Continuous trajectories fill up the space, becoming a three-dimensional form. The places where it is drawn are in constant flux, and the form of its existence transforms.

When people become one with the artwork, viewers see them existing as part of the world of the artwork. Likewise, when viewers themselves become one with the artwork, they are also seen as existing as part of the artwork’s world when observed by other viewers. 

Multiple viewpoints are placed within the space of the artwork, and the space around the viewpoints is cut out and flattened using Ultrasubjective Space. When this flat surface is placed in the exhibition space in the same relative position as the viewpoints, the exhibition space is superimposed with the world of the artwork. The viewer's viewpoint is not fixed, and they can look not only left and right but also in the depth direction, moving freely in all directions, exploring a physical perception in which the whole body is immersed in the world of the artwork.

When the viewer sees other people overlapping with the artwork through the screen, for the viewer, it becomes equivalent to those people existing not only in the exhibition space but also in the space of the artwork world, making other people part of the artwork.