teamLab: Mangrove Island at Manar Abu Dhabi | teamLab

teamLab: Mangrove Island at Manar Abu Dhabi

EXPOSITION PASSÉE

2023.12.21(Thu) - 2024.01.30(Tue)Samaliyah Island, Abu Dhabi

Group Exhibition

teamLab: Mangrove Island at Manar Abu Dhabi

EXPOSITION PASSÉE

2023.12.21(Thu) - 2024.01.30(Tue)Samaliyah Island, Abu Dhabi

Group Exhibition

TRAVAUX

Pillars that Dance with the Wind

* In the event of rain or strong winds, the artwork may not be exhibited.

Materials made by humans, such as concrete, have maintained a stable structure on their own like a stone. Vortices on the other hand are created and sustained by the water that continuously flows inwards and outwards, maintaining an ordered structure within that flow. Life similarly maintains order through the continuous inward and outward flow of energy and matter through food.
This artwork also has no structure by itself, but rather the structure emerges from the flow; it is soft and flexible like a life form. The flow is what creates order from chaos.

The artwork is strongly influenced by its environment, including wind, rain, and humidity. The number, movement, and height of the pillars changes significantly.
The work also responds interactively to people.

Resonating Microcosms - Solidified Light Color

teamLab is experimenting with the concept of color. The ovoids can change into a total of 61 newly-defined Solidified Light Colors.

Under the sun, the ovoids reflect the world around them. As the sun sets, or in a dark space, the ovoids shine by themselves.

When an ovoid is pushed by a person, it shines brightly and emits a sound tone as it rights itself. The ovoids around it also respond one after another, emitting the same light color and sound tone that continues to resonate out.

When people are still, the ovoids begin to flicker slowly and reflect the world around them. When the ovoids are outdoors, they respond to environmental factors such as the rain and wind. The space of the work is interactively transformed under the influence of the behavior of the people and environment in the space, making the people and the environment a part of the work.

Spatial Calligraphy in the Forest - One Stroke

A continuous and unicursal Spatial Calligraphy drawn in the forest. The Spatial Calligraphy intersects and rotates in multiple layers, and eventually disappears.
Spatial Calligraphy is a form of calligraphy drawn in space that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three-dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure of space that teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.

Forest of Autonomous Resonating Life

The densely packed, standing ovoids of light are autonomous. When an ovoid is pushed over by people moving through or blown down by the wind, it rises back up as the color of its light changes and emits a tone specific to that color. The surrounding ovoids respond one after another, continuously changing to the same color and emitting the same tone.

When the wind is not blowing and the people nearby are not interacting with the ovoids, their lights begin to blink slowly.

Autonomous Resonating Life and Resonating Trees

The resisting and resonating ovoids placed amongst the trees shine. The light of the ovoids and the light of the trees are autonomous: they shine brightly and then fade slowly, as though they are breathing.

When an ovoid is pushed, the color of the light it emits changes and a tone unique to that color echoes out. The light that originated from that ovoid resonates out to other ovoids and trees nearby. The tone resonates out continuously in the same way as the light, spreading throughout the ovoids and trees.

If a wave of light comes from the other side, it signifies the presence of people there. People gain a heightened sense of awareness of the existence of other people in the same space.

Path Leading to the Mangrove Forest

The musical experience changes depending on the pace at which you walk.

Life is Continuous Light - Mangrove Forest

The mangrove forest shine brightly.

When people pass by the mangrove, they shine more brightly and produce a tone. The light of that tree then radiates out, spreading to nearby mangrove as they resonate with the same tone. If a wave of light comes from the other side, it signifies the presence of people there. People gain a heightened sense of awareness of the existence of other people in the same space.

Giant Solidified Spark

Reality is not what we see. What we see is a world that we are capable of perceiving.

A sphere made of accumulated rays of light.
The light radiates from the center in infinite fine rays, creating its spherical shape. The light source remains motionless, yet the countless lines emitting from it wriggle continuously.

The sphere has no surface boundary, and the perception of the boundary between the artwork and the body is ambiguous. When you try to touch a sphere, your hand goes into the sphere as it does not have a physical boundary.

What is this sphere? Why do the rays wriggle?
Our world is within us.

And once we recognize this sphere made of accumulated lines, our perception of the world expands, and we will begin to notice them wherever we go.

Universe of Fire Particles on the Island

The flames of Universe of Fire Particles on the Island change shape due to a dark, absolute presence.

Flames are a phenomenon of light and heat generated by combustion; it is a vaporized substance in a flow, a decomposed substance. It is our sensory experience of seeing what is in between phenomenon and substance. We perceive this sensory experience of the flame as a physical object, and at times feel that life resides within it.

