teamLab: Mangrove Island at Manar Abu Dhabi | teamLab

teamLab: Mangrove Island at Manar Abu Dhabi

전시 종료

2023.12.21(Thu) - 2024.01.30(Tue)Samaliyah Island, Abu Dhabi

Group Exhibition

teamLab: Mangrove Island at Manar Abu Dhabi

전시 종료

2023.12.21(Thu) - 2024.01.30(Tue)Samaliyah Island, Abu Dhabi

Group Exhibition

작품

바람과 함께 춤추는 기둥들 / Pillars that Dance with the Wind

* 작품이 섬세하기 때문에 비가 오거나 풍이 불면 관람이 불가능할 수 있습니다.

콘크리트 등 지금까지 인간이 만들어 온 것은 돌멩이와 같이 그 자체만으로 안정적인 구조를 가진다.
반면, 소용돌이는 외부에서 내부로, 내부에서 외부로 지속적으로 흐르는 물에 의해 생성되고 유지되며 흐름 내에서 질서 있는 구조를 유지한다. 마찬가지로 생명 또한 음식을 통해 에너지와 물질이 계속해서 안팎으로 흐르는 것으로 생명의 질서가 유지된다.
이 작품 역시 그 자체로 구조를 가지지 않고 흐름 속에서 구조가 형성되어 생명처럼 부드럽고 유연하다.그리고 흐름은 혼돈 속에서 질서를 만들어 간다.

작품은 바람과 비, 습도 등 주변 환경의 영향을 많이 받아, 기둥의 수, 움직임, 높이와 크기가 크게 변화해 간다.
그리고 작품은 사람들과도 인터랙티브하게 반응한다.

공명하는 소우주 - 고형화된 빛의 색 / Resonating Microcosms - Solidified Light Color

teamLab is experimenting with the concept of color. The ovoids can change into a total of 61 newly-defined Solidified Light Colors.

Under the sun, the ovoids reflect the world around them. As the sun sets, or in a dark space, the ovoids shine by themselves.

When an ovoid is pushed by a person, it shines brightly and emits a sound tone as it rights itself. The ovoids around it also respond one after another, emitting the same light color and sound tone that continues to resonate out.

When people are still, the ovoids begin to flicker slowly and reflect the world around them. When the ovoids are outdoors, they respond to environmental factors such as the rain and wind. The space of the work is interactively transformed under the influence of the behavior of the people and environment in the space, making the people and the environment a part of the work.

Spatial Calligraphy in the Forest - One Stroke

A continuous and unicursal Spatial Calligraphy drawn in the forest. The Spatial Calligraphy intersects and rotates in multiple layers, and eventually disappears.
Spatial Calligraphy is a form of calligraphy drawn in space that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three-dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure of space that teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.

Forest of Autonomous Resonating Life

공간은 여러 크기의 물체들로 가득 차있다. 사람들은 물체들의 사이를 헤집고 공간 속으로 들어간다.

저항하는 물체들은 사람들이 헤집거나 치는 등 충격을 가하면 색이 변화하며 소리를 퍼트린다. 그 주위의 있는 물체는 가까운 물체와 공명하며 같은 색, 같은 음을 퍼트린다.

저편에서 빛들이 퍼져오면 그것은 곧 저편에 사람이 있음을 의미한다. 사람들은 같은 공간에 있는 타인의 존재를 평소보다 더 의식하게 될 것이다.

Autonomous Resonating Life and Resonating Trees

The resisting and resonating ovoids placed amongst the trees shine. The light of the ovoids and the light of the trees are autonomous: they shine brightly and then fade slowly, as though they are breathing.

When an ovoid is pushed, the color of the light it emits changes and a tone unique to that color echoes out. The light that originated from that ovoid resonates out to other ovoids and trees nearby. The tone resonates out continuously in the same way as the light, spreading throughout the ovoids and trees.

If a wave of light comes from the other side, it signifies the presence of people there. People gain a heightened sense of awareness of the existence of other people in the same space.

Path Leading to the Mangrove Forest

The musical experience changes depending on the pace at which you walk.

Life is Continuous Light - Mangrove Forest

The mangrove forest shine brightly.

When people pass by the mangrove, they shine more brightly and produce a tone. The light of that tree then radiates out, spreading to nearby mangrove as they resonate with the same tone. If a wave of light comes from the other side, it signifies the presence of people there. People gain a heightened sense of awareness of the existence of other people in the same space.

Giant Solidified Spark

Reality is not what we see. What we see is a world that we are capable of perceiving.

A sphere made of accumulated rays of light.
The light radiates from the center in infinite fine rays, creating its spherical shape. The light source remains motionless, yet the countless lines emitting from it wriggle continuously.

The sphere has no surface boundary, and the perception of the boundary between the artwork and the body is ambiguous. When you try to touch a sphere, your hand goes into the sphere as it does not have a physical boundary.

What is this sphere? Why do the rays wriggle?
Our world is within us.

And once we recognize this sphere made of accumulated lines, our perception of the world expands, and we will begin to notice them wherever we go.

Universe of Fire Particles on the Island

The flames of Universe of Fire Particles on the Island change shape due to a dark, absolute presence.

Flames are a phenomenon of light and heat generated by combustion; it is a vaporized substance in a flow, a decomposed substance. It is our sensory experience of seeing what is in between phenomenon and substance. We perceive this sensory experience of the flame as a physical object, and at times feel that life resides within it.

