 수 있는 가이드 앱을 제공하고 있습니다.

깊이 있게 이해하며 즐거움을 더해보세요.


무료로 다운로드

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Distributed Fire

불꽃을 켜다

이 애플리케이션을 표시한 채로 'Universe of Fire Particles in a Decaying Underground Passage’에 다가가면 불꽃이 생겨, 작품을 가지고 돌아갈 수 있습니다.


불꽃을 공유하다

불꽃을 다른 사람의 애플리케이션에 가까이하면 불꽃을 공유할 수 있습니다.


불꽃의 지도 보기

퍼져나가는 불꽃의 무리가 애플리케이션의 지도에 그려진다.

관람안내

공지사항

The "Art Exhibition (Indoor Artworks Only) & Daytime Rakan Bath Combo Ticket" price will change from September 1.

Before You Visit
* The venue is dark and has many rough roads. Wear comfortable shoes such as sneakers.
* To avoid mosquito bites, wear long sleeves and long pants to avoid skin exposure, and use insect repellent.
* The park is huge. Give yourself enough time to explore.

Venue Map
See here.

전시회장 정보

VOLVO teamLab: A Forest Where Gods Live

기간

2022.07.15(Fri) - 11.06(Sun)

영업 시간

VOLVO teamLab: A Forest Where Gods Live
Jul 15 - Sep 11, 2022 19:00 - 22:30
Sep 12 - Oct 9, 2022 18:00 - 22:30
Oct 10 - Nov 6, 2022 17:00 - 22:30
* Enter through Entrance 1. Entrance 2 is also available 1 hour after the exhibition opens
* Last entry 22:00
* teamLab Exhibition & Daytime "Rakan Bath" Combo Ticket holders may view the indoor artworks from 11:00.
Indoor artworks: "Megaliths in the Bath House Ruins", "Graffiti Nature", "Living Crystallized Light", "Light Sculpture of Flames", "Universe of Fire Particles in a Decaying Underground Passage", "Life Survives by the Power of Life II", "Forest and Spiral of Resonating Lamps”

Daytime "Rakan Bath"
Reservation Required / Fixed Capacity

July 15 - Sep 30, 2022
Session #1: 8:30 - 11:00 (Up to 10 Men / 10 Women)
Session #2: 16:00 - 18:30 (Up to 15 Men / 15 Women)
Session #3: 18:30 - 21:00 (Up to 15 Men / 15 Women)
Session #4: 21:00 - 23:30 (Up to 10 Men / 10 Women)

Oct 1 - Nov 6, 2022
Session #1: 8:30 - 11:00 (Up to 10 Men / 10 Women)
Session #2: 15:00 - 17:30 (Up to 15 Men / 15 Women)
Session #3: 17:30 - 20:00 (Up to 15 Men / 15 Women)
Session #4: 20:00 - 22:30 (Up to 10 Men / 10 Women)
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* No overnight stay.
* You must be 16 years old or older to use the daytime "Rakan Bath".
* Groups of four or more people of the same sex are not allowed.
* Reservation can be made via phone or Official Ticket Page.

휴관일

Open Daily

오시는 길

주소

Mifuneyama Rakuen
4100 Takeo, Takeo-cho, Takeo City, Saga
Map
By Train
From JR Hakata Station: 70 min by train to JR Takeo Onsen Station. Take a taxi (5 min) or a bus (8 min) to Mifuneyama Rakuen stop. From JR Nagasaki Station: 23min by Nishi Kyushu Shinkansen to JR Takeo Onsen Station. Take a taxi (5 min) or a bus (8 min) to Mifuneyama Rakuen stop. From JR Takeo Onsen Station: 5 min by taxi or 8 min by bus to Mifuneyama Rakuen stop.
By Air
From Nagasaki Airport: 40 min by car From Saga Airport: 50 min by car From Fukuoka Airport: 70 min by car
Parking
Mifuneyama Rakuen Temporary Parking Lot: 300 cars Takeo Keirin Parking Lot: 900 cars Other nearby parking lots: 900 cars * Only when the Mifuneyama Rakuen Temporary Parking Lot is full, the Takeo Keirin Parking Lot opens.
Free Shuttle Bus
A free shuttle bus runs between Mifuneyama Rakuen Temporary Parking Lot, Takeo Keirin Parking Lot, and Mifuneyama Rakuen Entrance 2 on weekends. Jul 15 - Sep 11, 2022 19:30 - 23:00 Sep 12 - Oct 9, 2022 18:30 - 23:00 Oct 10 - Nov 6, 2022 17:30 - 23:00 * Departs every 15 minutes. * Does not run on weekdays. * The shuttle bus does not stop at Mifuneyama Rakuen Entrance 1. * Only when the Mifuneyama Rakuen Temporary Parking Lot is full, the Takeo Keirin Parking Lot opens and the bus starts running to/from the Takeo Keirin Parking Lot.

