teamLab: Continuous Life and Death at the Now of Eternity | teamLab

꽃이 끝없이 피고 지며, 탄생과 죽음을 영원히 거듭한다.

현실의 시간의 흐름에 따라 피어나는 꽃들이 계절에 맞춰 하루하루 모습을 바꾸어 간다. 작품 속 세상은, 설치된 장소에 해가 뜨면 밝아지고,, 해가 지면 따라서 어두워진다.
감상자가 존재하는 현실의 시간, 도시의 시간, 꽃의 탄생과 죽음이 반복되는 시간, 각각의 다른 시간이 신체, 도시, 그리고 작품 세계에 이어져 교차하고 중첩된다. 작품 공간에 서로 다른 시공이 겹쳐진다.
작품은 컴퓨터 프로그램에 의해 실시간으로 그려져 간다. 사전에 기록된 영상을 재생하는 방식이 아니며 이전의 상태가 되풀이되는 경우도 없다. 사람들의 움직임의 영향을 받아들여 끝없이 변화해 간다. 지금 이 순간의 장면은 두 번 다시 볼 수 없다.

The movement of waves in water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, the behavior of the particles of the water was then extracted and lines were drawn in relation to the movement of the particles. The wave created in a 3-D space is then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.
In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.  
This form of expression leads us to question why premodern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.
While viewing this artwork, if we feel a sense of life in the collection of lines—what can be called the subjective world of premodern people—then perhaps this is one aspect of objective recognition.
When viewing this artwork, as opposed to watching waves shot with a video camera, people may feel that the barrier between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved toward the world.
If we regard ourselves as a part of nature, and consider nature not just as something to be observed, we might join premodern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature.

As a new capital city is being built, various people make appearances and their stories unfold in parallel in this picture scroll. The landscape of the city under construction is created on a computer in three-dimensions, in a three-dimensional space. The work comes to life as our viewpoint travels around the landscape. The lines of the work are expressed as Kirigane, (an artistic technique which consists of cutting gold or silver leaf into fine lines and adhering them to the surface).