Lines are drawn in relation to the flow of combusting gas, and the flames are created by the accumulation of those lines in three dimensions. The lines are then “flattened” using what teamLab considers to be Ultrasubjective Space to represent the flames.

teamLab is exploring the concept of Distributed Art.
If you launch the Distributed Fire smartphone application and approach this artwork, the flame will ignite in your phone, and you will be able to take the artwork home with you. When you bring that flame close to another person's smartphone, a flame will similarly alight in their phone. As you connect the flame, and they connect that flame with someone else, the flame will spread all over the world. The distributed flames are displayed on the Map of The Flame.

Distributed Art duplicates itself, or a part of an artwork is distributed among people. Then, once in the hands of the people, the artwork is further actively distributed, and also makes copies of itself. The artworks will be distributed and exist on people's networks and become decentralized. When the artwork exists on the network, it continues to exist even if the original disappears.

MANAR ABU DHABI

Manar Abu Dhabi is a Public Art Abu Dhabi initiative showcasing an exhibition of new commissions and site-specific light sculptures, projections, and immersive artworks by local and international artists.

A key pillar of the Public Art Abu Dhabi initiative, announced by the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi) in early 2023, Manar (the Arabic word for “lighthouse”) will offer residents and visitors opportunities to engage with stunning artworks and experience the transformative power of light.

In its inaugural edition, Manar Abu Dhabi will be held under the theme Grounding Light, co-curated by Reem Fadda, Director of Abu Dhabi Culture Programming and Cultural Foundation, and Artistic Director of Public Art Abu Dhabi and Alia Zaal Lootah, Curator Public Art, offering an immersive, multi-sensory experience which celebrates the emirate’s natural beauty, the exhibition will invite audiences to see Abu Dhabi’s coastal areas in a new light.

The artworks will be displayed across several key locations throughout Abu Dhabi, including Lulu, Saadiyat, Jubail, Al Samaliyah and Fahid islands, and other coastal areas such as Corniche Road, and the Eastern mangroves.

Over 35 site-specific artworks by local and international artists have been commissioned for Manar Abu Dhabi, spanning a diverse array of mediums including light projections, sculptures, installations, and performances. Hailing from Argentina, Belgium, France, Japan, India, Mexico, Palestine, Saudi Arabia, Taiwan, Tunisia, the UAE, UK and USA, artists include Ahmed Al Areef Al Dhaheri, Alaa Edris, Asma Belhamar, Ayesha Hadhir, Ayman Zedani, Carsten Holler, Groupe F, Jim Denevan, Jumairy, Latifa Saeed, Rain Wu, Luciana Abait, Mohammed Kazem, Nadia Kaabi-Linke, Nujoom Alghanem, Rafael Lozano-Hemmer, Samia Halaby, Shaikha Al ketbi, Shezad Dawood, Shilpa Gupta Rawdha Al Ketbi, and teamLab.

Manar Abu Dhabi is part of Public Art Abu Dhabi’s ongoing commitment to commissioning public art for the emirate; two other major long-term elements include the Public Art Abu Dhabi Biennial, launching in November 2024, and artist commissions. Since its launch in March 2023, Public Art Abu Dhabi has continued to bolster Abu Dhabi’s longstanding efforts in enhancing spaces of historical, aesthetic, architectural, social, scientific, and technological value, paying homage to the vibrant cultural legacy of the Capital while looking to the future.
- Manar Abu Dhabi

#teamLabMangroveIsland #ManarAD #AbuDhabiCulture

관람안내

전시회장 정보

teamLab: Mangrove Island at Manar Abu Dhabi

기간

2023.12.21(Thu) - 2024.01.30(Tue)

개관시간

17:00 - 24:45
* Last boat from Yas Bay dock to Samaliyah Island is at 22:30

Website

Manar Abu Dhabi

오시는 길

주소

Samaliyah Island, Abu Dhabi

작가

teamLab

아트 컬렉티브 teamLab은 2001년 활동을 시작했다. 국경을 넘어선 연대 속에 집단 창작의 방식으로 예술, 과학, 테크놀로지 그리고 자연계의 교차점을 학제적 접근으로 모색한다. 아티스트, 프로그래머, 엔지니어, CG 애니메이터, 수학자, 건축가 등 다양한 분야의 전문가들로 구성된 teamLab은 예술을 통해 인간과 자연, 개인과 세계의 새로운 관계를 탐구하고 표현한다.
 
teamLab은 우리에게 익숙한 모든 경계에 대해 질문한다. 인간은 각자를 둘러싼 바깥 세상을 감각 기관으로 인지해 스스로와 분리하고 낱낱을 경계지어 독립체로 구분하려 한다. 현대 문명은 그런 방식으로 세계를 이해해 왔다. teamLab은 예술을 통해 감각을 확장하고 개인과 세계의 경계, 시간의 연속성에 대한 인지의 경계를 넘어설 수 있다고 믿는다. 이 세계의 모든 것은 광대한 시간 속에, 생명의 끝없는 연속 안에 가까스로, 하지만 기적적으로 존재하고 있다.

teamLab의 작품은 시드니 뉴사우스웨일스 주립 미술관, 애들레이드 사우스오스트레일리아 미술관, 샌프란시스코 아시아 미술관, 뉴욕 아시아 소사이어티, 이스탄불 보루산 현대 미술관, 멜버른 빅토리아 국립 미술관, 헬싱키 아모렉스가 영구 소장하고 있다.

teamlab.art

Biographical Documents

teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

주최자

DCT Abu Dhabi