문의

Tel

Mifuneyama Rakuen
+81-954-23-3131

예방 조치

Regarding Entry

Entry may be restricted depending on crowds.

Due to time constraints, if the number of visitors exceeds capacity, entry may not be permitted.


Wheelchair & Stroller Access

The garden has natural trails that may be difficult to access with a wheelchair or stroller.


Accessible artworks include;

・"Drawing on the Water Surface Created by the Dance of Koi and Boats – Mifuneyama Rakuen Pond"

・"Resonating Forest in the Ravine"

・"Resonating Forest - Cherry Blossoms and Maple"

・"Resonating Azalea Valley "

・"Resonating Mt. Mifuneyama"

・"Ever Blossoming Life Rock"

・"Flowers Bloom in an Infinite Universe inside a Teacup”

・"Living Crystallized Light"
・"Light Sculpture of Flames"
・"Life Survives by the Power of Life II"

・"Forest and Spiral of Resonating Lamps - one stroke"


Liability

The organizers will not be held responsible for any injury, loss, or damage to personal items.


Trash Free Park

For environmental preservation, trash cans are not available in this park. Be prepared to take your trash home for disposal and recycling.


No Smoking

All parks and natural areas are strictly smoke and tobacco-free.


Clothing

There are steep slopes and natural trails in this park. Visitors are advised to wear suitable clothing and footwear.


No Pets Allowed

No pets are allowed in the park. Service dogs are welcome.


Exhibition Suspended or Delayed Due to Weather

In case of strong rain and/or wind, the exhibition will be suspended. Please check the park's official website, facebook, or instagram for details.


Photography & Videography

Use of flash, drones and/or tripod inside the park is prohibited.


Other

By entering this exhibition, you consent to having your image captured by official photographers and videographers. The resulting materials, including still photographs, video and audio recordings may be used by the Organizers or local promotional entities without restriction or financial compensation, in news materials, promotional materials, on the web and other properties.


Conditions for Usage of Day Trip Rakan Bath
Mifuneyama Rakuen Hotel reserves the right to refuse serving the guests that match the following descriptions;
* Groups of more than 4 same sex guests
* Guests under the age of 16 (for day trips)
* People who are, or are deemed to be, connected to criminal or antisocial gangs/organisations
* People with tattoos
* People who are excessively drunk
* People being loud and disruptive
* People with skin disorders or other transmissible conditions, and people forbidden from bathing by a doctor
* People experiencing a fever or significant sluggishness, people experience coughs, labored breathing or other symptoms of a respiratory condition, and people who are otherwise physically unwell
* People engaging in behavior that is disruptive or dangerous for other guests, and people acting unhygienically
* People deemed inappropriate to use our facilities
작가
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teamLab
아트 컬렉티브 teamLab은 2001년 활동을 시작했다. 국경을 넘어선 연대 속에 집단 창작의 방식으로 예술, 과학, 테크놀로지 그리고 자연계의 교차점을 학제적 접근으로 모색한다. 아티스트, 프로그래머, 엔지니어, CG 애니메이터, 수학자, 건축가 등 다양한 분야의 전문가들로 구성된 teamLab은 예술을 통해 인간과 자연, 개인과 세계의 새로운 관계를 탐구하고 표현한다. teamLab은 우리에게 익숙한 모든 경계에 대해 질문한다. 인간은 각자를 둘러싼 바깥 세상을 감각 기관으로 인지해 스스로와 분리하고 낱낱을 경계지어 독립체로 구분하려 한다. 현대 문명은 그런 방식으로 세계를 이해해 왔다. teamLab은 예술을 통해 감각을 확장하고 개인과 세계의 경계, 시간의 연속성에 대한 인지의 경계를 넘어설 수 있다고 믿는다. 이 세계의 모든 것은 광대한 시간 속에, 생명의 끝없는 연속 안에 가까스로, 하지만 기적적으로 존재하고 있다. teamLab의 작품은 시드니 뉴사우스웨일스 주립 미술관, 애들레이드 사우스오스트레일리아 미술관, 샌프란시스코 아시아 미술관, 뉴욕 아시아 소사이어티, 이스탄불 보루산 현대 미술관, 멜버른 빅토리아 국립 미술관, 헬싱키 아모렉스가 영구 소장하고 있다. teamlab.art Biographical Documents teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

주최자

Mifuneyama Rakuen
teamLab

Main Parner

Volvo Car Japan

Under the auspices of

Kyushu Railway Company

Special Thanks

Saga Television Station

Map of Venue

Please see here.