teamLab: Impermanent Flowers Floating in a Continuous Sea | teamLab
전시 종료
2022.11.11(Fri) - 2023.05.07(Sun)Kumu Art Museum, Tallinn
전시 종료
2022.11.11(Fri) - 2023.05.07(Sun)Kumu Art Museum, Tallinn
teamLab: Impermanent Flowers Floating in a Continuous Sea
All oceans are connected to each other, and so are all the waves of the world.
In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity.
When the waves rise, we can feel a powerful breath of life, as though life is blooming. It seems that each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other.
The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean.
The artwork space consists of one continuous and connected wave, with neither beginning nor end. The exterior of this perceived mass is also its interior, and the external and internal are one.
Inside the mass of waves, ever-blossoming flowers continually grow and wither in a repeating and ever-changing cycle of life and death. The waves and flowers do not form a fixed viewpoint, which allows people to move freely around the space. The wall on which the work is projected does not become a boundary between people and the work, and the space filled with flowers is continuous with the space of the people experiencing the work.
The flame artwork duplicates and distributes itself among people, and once the artwork is in the hands of people, it is further actively distributed. The flame will exist on people’s networks, transforming into decentralized, Distributed Art. When the flame exists on a network, it will continue to exist even if the original flame disappears.
Through the experience of transcending the boundaries between the body and the artwork, people redefine their perception of the boundaries between the self and the world, and thereby recognize the continuity between humans and the world.
In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity.
When the waves rise, we can feel a powerful breath of life, as though life is blooming. It seems that each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other.
The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean.
The artwork space consists of one continuous and connected wave, with neither beginning nor end. The exterior of this perceived mass is also its interior, and the external and internal are one.
Inside the mass of waves, ever-blossoming flowers continually grow and wither in a repeating and ever-changing cycle of life and death. The waves and flowers do not form a fixed viewpoint, which allows people to move freely around the space. The wall on which the work is projected does not become a boundary between people and the work, and the space filled with flowers is continuous with the space of the people experiencing the work.
The flame artwork duplicates and distributes itself among people, and once the artwork is in the hands of people, it is further actively distributed. The flame will exist on people’s networks, transforming into decentralized, Distributed Art. When the flame exists on a network, it will continue to exist even if the original flame disappears.
Through the experience of transcending the boundaries between the body and the artwork, people redefine their perception of the boundaries between the self and the world, and thereby recognize the continuity between humans and the world.
작품
관람안내
전시회장 정보
teamLab: Impermanent Flowers Floating in a Continuous Sea
기간
2022.11.11(Fri) - 2023.05.07(Sun)
개관시간
Tuesday
10:00 - 18:00
Wednesday
10:00 - 18:00
Thursday
10:00 - 20:00
Friday - Sunday
10:00 - 18:00
* Last admissions up to half an hour before the closing time.
* The museum closes 3 hours earlier on: December 23 and February 23
휴관일
Mondays and National Holidays
Website
오시는 길
주소
Kumu Art Museum
Great Hall
A. Weizenbergi 34, 10127 Tallinn
Great Hall
A. Weizenbergi 34, 10127 Tallinn
현지 언어로 된 주소:
Kumu kunstimuuseum
Suur saal
Weizenbergi 34 / Valge 1
10127 Tallinn
Suur saal
Weizenbergi 34 / Valge 1
10127 Tallinn
작가
teamLab
아트 컬렉티브 teamLab은 2001년 활동을 시작했다. 국경을 넘어선 연대 속에 집단 창작의 방식으로 예술, 과학, 테크놀로지 그리고 자연계의 교차점을 학제적 접근으로 모색한다. 아티스트, 프로그래머, 엔지니어, CG 애니메이터, 수학자, 건축가 등 다양한 분야의 전문가들로 구성된 teamLab은 예술을 통해 인간과 자연, 개인과 세계의 새로운 관계를 탐구하고 표현한다.
teamLab은 우리에게 익숙한 모든 경계에 대해 질문한다. 인간은 각자를 둘러싼 바깥 세상을 감각 기관으로 인지해 스스로와 분리하고 낱낱을 경계지어 독립체로 구분하려 한다. 현대 문명은 그런 방식으로 세계를 이해해 왔다. teamLab은 예술을 통해 감각을 확장하고 개인과 세계의 경계, 시간의 연속성에 대한 인지의 경계를 넘어설 수 있다고 믿는다. 이 세계의 모든 것은 광대한 시간 속에, 생명의 끝없는 연속 안에 가까스로, 하지만 기적적으로 존재하고 있다.
teamLab의 작품은 시드니 뉴사우스웨일스 주립 미술관, 애들레이드 사우스오스트레일리아 미술관, 샌프란시스코 아시아 미술관, 뉴욕 아시아 소사이어티, 이스탄불 보루산 현대 미술관, 멜버른 빅토리아 국립 미술관, 헬싱키 아모렉스가 영구 소장하고 있다.
teamlab.art
Biographical Documents
teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.