Lines are drawn in relation to the flow of combusting gas, and the flames are created by the accumulation of those lines in three dimensions. The lines are then “flattened” using what teamLab considers to be Ultrasubjective Space to represent the flames.

teamLab is exploring the concept of Distributed Art.
If you launch the Distributed Fire smartphone application and approach this artwork, the flame will ignite in your phone, and you will be able to take the artwork home with you. When you bring that flame close to another person's smartphone, a flame will similarly alight in their phone. As you connect the flame, and they connect that flame with someone else, the flame will spread all over the world. The distributed flames are displayed on the Map of The Flame.

Distributed Art duplicates itself, or a part of an artwork is distributed among people. Then, once in the hands of the people, the artwork is further actively distributed, and also makes copies of itself. The artworks will be distributed and exist on people's networks and become decentralized. When the artwork exists on the network, it continues to exist even if the original disappears.

MANAR ABU DHABI

Manar Abu Dhabi is a Public Art Abu Dhabi initiative showcasing an exhibition of new commissions and site-specific light sculptures, projections, and immersive artworks by local and international artists.

A key pillar of the Public Art Abu Dhabi initiative, announced by the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi) in early 2023, Manar (the Arabic word for “lighthouse”) will offer residents and visitors opportunities to engage with stunning artworks and experience the transformative power of light.

In its inaugural edition, Manar Abu Dhabi will be held under the theme Grounding Light, co-curated by Reem Fadda, Director of Abu Dhabi Culture Programming and Cultural Foundation, and Artistic Director of Public Art Abu Dhabi and Alia Zaal Lootah, Curator Public Art, offering an immersive, multi-sensory experience which celebrates the emirate’s natural beauty, the exhibition will invite audiences to see Abu Dhabi’s coastal areas in a new light.

The artworks will be displayed across several key locations throughout Abu Dhabi, including Lulu, Saadiyat, Jubail, Al Samaliyah and Fahid islands, and other coastal areas such as Corniche Road, and the Eastern mangroves.

Over 35 site-specific artworks by local and international artists have been commissioned for Manar Abu Dhabi, spanning a diverse array of mediums including light projections, sculptures, installations, and performances. Hailing from Argentina, Belgium, France, Japan, India, Mexico, Palestine, Saudi Arabia, Taiwan, Tunisia, the UAE, UK and USA, artists include Ahmed Al Areef Al Dhaheri, Alaa Edris, Asma Belhamar, Ayesha Hadhir, Ayman Zedani, Carsten Holler, Groupe F, Jim Denevan, Jumairy, Latifa Saeed, Rain Wu, Luciana Abait, Mohammed Kazem, Nadia Kaabi-Linke, Nujoom Alghanem, Rafael Lozano-Hemmer, Samia Halaby, Shaikha Al ketbi, Shezad Dawood, Shilpa Gupta Rawdha Al Ketbi, and teamLab.

Manar Abu Dhabi is part of Public Art Abu Dhabi’s ongoing commitment to commissioning public art for the emirate; two other major long-term elements include the Public Art Abu Dhabi Biennial, launching in November 2024, and artist commissions. Since its launch in March 2023, Public Art Abu Dhabi has continued to bolster Abu Dhabi’s longstanding efforts in enhancing spaces of historical, aesthetic, architectural, social, scientific, and technological value, paying homage to the vibrant cultural legacy of the Capital while looking to the future.
- Manar Abu Dhabi

#teamLabMangroveIsland #ManarAD #AbuDhabiCulture

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Informations sur le Lieu

teamLab: Mangrove Island at Manar Abu Dhabi

Durée

2023.12.21(Thu) - 2024.01.30(Tue)

Heures

17:00 - 24:45
* Last boat from Yas Bay dock to Samaliyah Island is at 22:30

Website

Manar Abu Dhabi

Accès

Samaliyah Island, Abu Dhabi

ARTISTE

teamLab

teamLab (f. 2001) is an international art collective. Their collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. Through art, the interdisciplinary group of specialists, including artists, programmers, engineers, CG animators, mathematicians, and architects, aims to explore the relationship between the self and the world, and new forms of perception.

In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity.

teamLab exhibitions have been held in cities worldwide, including New York, London, Paris, Singapore, Silicon Valley, Beijing, and Melbourne among others. teamLab museums and large-scale permanent exhibitions include teamLab Borderless and teamLab Planets in Tokyo, teamLab Borderless Shanghai, and teamLab SuperNature Macao, with more to open in cities including Abu Dhabi, Beijing, Hamburg, Jeddah, and Utrecht.

teamLab’s works are in the permanent collection of the Museum of Contemporary Art, Los Angeles; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Asian Art Museum, San Francisco; Asia Society Museum, New York; Borusan Contemporary Art Collection, Istanbul; National Gallery of Victoria, Melbourne; and Amos Rex, Helsinki. 

teamlab.art

Biographical Documents

teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

Organisateurs

DCT Abu Dhabi